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Compulsion
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Directed by Richard Fleischer.
Compulsion is a compelling, stylish thriller, loosely based on the famous 1924 murder trial of thrill-killers Loeb and Leopold, two homosexual students who murdered a young boy to demonstrate their intellectual superiority. Artie Straus (Bradford Dillman) is a sadistic, mother-dominated bully. Judd Steiner (Dean Stockwell) is a submissive, introverted sissy. Having been raised by wealthy, arrogant families, both Artie and Judd consider themselves above conventional morality. Unfeeling and conceited, the boys, after the killing, take delight in offering to aid in finding the culprits. It is this arrogance which leads to their capture and prosecution for the murders. Jonathan Wilk (Orson Welles), playing a Clarence Darrow-like criminal defense attorney, takes on the case, and puts on a defense, without the cooperation of his clients, who will offer no explanation for what they have done. Bradford Dillman gives an outstanding performance, as does Dean Stockwell as the utterly unsympathetic murderers. Orson Welles is flamboyantly imposing as Wilk, who must use all his wits to try to save the boys from execution. Compulsion is a suspenseful courtroom drama, even though most viewers will know the outcome. Tautly directed by Richard Fleischer, the film is an outstanding, believable courtroom drama. ~ Linda Rasmussen, All Movie Guide
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HairyLimeHairyLime The Verdict
by HairyLime in HairyLime Blog
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"I've seen this one too many times to count, and it seems to be on one channel or another every other month or so, and every time the opportunity arises, I'll get sucked into it again. One of my favorite movies about a hit-bottom alcoholic ambulance chasing lawyer named Frank Galvin (not entirely his own fault, which you find out later) is given a chance to turn his life around thanks to a case handed him by one of his few remaining friends (the stellar Jack Warden). An easy no-brainer negligence case that is certain to settle out of court for a hefty sum. But Frank has a revelation, sees a way to redeem himself, and 'do the right thing' in the words of one of his expert witnesses, much to the consternation of his clients, his friend, the appointed judge (another great performance by Milo O'Shea) and the opposition. Outstanding cast, top to bottom, with James Mason as the tough opposing counsel in one of his best last roles (as Jack Warden says: "Good? He's t ... " [More]
Review by All Movie Guide
All Movie Guide
liked it.
The Leopold and Loeb trial of the 1920s captured the popular imagination of the American people for much of the 20th century. The sociopathic notion of two affluent young men committing murder just to prove they could get away with the crime has a nihilistic, modern feel to it, and in many ways it still influences the way we think about crime. It's no surprise, then, that the case has been the basis for three fine films: Alfred Hitchcock's Rope, Richard Fleischer's Compulsion and Tom Kalin's Swoon. Of the three, Compulsion is arguably the best, as it sticks closest to the facts of the case. Fleischer's emphasis is on the courtroom drama, and to that end, he's aided by the outstanding performances of Dean Stockwell and Bradford Dillman as the Leopold and Loeb-derived criminals and Orson Welles as their lawyer, modeled on Clarence Darrow. Welles' impassioned pleas to save the boys from the death penalty -- written by Richard Murphy, though the actor may have been responsible for much of his dialogue -- provide the film with some of its finest moments. ~ Brendon Hanley, All Movie Guide
 



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