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Return of the Secaucus 7
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Directed by John Sayles.
College friends reunite for a New England summer weekend in this low-budget first feature by accomplished independent filmmaker John Sayles. A predecessor of the well-paced, character-driven films in Sayles' future, Secaucus Seven also looks ahead to the 1980s ensemble movies that it inspired, most notably Lawrence Kasdan's The Big Chill, which arrived in theaters three years later. As each friend arrives at the house (or travels to the house), characterizations build, dialogue expands, and the house (and film) are full of people getting reacquainted and re-examining themselves and each other. Sayles builds the plot by testing the characters' connections: Will these former radicals accept the uptight boyfriend of the well-loved politico? What happens when a couple splits up? How does the educated set treat the local blue-collars? Many critics cited Secaucus Seven in their decade-end list of the best films of the 1980s. ~ Norm Schrager, All Movie Guide
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lollylolly David Strathairn steals the show
by lolly in lolly Blog
hasn't rated it.
1 out of 1 people found this review helpful. [What do you think?]
""Seacaucus" is John Sayles' debut, and it shows. Most actors, though likeable, are quite wooden: Worse of all is Maggie Renzi, Sayles' creative and life partner... thanks for sticking to production. This is a charming, small movie about growing up, with the predictable pairing of singles, couples just splitting up and couples just getting together. Sayles cast himself as a family man looking to escape once in a while from the obligations. David Strathairn ("Good Night And Good Luck") is cast in a bit part as Ron, the over-talkative greasemonkey who used to be the one "most likely to succeed" and is definitely the best actor in the lot. Interesting from an anthropologic POV " [More]
Review by All Movie Guide
All Movie Guide
liked it.
Iconoclastic writer-director John Sayles made his first impact in 1980 with this less commercial predecessor to The Big Chill (1983). Both films are about a group of radical friends from the 1960s who get together for a reunion some years later. In Lawrence Kasdan's 1983 hit, the principals are sliding into Yuppiedom. In Sayles's low-budget account, the characters are more realistic, their quandaries somewhat less dramatic, and the politics and dialogue less trendy. As would be his habit in future films, Sayles plays one of the parts himself. Thoughtful and rich in characterization, like his films to come, Return of the Secaucus Seven made few concessions to mainstream commercial movie-making, focusing instead on a low-tech, realistic, improvisational mood of affection mingled with regret. ~ Michael Betzold, All Movie Guide
 



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