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The Wizard of Oz
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Directed by Victor Fleming.
The third and definitive film adaptation of L. Frank Baum's 1900 children's fantasy, this musical adventure is a genuine family classic that made Judy Garland a star for her heartfelt performance as Dorothy Gale, an orphaned young girl unhappy with her drab black-and-white existence on her aunt and uncle's dusty Kansas farm. Dorothy yearns to travel "over the rainbow" to a different world, and she gets her wish when a tornado whisks her and her little dog, Toto, to the Technicolorful land of Oz. Having offended the Wicked Witch of the West (Margaret Hamilton), Dorothy is protected from the old crone's wrath by the ruby slippers that she wears. At the suggestion of Glinda, the Good Witch of the North (Billie Burke), Dorothy heads down the Yellow Brick Road to the Emerald City, where dwells the all-powerful Wizard of Oz, who might be able to help the girl return to Kansas. En route, she befriends a Scarecrow (Ray Bolger), a Tin Man (Jack Haley), and a Cowardly Lion (Bert Lahr). The Scarecrow would like to have some brains, the Tin Man craves a heart, and the Lion wants to attain courage; hoping that the Wizard will help them too, they join Dorothy on her odyssey to the Emerald City. Garland was MGM's second choice for Dorothy after Shirley Temple dropped out of the project; and Bolger was to have played the Tin Man but talked co-star Buddy Ebsen into switching roles. When Ebsen proved allergic to the chemicals used in his silver makeup, he was replaced by Haley. Gale Sondergaard was originally to have played the Wicked Witch of the West in a glamorous fashion, until the decision was made to opt for belligerent ugliness, and the Wizard was written for W.C. Fields, who reportedly turned it down because MGM couldn't meet his price. Although Victor Fleming, who also directed Gone With the Wind, was given sole directorial credit, several directors were involved in the shooting, included King Vidor, who shot the opening and closing black-and-white sequences. Harold Arlen and E.Y. Harburg's now-classic Oscar-winning song "Over the Rainbow" was nearly chopped from the picture after the first preview because it "slowed down the action." The Wizard of Oz was too expensive to post a large profit upon initial release; however, after a disappointing reissue in 1955, it was sold to network television, where its annual showings made it a classic. ~ Hal Erickson, All Movie Guide
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SpoutBlogSpoutBlog Shyamalan’s Latest Surprise End ...
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
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"I hate twist endings, especially those in the films of M. Night Shyamalan. Maybe it’s because I was told the twist of The Sixth Sense prior to seeing it and haven’t been able to appreciate the filmmaker ever since. It’s not so much that I believe films shouldn’t have twist endings, it’s that I believe films that have twist endings should be enjoyable even when you know the secret (Psycho is still great after a thousand viewings, for example). The only one of Shyamalan’s movies to hold up even with the spoilers revealed is Unbreakable. So, I had no problem reading about the big secret of Shyamalan’s latest, The Happening. An early review of a rough cut of the thriller has shown up on Collider, and in addition to claiming the thing is “a terrible, terrible movie,” and that, “Mark Wahlberg might very well give the worst performance I’ve ever seen in anything,” the critic includes a complete plot synopsis, including the big revelation of what is causing people to suddenly kill themselv ... " [More]
RisseladaRisselada EXPO: Magic of the White City
by Risselada in Risselada Blog
liked it.
1 out of 1 people found this review helpful. [What do you think?]
"EXPO: Magic of the White CityA highly interesting documentary if you are interested in the subject of the Chicago World's Fair of 1893 but don't know too much about it.Although almost all of the visuals are stills, photographs, drawings, the event itself was so surprisingly massive and epic that it consumes you for the full two hour presentation.Actually the big of motion footage, the "B" roll as I guess you would call it, that was filmed as some of the reenactment of events are actually the worst part of this documentary. They seem out of place and betray some of the director's strange obsessions with beer and erotic dancing as these are the only subjects that feature such footage.I was totally amazed that such an even had occurred here in the city I now live in over 100 years ago. And the fact that nearly all of the structures, despite their ornate and palatial qualities were built to be temporary and no longer stand makes it seem almost like a fantasy. I ... " [More]
mercurialmercurial Re:Top 5 Most Important America ...
by mercurial in Top 5
loved it.
"1.) The Jazz Singer - Despite being horribly racist with the use of blackface, it was the first film to emerge from the silent era and feature the actors talking. That's pretty big.2.) The Wizard of Oz - Not the first film to be in color, however it remains the film that made Technicolor mainstream and future films to use all the colors of the rainbow (yeah, that was creepy).3.) Night of the Living Dead - Moved past the "Hollywood" structure and ushered in the Independent film movement.4.) Independence Day - Undoubtedly the first film to take everything to BLOCKBUSTER proportions. From starting the "holiday weekend" trend of opening the movie on Wednesday (don't quote me on that but it seems true enough), to the abbreviated title (ID4) plastered on billboards on every other block in every city, matching the events in the film to its release date, etc.5.) The Blair Witch Project - Started the viral marketing techniques now commonplace, especially with the internet. Also mad ... " [More]
mercurialmercurial Re:Top 5 Antagonists
by mercurial in Top 5
loved it.
