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Death of a Salesman
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Directed by Laslo Benedek
Arthur Miller's Pulitzer Prize-winning play Death of a Salesman is brought to the screen by producer Stanley Kramer. The salesman of the title is Willy Loman (Fredric March), who has spent his entire life pursuing success, only to find himself a middle-aged failure. The shock of this realization causes Willy's mind to wander between the past and the present, as he muses on lost opportunities, shattered dreams, and his turbulent relationship with his oldest son, Biff (Kevin McCarthy). Willy ultimately loses all contact with reality, which results in fate's final blow. Lee J. Cobb, who'd played Willy on Broadway, had been blacklisted by Hollywood because of his alleged "leftie" politics, thus was denied the opportunity to star in the film version, but Mildred Dunnock was permitted to brilliantly recreate her stage role as Willy's long-suffering wife, Linda ("Attention! Attention must be paid to this man"). A second filmization of Death of a Salesman was produced for television in 1985, with Dustin Hoffman as Willy Loman. ~ Hal Erickson, All Movie Guide
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Review by All Movie Guide
All Movie Guide
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An amazingly faithful adaptation of Arthur Miller's stage masterpiece, Death of a Salesman is a powerful, disturbing, and wrenching film experience. Critics have argued for years over whether Miller's work qualifies as a tragedy, but it's impossible to deny the force and passion that pours forth from it. Given the unenviable task of replacing Lee J. Cobb, whose stage performance in the role was legendary, Fredric March more than rises to the occasion, giving what is arguably the finest performance of his career. March offers glimpses of the real humanity that lies deeply buried at the core of his character, but not at the expense of the less pleasant aspects of the character. He is a liar, a fake, and dangerously self-involved, and March's skillful performance doesn't shy away from any of this, while at the same time making the viewer care so deeply that a man could be so terribly afraid and angry and unable to admit to it. Mildred Dunnock is sheer perfection as the wife and mother who constantly tries to support the men in her life and is torn up by their failures, and Kevin McCarthy and Cameron Mitchell are aces as the sons. Laslo Benedek's direction is taut and gripping, his only real misfire being a straightforward cinematic translation of the play's commingling of past and present rather than a more imaginative approach. All in all, an excellent adaptation of one of the American theater's greatest plays. ~ Craig Butler, All Movie Guide
 

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