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Dr. Strangelove or How I Learned to Stop Worrying and Love the Bomb
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Directed by Stanley Kubrick.
In 1964, with the Cuban Missile Crisis fresh in viewers' minds, the Cold War at its frostiest, and the hydrogen bomb relatively new and frightening, Stanley Kubrick dared to make a film about what could happen if the wrong person pushed the wrong button -- and played the situation for laughs. Dr. Strangelove's jet-black satire (from a script by director Stanley Kubrick, Peter George, and Terry Southern) and a host of superb comic performances (including three from Peter Sellers) have kept the film fresh and entertaining, even as its issues have become (slightly) less timely. Loaded with thermonuclear weapons, a U.S. bomber piloted by Maj. T.J. "King" Kong (Slim Pickens) is on a routine flight pattern near the Soviet Union when they receive orders to commence Wing Attack Plan R, best summarized by Maj. Kong as "Nuclear combat! Toe to toe with the Russkies!" On the ground at Burpleson Air Force Base, Group Capt. Lionel Mandrake (Peter Sellers) notices nothing on the news about America being at war. Gen. Jack D. Ripper (Sterling Hayden) calmly informs him that he gave the command to attack the Soviet Union because it was high time someone did something about fluoridation, which is sapping Americans' bodily fluids (and apparently has something to do with Ripper's sexual dysfunction). Meanwhile, President Merkin Muffley (Sellers again) meets with his top Pentagon advisors, including super-hawk Gen. Buck Turgidson (George C. Scott), who sees this as an opportunity to do something about Communism in general and Russians in particular. However, the ante is upped considerably when Soviet ambassador de Sadesky (Peter Bull) informs Muffley and his staff of the latest innovation in Soviet weapons technology: a "Doomsday Machine" that will destroy the entire world if the Russians are attacked. ~ Mark Deming, All Movie Guide
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SkyPilotSkyPilot Recast THE MATRIX (1999) -- the ...
by SkyPilot in Filmgaming
loved it.
"Winner: jdamer83's picks knocked me out. Neo is essentially a kung-fu Dirty Harry, so who better than Clint Eastwood? As Dr. Strangelove shows, George C. Scott is a hypnotic scenery-chewer and perfect for Agent Smith. And Ernest Borgnine as Tank! I'm glad we don't see him die on-screen (I don't think I could handle losing Marty). Every choice is inspired: John Cazale as Apoc, Dennis Hopper and Dean Stockwell as the agents, Telly Savalas as the villainous Cypher. Check out page 2 of this discussion for jdamer83's story surrounding the Robert Evans-produced, Coppola-directed Enter the Matrix. Enter the Matrix- a late 60s/early 70s extravaganza Clint Eastwood as Neo. A no-brainer. Eastwood is one of the biggest stars in the world, and his stoic, other-worldly nature perfectly suits the character. Because of a fear that he will look ridiculous doing kung-fu, Eastwood is initially reluctant to take the role, but he accepts after Evans personally offers to buy a house for him. James ... " [More]
RisseladaRisselada Re: AFI's 100 Funniest - Comedy ...
by Risselada in It's a Wonderful Night for Oscar!
loved it.
"[quote user="pippin06"] I thought I'd revive this discussion, even though I am the only one who seems to have been having it. I just watched Some Like It Hot again (for the second time), and I'm still baffled as to why this gets top honors on AFI's Funniest List when it fails to make me laugh. I sort of chuckle at Jack Lemmon, but it's not the roll-on-the-ground-clutching-y our-sides-type-funny you would expect it to be for such a high ranking, at least not to me (but I know I'm not the only one who feels this way). Which makes me wonder if I've even got it right. Is my sense of humor out of wack? Or do I not appreciate the finest sensibilities of art versus comedy? Can't comedy be an art form? If comedy can be artsy, does the artsy quality detract from the funny? What's the perfect balance? And is there a film that strikes it - and if that film is Some Like It Hot, let's talk about why. [/quote] I saw Some Like It Hot not too long ago as well, and was quite disappointed k ... " [More]
chuggalug88chuggalug88 Re:TOP 5 MOVIES TO TEACH AN ALI ...
by chuggalug88 in Filmgaming
hasn't rated it.
"1. Dr Strangelove - it shows how loveably stupid and self-destructive we are (lesson 1 - DEATH) 2. The Apartment - it shows how stupidly loveable and self-destructive we all are (lesson 2 -SEX) 3. Fight Club - it shows how we want to be loveable yet self-destructive but also "carved outa wood" (lesson 3 - MEN) 4. Heathers - because this movie contains everything you need to know about humanity (lesson 4 - WOMEN) 5. Starman - well, because it's a movie about an alien trying to understand earth. Sort of like the "Earth for total idoits" guide. (lesson 5 - JEFF BRIDGES) " [More]
chrismorrellchrismorrell "You can't fight in here ..this ...
by chrismorrell in chrismorrell Blog
loved it.
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"Now THIS has got to be one of the most quotable films of all time..part of Kubricks'"legacy"... How many times in the last few years did i quote this to myself and anyone in earshot wnen Donald friggin Rumsfeld or the commander in chief himself was on T.V... (Larry King)" just where ARE the WMD sir?""Well the're sort of north south er east and west around .."put everything you got in that sector ..and they cant miss!" In fact ,that whole "Known knowns ,and unknown unknowns"crap could have been in the script!...along with "..this is the war room" and "They'll see the big board!" " [More]
Smooth_JSmooth_J List
by Smooth_J in Smooth_J Blog
loved it.
