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The Wonderful World of the Brothers Grimm
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Directed by Henry Levin, George Pal.
This long, 135-minute feature is divided into four different segments, three highlighting fairy tales and the first introducing the two Brothers Grimm. Wilhelm (Laurence Harvey) is the dreamer, and Jacob (Karl Boehm) is the practical one, and between them, some marvelous fairy tales develop. Seguing into the first tale about the "Dancing Princess," co-directors Henry Levin and George Pal -- also the producer -- allow their special-effects artists full rein. In-between dancing, the princess (Yvette Mimieux) falls in love with a charming woodsman (Russ Tamblyn). In the second story about the "Cobbler and the Elves," a Christmas miracle of dedicated labor helps the cobbler out when he most needs it. In the last story, a fire-breathing dragon threatens the kingdom until a lowly servant (Buddy Hackett) saves the day. One of the highlights of this production are the Puppetoons, and another is Cinerama -- three projectors working to create a three-paneled (sometimes visibly so), wide-screen panorama. ~ Eleanor Mannikka, All Movie Guide
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Review by All Movie Guide
All Movie Guide
lost interest.
On the whole, The Wonderful World of the Brothers Grimm is far from wonderful, but there are some individual moments that fulfill the promise of the title. The marvelous gypsy dance in the "Dancing Princess" is sensual and energetic and features some stunning moves from Russ Tamblyn. The use of stop motion animation also is very rewarding, if variable -- and even if some current-day audiences will find it too primitive. (It is primitive, and yet it also has an undeniable charm -- especially when set in a fairy tale context, where the sometimes jerky movements are not as distracting as they would be in a more "realistic" sci-fi film.) And the resurrection of Buddy Hackett from a single bone is stunningly done. The puppetoons are especially winning during the "Cobbler and the Elves" sequence, and the dragon in the final sequence is impressive. The physical production as a whole is eye-popping, and Mary Wills' delightful costumes deserved their Oscar. On the down side, while the fairy tale sequences just barely avoid dragging, the wraparound "biographical" sequences are dully scripted -- and even more dully performed, especially by Laurence Harvey. Matters are not helped by Bob Merrill's annoying songs, which feature awkward lyrics and unimaginative (if catchy) melodies. Still, there's enough here to entertain children, and the occasional highlight that indicates how good the film could have been. ~ Craig Butler, All Movie Guide
 



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