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sex, lies, and videotape
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Steven Soderbergh kickstarted the independent film movement of the 1990s with this landmark drama about the tangled relationships among four people and a video camera. John (Peter Gallagher) is an unscrupulous, self-centered yuppie lawyer with a beautiful wife named Ann (Andie MacDowell). Ann feels secure and well provided-for in their relationship, but she has almost no interest in sex; she tells her therapist that she's more concerned about waste disposal. John, however, is still quite interested in sex and is having an affair with Ann's sister Cynthia (Laura San Giacomo), whose personality is fire to Ann's ice; sex is the one area in which she's been able to best her more successful sister, and she relishes her ability to seduce Ann's husband. Into this dysfunctional picture comes Graham (James Spader), a college friend of John's whom he hasn't seen in nine years. Graham has decided that talking about sex is more interesting than actually having sex, so he meets women and asks them discuss their desires and fantasies as he tapes them with a camcorder. A sensation at the Sundance Film Festival, the film made that festival a synonym for a new brand of low-budget indie dramas about contemporary life and relationships. Together with Quentin Tarantino's very different Pulp Fiction (1994), sex, lies, and videotape was one of the most influential movies for independent filmmaking of the 1990s. ~ Mark Deming, All Movie Guide
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SpoutBlogSpoutBlog Sundance Trailer: ‘Downloading ...
by SpoutBlog in SpoutBlog on spout.com
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"One of the reasons I decided to review Sundance trailers throughout the festival was to hopefully draw attention to some deserving films that I’d want to see if I was in Park City this week. Unfortunately, it has so far been difficult to find appealing-looking movie trailers — or maybe it’s just actually difficult to find appealing-looking movies this year (could that be the reason for the lack of deals?). And so, I present you today with a trailer for a movie that looks far from appealing. Maybe instead of pointing to a movie for you to see, this can serve to point to a movie for you to avoid. I guess every year Sundance needs some kind of uncomfortable movie dealing with sex. After all, it was sex, lies and videotape that helped put the festival on the map. But boy is that film’s subject matter tame compared to some of the selections of late. When I was at the festival in 2005, I watched all but maybe two people walk out of Michael Winterbottom’s 9 Songs, a film that features act ... " [More]
SpoutBlogSpoutBlog Tribeca Looking To Sundance-ize
by SpoutBlog in SpoutBlog on spout.com
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"The most welcome film festival news of the week comes from The Hollywood Reporter, by way of The Reeler. In a bid to increase their profile as an independent film marketplace, the Tribeca Film Festival will cut the size of their feature slate by as much as 25 percent. A program of 120 films would put Tribeca in the same league, size-wise, as Sundance, which is clearly the intention: “We realize our audience is getting a little overwhelmed by all of our titles,” said Tribeca co-exec director Nancy Schafer. Last year, nearly 30 titles were acquired out of Tribeca, but many were bought by smaller distributors; with the new focus, the festival hopes to bring in bigger buyers and yield more high-profile deals. “We’ve had a lot of movies bought out of the festival but we haven’t had our Sex, Lies & Videotape yet,” Schafer said. “That’s what we want, and that’s what the industry wants.” Steven Soderbergh’s 1989 film, of course, helped to cement Sundance’s status as the highest profile fes ... " [More]
Review by All Movie Guide
All Movie Guide
loved it.
The feature debut by 26-year-old writer/director/editor Steven Soderbergh galvanized the independent film movement of the late '80s and '90s with its breakout success leading out of the Sundance Film Festival. Soderbergh's late twentysomethings are so alienated and sexually dysfunctional that voyeuristic, videotaping onanist Graham's professions of relative healthiness ring ironically true. In these warped lives, the mediating presence of the video camera becomes a means to self-awareness, yet human connection can happen only via a machine. Winner of the Audience Prize at Sundance, sex, lies and videotape commanded international attention by winning the Palme d'Or at the Cannes Film Festival (as well as the Best Actor prize for James Spader's subtle performance as Graham), setting the stage for the award-winning prominence of American independent cinema at the Cannes festival in subsequent years. Picked up and aggressively marketed by Miramax, sex, lies and videotape grossed 26 million dollars, raising the bar for an "indie" hit, establishing Miramax as the most prominent purveyor and savvy marketer of independent film, and refocusing attention on non-Hollywood product as a vital creative and entertainment alternative to blockbusters. ~ Lucia Bozzola, All Movie Guide
 



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