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Breaking Away
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Directed by Peter Yates.
Dennis Christopher stars as a recent high school graduate in Bloomington, Indiana, who is caught with his friends -- Dennis Quaid, Daniel Stern, Jackie Earle Haley -- coasting between high school and deciding what to do with the rest of their lives. The four friends are snobbishly looked down upon by the college students of the town as "cutters," since they were born in Bloomington and their parents worked in the local limestone quarries that built the university. Dennis Christopher's character Dave wants to be a champion bicycle racer and he idolizes the Italian racing team -- so much so that he speaks, thinks, and acts Italian, all to his father's (Paul Dooley) forlorn exasperation. Dave falls for a college girl (Robyn Douglass), but is ashamed to admit he is a cutter and poses as an Italian exchange student to impress her. Dave is particularly excited when his heroes -- the Italian racers -- come to town for a race. But they are even more snobbish than the college students and rely on dirty tricks to keep Dave from winning a race against them. After that ordeal, Dave throws away his false identity and convinces his friends to enter the university's "Little 500" bicycle race against the college students. This light-hearted and heartwarming tale was a surprising word-of-mouth success at the box-office and won several awards, including an Academy Award for "Best Screenplay." ~ Paul Brenner, All Movie Guide
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ShaunHustonShaunHuston AFI's 10 Top 10: Sports
by ShaunHuston in ShaunHuston filmblog
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"The sports Top 10 is a difficult list to assess. How many truly good sports movies are there, and I ask this as a sports fan? Raging Bull (1980) is arguably the greatest film of the 1980s, and Rocky (1976) was a little labor of love, far from the semi-joke blockbuster that it is often remembered as in light of its sequels. They likely deserve their places at the top of the list, especially Raging Bull. As to the rest of the films, I have a lot of affection for Breaking Away (1979) and really, it's a lovely little film that I'd put higher on the list. I also like Hoosiers (1986) and Bull Durham (1988), but they both have obvious flaws (as Anne-Marie noted, the basketball film falls short in its depiction of the on-the-court action; the final is especially poorly paced and shot and edited in an oblique way. I've always thought that Bull Durham's final act stretched on a little too long, needlessly deferring Annie and Crash's final settling in together). For the remainder, well, I don ... " [More]
lopezdashlopezdash Ten Non-Definitively Classic Mo ...
by lopezdash in The Movie Blog
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"1. Manhattan: A Woody Allen classic all too often overshadowed by Annie Hall. The story is pretty much the same as most of Allen's films. He plays a lusty, bumbling New Yorker seeking love wherever he can find it�a search which lands him with a high schooler and later his best friend's mistress. With Meryl Streep and Diane Keaton. 2. Small Time Crooks: One of the few recent Woody Allen films worth seeing. The story follows one cookie manufacturer from near failure and foreclosure to fortune and fraud: delightful! 3. Coming to America: Eddie Murphy at his best! Murphy as an African prince arrives in Queens to find a wife and goes undercover as an employee at fast-food restaurant. 4. Trading Places: Eddie Murphy was so funny once, what happened? Oh, right. Enter: Norbit. Here, Dan Aykroyd and Murphy team up to get back at Aykroyd's boss and stick it to The Man. 5. Blues Brothers: Another fine moment for Dan Aykroyd. Aykroyd and Jon ... " [More]
Review by All Movie Guide
All Movie Guide
liked it.
A Midwest American college town in the 1970s is the setting for this coming-of-age tale about four working-class teens who are trying to escape their parents' working class fates. Class consciousness and conflicts abound, as local college kids refer disparagingly to the protagonists as "Cutters." The blue-collar stone-cutters literally built the homes the rich kids live in and the college that these kids attend. Dennis Christopher is Dave, a relentlessly fanatical bicyclist who has suddenly decided to embrace all things Italian (right down to a tacky Italian accent), and his naïve but enthusiastic portrayal is sweet. Paul Dooley gives the film's most memorable performance as Dave's exasperated father. His character undergoes a quiet transformation from a cynical, weary, and worried fellow into a cagey optimist. Dooley was overlooked come Oscar time, though Barbara Barrie was nominated for her memorably wistful turn as Dave's mother. Breaking Away has a gentle soul, as nobody is too harshly treated (even the bad guys seem to have good sides). The central characters have dreams, but they wonder if those dreams are attainable. Dave's enthusiastic pursuit of his dream gives all the others hope, and it is the hinge upon which the crowd-rousing (though thoroughly predictable) bicycle-racing finale turns. Bike racing is the film's metaphor for escape: to break away from the pack in a race is equivalent to breaking away from one's familial and cultural history. The film pivots on the question of whether, and to what extent, this kind of breaking away is either necessary or desirable. Nominated for five Academy Awards, including Best Picture and Best Director, Breaking Away won one Oscar, for Steve Tesich's Best Original Screenplay. ~ Dan Jardine, All Movie Guide
 



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