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State of Siege
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Directed by Costa-Gavras.
Like most of Costa-Gavras' political thrillers, the French State of Siege is based on a true story. The incident dramatized herein is the kidnapping of a U.S. official somewhere in Latin America. The director's sympathies clearly lie with the kidnappers, especially since the official (played by Yves Montand), ostensibly an expert in traffic control, has been assigned as special advisor to the government's secret police, training these worthies in the art of the torturing of political prisoners. Uruguay was the country where this story actually took place; though no names are given, there's little doubting the identity of Costa-Gavras' fictional locale. Despite its up-to-date radicalism, State of Siege adheres to time-honored Hollywood formula, with ugly, vulgar bad guys vs. handsome, articulate good guys. ~ Hal Erickson, All Movie Guide
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Review by All Movie Guide
All Movie Guide
liked it.
Costa-Gavras' re-creation of the true story of the interrogation of a CIA case officer by unnamed urban revolutionaries based on the Tupamoros of Uruguay is an unsettling political thriller. Urban guerrillas kidnap a CIA agent (Yves Montand) who has been training the country's police in sophisticated counter-insurgency and torture techniques while under shallow cover. Shot in Chile with the approval of President Allende shortly before his untimely assassination, the film was the first to detail the uglier side of the kind of paramilitary training that the U.S. has often performed for its authoritarian allies. But, after numerous subsequent revelations about torture training in the U.S. and abroad, the film seems less shocking than it did at the time. Nonetheless, the film's early sequences are gripping, as the bewildered official is called to account for his actions. As the questioning wears on, however, the film becomes as repetitious as a piece of agitprop, more a righteous cri de coeur than a subtle analysis of political oppression. Montand, who had earlier played a heroic Greek politician in Costa-Gavras' Z, is effective here. ~ Michael Costello, All Movie Guide
 

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