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Cabin in the Sky
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Directed by Vincente Minnelli
MGM knew it would take a bath on its all-black musical Cabin in the Sky (few Southern theaters of 1943 would touch the film), but the studio still provided its standard A-plus production values to the film; besides, it served as a training ground for up-and-coming director Vincente Minnelli. Based on the Broadway musical by Lynn Root, John LaTouche, and Vernon Duke, the film tells the story of Joe (Eddie "Rochester" Anderson), a shantytown denizen torn between the affections of faithful wife Petunia (Ethel Waters) and slinky seductress Georgia (Lena Horne). Seriously injured in a barroom brawl, Joe dreams that he is the centerpiece of a celestial power struggle between a heavenly emissary (Kenneth Spencer) and Lucifer Jr. (Rex Ingram, who ironically had played "De Lawd" in The Green Pastures). Joe is given another chance to redeem himself on Earth, lest he fall into the clutches of the Devil's little boy. Louis Armstrong briefly shows up, appropriately cast as "The Trumpeter." Song highlights include "Taking a Chance on Love," "Happiness Is Just a Thing Called Joe," "Life's Full of Consequences," and the title song. A troubled production thanks to the on-set rivalry between Ethel Waters and Lena Horne, Cabin in the Sky is nonetheless an excellent first feature effort from Vincente Minnelli. Thanks to his careful treatment of the material, the expected patronization of the black characters does not impede latter-day enjoyment of the film as much as it might have. ~ Hal Erickson, All Movie Guide
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Review by All Movie Guide
All Movie Guide
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Cabin in the Sky was an auspicious directorial debut for the young Vincente Minnelli and provided Ethel Waters and Lena Horne with an excellent showcase for their considerable talents. Although the film is often criticized for what today are regarded as stereotypical characteristics (e.g., a weakness for gambling, a childish world view, oversimplified religious beliefs, etc.), overall Minnelli treats the story as the simple folktale it essentially is. His finely honed visual sense is evident in the careful compositions he creates for the camera and in the precise attention to detail in the sets and costumes. Minnelli also keeps the pace moving at a nice clip, although he's not afraid to slow things down when necessary -- as when Waters lovingly and deliberately intones the beautiful "Happiness Is Just a Thing Called Joe." Waters is wonderful throughout, creating a clearly drawn portrait of a woman whose love for two things -- her man and her religion -- will get her through anything. She punches home her laugh lines like the seasoned pro she is and demonstrates in "Taking a Chance on Love," and the title song, why she was one of the finest singers of her day. Horne matches her every step of the way, exuding an exquisite sultriness and demonstrating in her own numbers that hers is not a voice to be taken for granted. Eddie "Rochester" Anderson is a lovable and winning Joe, and the rest of the cast is quite good. The film's surprise critical success helped Minnelli land the job of directing the classic Meet Me in St. Louis the following year. ~ Craig Butler, All Movie Guide
 

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