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Casablanca
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Directed by Michael Curtiz.
One of the most beloved American films, this captivating wartime adventure of romance and intrigue from director Michael Curtiz defies standard categorization. Simply put, it is the story of Rick Blaine (Humphrey Bogart), a world-weary ex-freedom fighter who runs a nightclub in Casablanca during the early part of WWII. Despite pressure from the local authorities, notably the crafty Capt. Renault (Claude Rains), Rick's café has become a haven for refugees looking to purchase illicit letters of transit which will allow them to escape to America. One day, to Rick's great surprise, he is approached by the famed rebel Victor Laszlo (Paul Henreid) and his wife, Ilsa (Ingrid Bergman), Rick's true love who deserted him when the Nazis invaded Paris. She still wants Victor to escape to America, but now that she's renewed her love for Rick, she wants to stay behind in Casablanca. "You must do the thinking for both of us," she says to Rick. He does, and his plan brings the story to its satisfyingly logical, if not entirely happy, conclusion. ~ Robert Firsching, All Movie Guide
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SpoutBlogSpoutBlog Cinema Still Loves Nazis
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
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"Upset that the Third Reich doesn’t appear in either this summer’s Indiana Jones and the Kingdom of the Crystal Skull or Hellboy II: The Golden Army? Of course you are. Nazis have featured in many great Hollywood films, from Casablanca to Schindler’s List. They’ve been the focus of one of the best documentaries of all time (Triumph of the Will). They show up in the best musicals (The Sound of Music), the best action films (Raiders of the Lost Ark), the best science fiction films (Star Wars, sort of), the best comedies (The Great Dictator, sort of), the best dramas (Judgment at Nuremburg), the best foreign films (Rome, Open City) and even the best animated shorts (Der Fueher’s Face). In fact, without the Nazis, cinema might not have had so many great war films, POW films or other kinds of films necessitating a personification of evil. Of course, like many others I would wish for them to have never existed, because millions of lives are more important than any number of classic movies ... " [More]
pippin06pippin06 Revisiting Casablanca for the A ...
by pippin06 in Reel Thoughts
loved it.
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"What's the AFI project, you ask? For more information, or if you just enjoy my bemused ramblings, read here: http://www.spout.com/blogs/pip pin06/archive/2008/3/1/25756.a spxCasablanca is on the following AFI lists:The Original Top 100 (#2)100 Most Heart-Pounding Movies (#37)100 Greatest Love Stories (#1)100 Years...100 Heroes and Villains (Rick Blaine is the #4 hero)100 Greatest Film Songs (#2 - "As Time Goes By")100 Movie Quotes: (6 total)(#5 - Rick Blaine: "Here's looking at you, kid;" #20 - Rick Blaine: "Louis, I think this is the beginning of a beautiful friendship;" #28 - Ilsa Lund: "Play it, Sam. Play 'As Time Goes By;'" #32 - Captain Renault: "Round up the usual suspects;" #45 - Rick Blaine: "We'll always have Paris;" #67 - Rick Blaine: "Of all the gin joins in all the towns in all the world, she walks into mine.")100 Most Inspiring Movies (#32)The Revised Top 100 (#3)Who doesn't ... " [More]
BigJeffLebowskiBigJeffLebowski To The Academy: Educate, Don't ...
by BigJeffLebowski in BigJeffLebowski Blog
loved it.
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"In the January 14th issue of Time, film critic Richard Corliss eschews reviewing the week's releases (it is January, after all) to instead pontificate on the state of the Oscars ("How to Save the Awards Shows"). As many are wont to do, Corliss offers his suggestion on how to improve the Oscars. He throws out the notions usually bandied about in bids for cheap audience thrills, and suggests something that he considers self-evidently simple: give the awards to popular movies.Now, with all respect to Mr. Corliss, I agree that the Oscars don't have the finest track record for nominations, let alone for awards. But if I may be granted my say, the problem with the list is that it usually slants too commercial. Does anyone really think The Departed was the best picture of 2006? Or Crash the best picture of 2005? Or Million Dollar Baby the best picture of 2004? Or... well, you get the idea.Granted, these are not bad films. (Okay, Crash is a bad film.) But they ar ... " [More]
amacduffamacduff A Film Fundamental
by amacduff in amacduff Blog
loved it.
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"It is impossible to say that you are a true fan of anything, while not possessing an understanding of its roots. There are some films that are cornerstones of filmdom, and if you haven't seen them, you can't truly say that you are a lover of films. Casablanca is one of those films.I personally waited a long time to see this film. And after I saw it, I wished I could un-watch every film I ever saw and see this one first. I felt cheated, having grown up with films influenced by this one film. Casablanca is a fundamental upon which one builds an understanding of film. So many films with themes of love, virtue and ethical dilemmas seem to draw from this one film great.For a film which didn't hold any high expectations, Casablanca has got it all: a clever screenplay adapted from an unproduced play, great direction and production, brilliant acting, good chemistry and depth of characters. It received 3 Oscars and was nominated for 5 more, and is one of the most critical ... " [More]
eagle795eagle795 #15
by eagle795 in eagle795 Blog
hasn't rated it.
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"Flat out great flick. " [More]
ShaunHustonShaunHuston The Good German (2006) on DVD: ...
by ShaunHuston in ShaunHuston filmblog
hasn't rated it.
