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Babes on Swing Street
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At MGM, the studio's youth musicals were more rural than urban -- find a barn, get some friends together, and hey kids, let's put on a show. At Universal, for this musical for its young contract players, the atmosphere is more urban -- the kids at a settlement house, led by Trudy Costello (Peggy Ryan), have to raise $200 a month to support scholarships so that 10 of them can go to music school; they're helped by Carol Curtis (Ann Blyth), a wealthy young heiress who's in love with Billy Harper (Billy Dunn), who's too poor to afford the scholarship but also too proud to take her help. The kids decide to organize a night club for teenagers, and try to get help from Carol's eccentric uncle Malcolm (Leon Errol, who's never been comfortable with his upper-crust family's staid outlook on life. But standing in their way is Carol's aunt Martha Alma Kruger, who doesn't like music and sees no reason for her niece or any member of her family to be involved with this group of under-privileged kids. And running interference for the teenagers is her attorney, Dick Lorimer (Kirby Grant), who sympathizes with Carol and Malcolm and happens to like the director of the settlement house ({Anne Gwynne) a great deal. ~ Bruce Eder, All Movie Guide
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All Movie Guide
disliked it.
Universal wasn't too well-known for its musicals, but Babes On Swing Street proved the studio had its own, special slant on the form -- the script has a certain sociological edge, steeped in class differences that figure as an undercurrent in the plot. But mostly it's just breezy entertainment -- Peggy Ryan's dancing is impressive, as is Marion Hutton's singing, and Sidney Miller gets to do some great impressions. And Freddie Slack and his band get some great performance sequences, with slack showing off on several keyboard instruments in one great sequence. But Leon Errol steals the picture with his comic antics, verbal and physical, and is worth the price of admission. ~ Bruce Eder, All Movie Guide
 

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