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Boys of the City
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Directed by Joseph H. Lewis
In their second Monogram caper, Knuckles (Dave O'Brien) and the East Side Kids (Bobby Jordan, Leo Gorcey, Sunshine Sammy Morrison, et al.) are on their way to camp in the Adirondacks when they offer a lift to Judge Parker (Forrest Taylor) and his ward Louise (Inna Gest), who are having car trouble. Much to the boys' derision, the judge is the very same who wrongly convicted Knuckles in the previous film. And if that isn't enough, the learned jurist's secluded mansion proves to be in the haunted house category complete with sliding panels, hidden passageways, and a deranged housekeeper (Minerva Urecal). When the judge is found murdered and his ward missing, henchmen Giles (Denny Moore) and Simp (Vince Barnett) naturally accuse Knuckles, who has a motive but no alibi. In their bumbling search for the judge's missing ward, the boys stumble across a prowling detective (Alden Chase), however, and the real culprit is soon unmasked to be none other than -- well, suffice it to say, the killer is the least likely candidate, the East Side Kids, Louise, and Knuckles not included. ~ Hans J. Wollstein, All Movie Guide
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Review by All Movie Guide
All Movie Guide
lost interest.
The second of Monogram's "East Side Kids" programmers was directed by Joseph H. Lewis and his deft hand is easily detectable. No, this quasi-horror comedy is no forgotten masterpiece -- how could it be with those mugging, language-mangling East Side Kids/Bowery Boys? -- but Lewis does employ a couple of interesting camera angles and obviously attempts to compose a scene with a sense of esthetics, a far cry from "one take" Monogram hacks like William Beaudine or Phil Rosen. Lewis cannot do much with the Kids themselves, of course, and they are mainly left to fend for themselves, but Minerva Urecal makes a creepy housekeeper (she even has a dead "Rebecca" to moon about) and ingénues Inna Gest and Dave O'Brien both perform up to their potential, minor as it may have been. Screenwriter William Lively should perhaps be forgiven for not only plagiarizing Daphne DuMaurier but also, in one or two instances, James Whale's The Old Dark House (1932) --plagiarism, after all, being the sincerest form of flattery -- and with a little help from the casting department, the identity of the killer comes at least somewhat as a surprise. As for the East Side Kids themselves, they remain purely a matter of taste. ~ Hans J. Wollstein, All Movie Guide
 

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