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"My entries have been spaced out of late, as I have not had very much time to post. I’m almost finished watching Manda Bala, so I’ll have a review of that posted soon. 3. 2001: A Space Odyssey/Dr. Strangelove I don’t think I’m alone in proposing that these are a couple of the greatest films ever made. I’ll begin with the first. From the opening sequences of “the dawn of man”, to the final climactic warp scene, everything about the film is haunting and entrancing. So many moods and so many different styles are experimented with in this film, and every single one of them works (my favorite being the space-shuttle nutcracker scene in the beginning). No other movie has taken me to a higher level of thinking than this film, which I thought about and tried to sort out in my mind for weeks after watching it. It is one of the greatest film experiences I have ever had. Dr. Strangelove is my second favorite Kubrick movie, which puts it righ ... " [More]
mercurialmercurial Re:Top 5 Title Sequences
by mercurial in Top 5
loved it.
"I completely forgot how much I loved the twisted title sequence of Ginger Snaps.http://www.artofthetitle .com/?tag=ginger-snapsPlayfull y dark and really sets the mood for the rest of the film. " [More]
mercurialmercurial Re:Top 5 Title Sequences
by mercurial in Top 5
loved it.
"I've been noticing for the past few years the increased lack of titles in films. I love the classic style of doing a title / credit sequence at the beginning of films, kinda what Woody does for most of his films.Anyways, some of my favorites are:1.) Se7en - Creepy as hell, incredibly inventive, awesomely remixed song and sets the mood for the entire film. Also has one of the best credit sequences that was also inventive (going backwards) and a great song.2.) American Psycho - With the drops of "blood" eventually being nothing more than raspberry sauce on a gourmet dessert: that's was awesome.3.) Dr. Strangelove - Completely original, disturbing (two planes "making love") and a beautiful score that grabs your attention.4.) Beetlejuice - The beautiful aerial shot that makes its way through the country town and up the hill to a house that "WTF! There's a giant tarantula, no wait, it's a miniature model of the house." That was cool.5.) Almost Famous - Simple, yet captur ... " [More]
SpoutBlogSpoutBlog Coca-Cola Cinema
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
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"This morning I was watching Billy Wilder’s One, Two, Three (see, readers, I do know movies before 1990), and it made me wonder if Coca-Cola is the most cinematic commercial product in the history of film. Not the most prominent in film, necessarily (in terms of either direct product placement or more casual indirect appearance,) but at least the most significant to film. After all, Coca-Cola did own a movie studio (Columbia Pictures) for the greater part of a decade (the 1980s). In addition to One, Two, Three, which is about a Coca-Cola executive in West Berlin, the soft drink figures specifically in and fundamentally to the plots of The Gods Must Be Crazy, Good Bye Lenin! and, obviously, The Coca-Cola Kid. But primarily, such direct incorporations of the brand are more about their connection to the U.S. and capitalism than they are to the actual product of soda. Even when Superman throws a bad guy at a giant Coca-Cola billboard in Superman II, the brand comes with a connotation of ... " [More]
GradysGhostGradysGhost Re: Directors who have yet to m ...
by GradysGhost in Directors
loved it.
"Oh, yeah. For the record books:The Coen Brothers: Fargo was great, but it's a flavor-of-the-week film. I'm going with The Man Who Wasn't There. I'm such a sucker for Scarlett Johansen.Sofia Coppola: Lost in Translation. Hands down. If she ever tops this, I'd be surprised.Spike Lee: Do the Right Thing. I'm an unnatural fan of Summer of Sam, but it doesn't come close to the poignancy of Do the Right Thing.Quentin Tarantino: Pulp Fiction, but he's got the potential to do better. He keeps getting stuck in these genre films and he's losing his credibility as as "original" director.Alfred Hitchcock: Rear Window. Suspenseful, inspired a recent remake (or "modernization").Michel Gondry: Eternal Sunshine of the Spotless Mind. A beautiful film that realizes the beauty of tragic love and also the beauty of raw, un-CGI'd cinema.Stanley Kubrick: A Clockwork Orange. Actually, call it a toss-up between that and Dr. Strangelove, or How I Learned ... " [More]
RisseladaRisselada Re: Top Five Movies with Budget ...
by Risselada in Top 5
loved it.
"Lumet's first puts me in mind of Kubrick's early career. "The Killing" was made in 1956 for $320,000. [/quote]And not only that, Kubrick and Lumet were making a movie at the same time that had pretty much the exact same plots. Dr. Strangelove and Fail-Safe. " [More]
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Review by All Movie Guide
All Movie Guide
loved it.
Dr. Strangelove or How I Learned to Stop Worrying and Love the Bomb is widely regarded as the screen's greatest satire, a film that superbly encapsulates the fear and paranoia of the Cold War. There is not a sequence in the film in which the dialogue is not quotable -- indeed, there are so many well-remembered moments that viewers and critics will differ on the best, though surely the sight of Major Kong (Slim Pickens) waving his cowboy hat as he rides the bomb into oblivion is among the most enduring images of its era. As was consistently the case in his career, director Stanley Kubrick brilliantly matches actors with their roles, from Peter Sellers' three-character performance to the screen debut of James Earl Jones, whom Kubrick had spotted in a stage play. Similarly, George C. Scott, who plays the hawkish general Buck Turgidsdon, considered Strangelove among his greatest screen achievements. Every performance is top-notch, and many Kubrick trademarks can be found in the film, from the visual style to the shift to a hand-held camera when the Air Force base is attacked to the sparse and ironic use of music. ~ Richard Gilliam, All Movie Guide
 



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