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"One thing, maybe the thing, that makes The Good German perplexing is that its best quality, the meticulous recreation of a 40s international noir ala Casablanca (1942) or The Third Man (1949), is also its biggest weakness.There are some beautiful and authentic images in the film, but there are others that verge on parody (mostly those involving rear projection; sorry no stills or screen grabs available - I popped the film back into the mail before thinking I might want it). By itself, that wouldn't be a problem except that director Steven Soderbergh and writer Paul Attanasio haven't rethought the films they reference so much as attempted to reproduce them, but with the jarring addition of language, violence, and sex that wouldn't have been allowed in the 1940s. Unlike, say, homosexuality (and, really, race) in Far From Heaven (2002) or the disappearing blandness of Ed (Billy Bob Thornton) in The Man Who Wasn't There (2001), the updating and revisioning of genre in The Good German i ... " [More]
pippin06pippin06 Re: Top 5 Everybody Seems To Lo ...
by pippin06 in Top 5
loved it.
"Great topic!!! I'll play.tmoney - my #1 is your #51.) Anchorman - Don't get me wrong. I actually like Will Ferrell. But not in this stupid movie. He made me want to hit him. Seriously.2.) Wedding Crashers - Please tell me why this movie is supposed to be funny. I'm asking. Oh, and Will Ferrell appeared in this one too. Hey, I thought he was hilarious as Ricky Bobby. I always say it's a crapshoot with him.3.) Citizen Kane - Ok, before you start hurling tomatoes, hear me out. Yes, it was a breakthrough. Yes, it was ahead of its time. Is it the greatest movie of all time????? Why? The movie is sooooooo boring! I like cerebral films, I do. I like those kinds of quasi-biographical quasi-allegorical type films. I don't hate it completely, but I'm tired of everyone telling me it's the best there is. I still think Casablanca and The Godfather are both far better movies, and they're entertaining too. Those movies have it all! Sorry, Orson. ... " [More]
walktheearthwalktheearth The sign of a great film
by walktheearth in walktheearth Blog
hasn't rated it.
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"I had an epiphany tonight while watching a movie. The mark of a truly great film is that it get the viewer invested in it and motivates them. Examples of this are Mr. Smith Goes to Washington. After watching this you can’t help but want to be a better American. It makes you believe in something. When the theme of the film is dark like Se7en, the connection you make with Brad Pitts character at the films climax can not be understated. You have to put yourself in his shoes, and it forces you to ask yourself questions you normally wouldn’t. A few other examples are: the gut wrenching feeling you get every time Bogey watches the plane take off in Casablanca (the definition of bittersweet), white knuckling the arm chair when the bolder almost flattens Indy. I still get goose bumps when I hear, “Hello. My name is Inigo Montoya. You killed my father. Prepare to die.” As a movie lover and a wanna be film maker, I have had this feeling many time watching ind ... " [More]
GradysGhostGradysGhost Re: Charles Spencer Chaplin
by GradysGhost in What An Ending
loved it.
"Favorite endings:Casablanca - Here's lookin' at you, kid. We'll always have Paris. It's so depressing. Bogart sends away Bergman (who may be his one true love) so that she can be safe from the war despite the thought that he may never see her again.The Chumscrubber - The entire movie seems to pieced together by that final zoom-out shot of the town. You see that the town is shaped like a dolphin. See the movie. You'll get it.Seven - Nobody's mentioned this yet?Citizen Kane - The ending to this movie I never thought was particularly powerful. It's just that when you see a movie that has this kind of twist near the end (I'm referring to Rosebud in this case), you usually get it just before the climax of the film. But Orson Welles managed to keep it from the audience until seriously the last five seconds of the film.12 Angry Men - Someone already said that when a movie has a conclusion but no resolution, it can sometimes make for a great movie. ... " [More]
RisseladaRisselada Re: Remake Star Warses
by Risselada in The Futon
loved it.
"It will be remade some day. No doubt. Hopefully not before I'm dead though. Hopefully the remake of Casablanca can hold off until I kick the bucket too. " [More]
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Review by All Movie Guide
All Movie Guide
loved it.
There are many people for whom Casablanca is the greatest Hollywood movie ever made, and, while that may be going a bit far, one would be hard-pressed to think of another film in which the pieces fell together with such serendipity. It's hard to imagine a movie in which the leads are better cast: Humphrey Bogart's tough, effortless cool gives Rick the ideal balance of honor and cynicism, Ingrid Bergman's luminous beauty makes it seem reasonable that men would fight for Ilsa's affections, and Paul Henreid's Victor is cold enough that you can imagine Ilsa's being tempted by her old flame. The supporting cast is superb down the line; Claude Rains, Peter Lorre, Conrad Veidt, Sydney Greenstreet, Dooley Wilson, and S.Z. Sakall are all so memorable that one tends to forget that none is onscreen for very long. The screenplay often walks the border of cliché, but the story has just enough twists, and the dialogue so much snap, that it stays compelling throughout. And Michael Curtiz knew just when to turn on the schmaltz and when to cut it off. Casablanca blends romance, suspense, humor, and patriotic drama with such skill that one imagines it must have happened by accident, and the movie looks better with each passing year. You'll laugh, you'll cry, you'll cheer, and the good guys strike a blow against fascism -- what more could you want from a movie? ~ Mark Deming, All Movie Guide
 



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