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Chameleon Street
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Wendell B. Harris wrote, directed, and stars in Chameleon Street, a sly comedy based loosely on the real-life exploits of conman William Douglas Street, who demonstrates a gift for becoming what people want him to be. The film opens with Street (Harris) being interviewed by a prison psychiatrist. In this scene, he expresses what is basically his mantra, "I think, therefore I scam." The film then flashes back to Street's earlier days, living with his parents, and working for his taciturn father installing burglar alarms. Street eventually marries a beautiful, intelligent woman, Gabrielle (Angela Leslie), who sends him off each day with the same message -- "Make some money." Overcome by boredom and desperate for cash, Street concocts a shakedown scheme that completely backfires when his accomplice, Curtis (Anthony Ennis), signs Street's name to the extortion note, and sends it to the local papers. Ironically, no charges are pressed, and the scam turns Street, briefly, into a media darling. He finds he enjoys the spotlight. Gabrielle is less pleased. Street next tries to pass himself off as a writer from Time Magazine in order to interview a women's basketball player (Paula McGee, who plays herself). "She had the four 'B's," he exults, "Black, Beauty, Brains, and Basketball." As his relationship with his now pregnant wife disintegrates, Street engages in his most ambitious scheme yet -- posing as an Harvard-educated intern at a local hospital. Everything is going smoothly until he's called upon to perform a hysterectomy. Harris' low-budget film won the grand prize at the Sundance Film Festival, but only received limited theatrical distribution. Harris disappeared from national view until his memorable supporting role in Steven Soderbergh's Out of Sight in 1998. He also had a small part in the 2000 teen comedy Road Trip. ~ Josh Ralske, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
Chameleon Street is a fascinating, funny, and literate examination of black identity. It was released in a hopeful time for black filmmakers. But along with another uniquely intelligent and thoughtful examination of black life, Charles Burnett's To Sleep With Anger, it didn't find the audience it deserved. The film's budgetary limitations are clearly visible in the threadbare production. It was Wendell B. Harris' feature debut as a writer, director, and actor, and the uneven performances may reflect his lack of experience. But Harris' ambition and erudition more than compensate for the film's technical shortcomings. Harris plays Doug Street as a charismatic, clever, and deeply troubled man. Harris never soft-pedals Street's misogyny or his cynicism; he allows the viewer to see how close Street is to the edge of sanity. But Harris also incisively portrays the societal pressures that push Street to criminality, and the character's determination to live by his wits is oddly heartening. With Harris' booming bass narration deconstructing every scene, referencing Jean Cocteau and Edith Piaf, one finds oneself rooting for Street. There are three scenes in Chameleon Street that particularly point to its singular unconventionality. In Street's skillful verbal destruction of a "peckerwood" racist, in his completely unqualified performance of major surgery, and in his grotesque "play" with his young daughter, the film achieves a synthesis of tension and wit that is rarely matched in cinema. ~ Josh Ralske, All Movie Guide
 



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