Four Eyed Monsters
Advertisement
Sign in
Username   Password         Forgot password?
Wanna join? Tour Spout | Sign up
Tight Spot
  • 0
  • 1
  • 2
  • 3
  • 4
  • 5
  • Rate this movie.

Rent it, watch it, find it

Advertisement
Directed by Phil Karlson
Tight Spot is based on Leonard Kantor's novel Dead Pigeon, which in turn was obviously inspired by Virginia Hill's appearance before the Kefauver Committee. Ginger Rogers plays hard-boiled model Sherry Conley, who is serving a prison term for a crime she didn't commit. Sherry is offered her freedom -- and immunity -- by U.S. attorney Lloyd Hallett (Edward G. Robinson) if she'll agree to appear as a material witness in the trial of mobster Benjamin Costain (Lorne Greene). Unfortunately, Costain has a long reach, and is able to coerce Vince Striker (Brian Keith), the detective assigned to guard Sherry, to allow Costain's hired guns to invade the hotel room where Sherry is being hidden. The star witness is surly and uncooperative, but she finally decides to testify when her escort, policewoman Willoughby (Katherine Anderson), is murdered by Costain's goons. But Striker is still around and about, still determined to do Costain's bidding. ~ Hal Erickson, All Movie Guide
[More]
All Movie Guide Logo
Review by All Movie Guide
All Movie Guide
is neutral about it.
The world is a gritty, dangerous place in Phil Karlson's Tight Spot, one in which "fair" and "right" are concepts that can earn a person a trip to the graveyard. It takes a brave and/or foolish person to risk her life in such a world; Sherry Conley is no fool, and her courage is committed to making sure she survives. Ginger Rogers does an excellent job as Sherry, turning in one of her finest dramatic performances. It's a role that lets Rogers really turn on the juice, and she delivers full force. True, the actress is too old for the part, and not just because of the age difference between her and Brian Keith, with whom she shares a sexual attraction. The character itself needs to be flinty and hard, but young enough so that her dilemma and her attitude makes better sense. Still, Rogers is so good that most will let the "age factor" fall by the wayside. Her co-stars, notably Edward G. Robinson and Keith, are also in very fine form, making for a sterling supporting cast. And Phil Karlson delivers taut, gripping direction, while indulging his fondness for oblique angles as well as geometric patterns, using arches/ovals and rectangles (or the sudden absence thereof) to achieve highly effective results. Spot's script occasionally wavers, and the dialogue is often stilted, but overall it's a powerful crime drama. ~ Craig Butler, All Movie Guide
 

Community ratings

mavens
Spout mavens
haven't rated it
most people
Most people
haven't rated it

Other opinions