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Breaking In
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Directed by Bill Forsyth
In this comedy (which claims a strong pedigree -- it was written by John Sayles and directed by Bill Forsyth), Burt Reynolds plays Ernie, an aging career burglar who knows just about everything there is to know about breaking and entering. One night, Ernie has stealthily slipped into a home only to discover someone else is already there -- Mike (Casey Siemaszko), a guy in his early 20's who likes to sneak into other people's houses so he can raid their refrigerators and watch their televisions. Ernie is taken aback by Mike's recklessness, but is impressed by his skills; he's convinced the kids has the makings of a first-class thief, and offers to make him his protege. Mike agrees, and soon the two are working together, with Ernie trying to explain the importance of playing it as safe as possible while Casey follows every youthful impulse to make some fast money and throw it away just as quickly. Breaking In marked a change-of-pace role for Burt Reynolds, in which he acknowledged his age and played a character role instead of an action hero; the results garnered him some of the best notices of his career. ~ Mark Deming, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
Ernest Mullins (Burt Reynolds) is a safe cracker, and he has his rules: No negative thinking on the job. Check whether the safe is locked before you try to crack it (lots of people never lock them). Don't think about the people you steal from. Always launder your money at the local OTB. Avoid throwing around the money you steal, and always, always be moderate with the nitroglycerine. Thanks to a wry, witty script by co-screenwriter John Sayles and equally low-key direction by co-screenwriter Bill Forsyth (Local Hero, Gregory's Girl), Reynolds does some of his best work in this amiable comedy. Reynolds puts a lot of technique into the role, wearing thick glasses, a paunch, a gray toupee, and affecting a noticeable limp, but never lets any of it interfere with his character's ease. It's a starring role that Reynolds puts himself into, but with modesty, and with none of the torpor that characterizes so much of his work. He shines, too -- one wonders why a man so talented has frittered so much of that talent away in so many forgettable roles. Like Forsyth, whose comedies are so understated they almost qualify as character studies, Reynolds and co-star Casey Siemaszko never reach for the laughs. Breaking In lacks the fairy tale elements that characterize what is arguably his best movie, Local Hero, nor is as sharply observed as Gregory's Girl, but it has its mellow satisfactions. ~ Nick Sambides, Jr., All Movie Guide
 

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