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Angel Face
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Directed by Otto Preminger
Jean Simmons' fascinating interpretation of an uncharacteristic role is the main drawing card of Otto Preminger's Angel Face. The daughter of Charles Treymayne (Herbert Marshall), who remarried a wealthy woman (Barbara O'Neil), Diane Treymayne's (Simmons) angelic countenance masks an unbridled psychotic who'll let nothing stand in the way of her happiness. Diane arranges for Catherine's death, making it look like an auto accident. Coveting family chauffeur Frank Jessup (Robert Mitchum), Diane steals Frank away from his sweetheart Mary (Mona Freeman) and forces him to become her spiritual accomplice in her stepmother's murder. And when Diane finally realizes that she'll never, ever, be able to hold Frank, she... well, enough said. If Angel Face doesn't look like a typical early-1950s RKO Radio film, it may be because its director was borrowed from 20th Century-Fox, and its cinematographer (Harry Stradling) was a loan-out from Sam Goldwyn. ~ Hal Erickson, All Movie Guide
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Angel Face (1954, USA, Otto Pre ...
by in CinemaRian Blog
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"Interesting factoid I learned from the DVD bonus materials: When Jean-Luc Goddard made a list of the ten greatest American films of the sound era, Angel Face was 8 on the list (Scarface was 1, by the way). The dude on the commentary indicated that Angel Face quickly became a cult classic for noir enthusiasts. I can certainly see why, as it's the kind of film that endures itself to cult- on the surface, it is a fairly ordinary noir/drama, but there is a lot going on underneath, " [More]
ANGEL FACE (Otto Preminger, 1953)
by in YourGirlFriday Blog
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"What makes ANGEL FACE a better-than-average noir is that Robert Mitchum plays the man hopelessly out of his element so convincingly. Gone is the noir world of LAURA, where every man is hard-boiled and every woman is a dame. Into the decadent home of Diane Tremayne (Jean Simmons) and her dissipated father (Herbert Marshall) walks Frank Jessup, a genuinely nice guy. Unfortunately, even genuinely nice guys have character flaws, and Frank drifts into an affair with Diane just in time to get th " [More]
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Review by All Movie Guide
All Movie Guide
lost interest.
Angel Face is an atypical film noir piece that has developed a considerable cult reputation over the years. Those who favor the film find it a fascinating examination of detached evil, one that captures a certain coolness of tone that is not so much heartless as it is simply devoid of feeling and intent. Others, however, find the resulting deliberate pacing much too slow and dreary, and the motivations of the characters confusing if not inscrutable. Certainly, director Otto Preminger and leading lady Jean Simmons have created a most curious and intriguing femme fatale, one who seems to be going through her actions with no real conception of what they mean and no real thought about how she should behave. This aspect of the character -- coupled with Preminger's precise, brutal filming of the accident - make the inadvertent death of the father strangely powerful. Simmons is fascinating throughout, seeming to act totally in the moment, but as if the moment were entirely understood only by her character. Robert Mitchum is a perfect foil for her, disturbingly rational and more keenly aware of the world around him, but somehow drawn into her spell in spite of himself. The cool, detached qualities that make Angel Face special will alienate many, but those who tune into it will be rewarded. ~ Craig Butler, All Movie Guide
 

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