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Directed by Henry King.
Carousel was adapted from the 1945 Rodgers and Hammerstein Broadway musical of the same name--which, in turn, was based on Liliom, a play by Ferenc Molnar. Gordon MacRae stars as carnival barker Billy Bigelow, who much against his will falls in love with Maine factory girl Julie Jordan (Shirley Jones). Billy proves an improvident and unreliable husband, but Julie stands by him. Upon discovering that Julie is pregnant, the unemployed Billy sees an opportunity for some quick money by joining his unsavory pal Jigger (Cameron Mitchell). The scheme goes awry, and Billy dies. Standing before the Pearly Gates, Billy is given a chance to redeem himself by the kindly Starkeeper (Gene Lockhart). He is allowed to return to Earth to try to brighten the life of his unhappy 15-year-old daughter Louise (Susan Luckey). Billy offers Louise a star that he has stolen from the sky; when Louise backs off in fear, Billy slaps her. He feels like a failure until he and his Heavenly Friend (William LeManessa) attend Louise's school graduation ceremony. There the invisible Billy watches as the principal (Gene Lockhart again) inspires Louise (and, by extension, Julie) by assuring her that so long as she has hope in her heart, she'll never walk alone. Frank Sinatra, the film's original Billy Bigelow, dropped out of the production due to laryngitis. ~ Hal Erickson, All Movie Guide
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pippin06pippin06 An Underrated, Unnoticed Musical
by pippin06 in Reel Thoughts
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"We all know that the Rodgers and Hammerstein family of musicals, both for stage and screen, are of the hokey, traditional, Americana variety, except maybe the Sound of Music and The King and I. Carousel is no different. It sets about conveying those core values of family, tradition, love, and down-home that you find in Oklahoma! and State Fair. I purchased this movie having never seen neither stage nor screen version because I'm going to use one of the songs as an audition piece, and you know (if you've read previous entries) how I feel about context. I found myself being truly drawn into this one in ways which the other down-home R&H musicals do not. The music, as, after all, this is a musical, is hauntingly beautiful and more mature than any other R&H musical. In fact, I read in the DVD liner notes that for that reason, this was Richard Rodgers' personal favorite of all of his collaborations with Oscar Hammerstein. There are some truly lovely songs that stick with yo ... " [More]
Review by All Movie Guide
All Movie Guide
liked it.
Carousel is one of the screen's most intelligent musicals. Director Henry King, who had begun his career as a stage actor, does a commendable job of transferring the material from its Broadway origins, even though the structure of the Rodgers & Hammerstein play from which it was adapted was significantly altered. Gordon MacRae, a fortuitous last-minute replacement for Frank Sinatra, gives a thoughtful, vibrant performance as carnival barker Billy Bigelow, who returns from a self-inflicted death in an attempt to find redemption. The supporting cast features an unusual blend of Hollywood actors, opera stars, and Broadway dancers -- and it's fun to see Tor Johnson perform in something other than an Ed Wood film. Charles Clarke's wide-screen cinematography adds substantially to the film's ambiance. The film's often downbeat tone, however, did not resonate with 1950s audiences, making Carousel a surprising box-office flop. ~ Richard Gilliam, All Movie Guide
 



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