"Top 5 Antagonists: Human1.) Dazed and Confused - O'Bannon - Ben Affleck's character takes the cake as the biggest a**hole and eventually gets what he deserves.2.) Mutiny on the Bounty - Captain Bligh - Sadistic and unflinchingly evil, Captain Bligh is undoubtedly one of cinemas most hated antagonists.3.) What Ever Happened to Baby Jane? - Jane - Bette Davis oozes nastiness from her caked on makeup to her hoarse, smokers voice.4.) Se7en - John Doe - The unseen serial killer in this film intensifies the terror and dread the viewer feels throughout this film, even more so when he reveals himself and his final acts of brutality.5.) Groundhog Day - Phil "like the groundhog!" Connors - Bill Murray is incredibly noxious for most of the film as a jaded weather man forced to relive the same day over and over again.Runner's Up: Strangeland, Misery, All About Eve, Man Bites Dog, Lemony Snicket's, Dogville Top 5 Antagonists: Supernatural / Science Fiction1.) The Wizard of Oz ... " [More]
pippin06pippin06 Revisiting The Wizard of Oz for ...
by pippin06 in Reel Thoughts
loved it.
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"What's the AFI Project, you ask? For more information, or if you just enjoy my bemused ramblings, read here: http://www.spout.com/blogs/pip pin06/archive/2008/3/1/25756.a spxThe Wizard of Oz is on the following AFI lists:The Original Top 100 (#6)100 Most Heart-Pounding Movies (#43)100 Years...100 Heroes and Villains (the Wicked Witch of the West is the #4 villain)100 Greatest Film Songs (#1 - "Over the Rainbow;" #82 - "Ding Dong the Witch is Dead")100 Movie Quotes: (3 total)(#4 - Dorothy: "Toto, I've got a feeling we're not in Kansas anymore;" #23 - Dorothy: "There's no place like home;" #99 - The Wicked Witch of the West: "I'll get you, my pretty, and your little dog, too!")25 Greatest Movie Musicals (#3)100 Most Inspiring Movies (#26)The Revised Top 100 (#10)I have seen the Wizard of Oz 90 bajillion times. I own it. I watched it during its annual showing on network TV all throughout my childhood. Then, the ... " [More]
RisseladaRisselada Re:Re:top five movies that scar ...
by Risselada in Top 5
liked it.
"Wow yeah, I wouldn't show Akira to any young kids for many reasons, but mostly for that halucination scene. That creeped me out as an adult! " [More]
divinemsjunebugdivinemsjunebug Re:Is 28 Days Later... a Horror?
by divinemsjunebug in HORROR MOVIES 101
loved it.
"Yes, I know we have discussed what constitutes a horror movie before, there are some movies that I don't even think of them as horror movies but some of my friends are terrified to watch them. It's like Jaws, I don't even slightly consider that a horror movie but I have a friend that practically has a heart attack when watching it. OR the Wizard of Oz, I never even slightly thought this movie would fit in the horror genre but I have friends that still can't watch it because of those cute little flying monkey's and that misunderstood crabby green witch. I think a horror movie is many different things to different people, it's whatever scares the crap out of you. Some can be extremely sophisticated with strong political or social issues associated with it, OR they can be as scary as a zombie and shark having a fight underwater or a man in a hockey mask hacking people up. Different strokes for different folks. " [More]
MrSaturnMrSaturn Re:Re:Re:Re:Re:Re:Is 28 Days La ...
by MrSaturn in HORROR MOVIES 101
hasn't rated it.
"I just love how you start watching a film about a man in his struggle against millions all over London and you finish with his struggle against (I believe) six in a small mansion. The claustophobia. " [More]
SpoutBlogSpoutBlog BlogNosh 11/20/07
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
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"Mick LaSalle asked us last week what movie we would like to be inside (instead of Beowulf, which we can sort of feel like we’re in). Personally, I think being inside The Wizard of Oz would be awful. I might even prefer The Wiz, and I’d hate to be in The Wiz. I’d even prefer to hang out with Fred Savage in The Wizard, and I don’t play video games. My answers: anything Capra (well, almost anything — no Why We Fight docs); anything Marx Brothers; anything Muppets; anything Miyazaki; Amelie; Close Encounters of the Third Kind; The Goonies (why not?); and What Dreams May Come (the movie was bad; the setting was beautiful). In honor of me writing more about Enchanted than Karina ever would dream of, I present Rob’s review from his I don’t like Renee Zellweger blog, to show I’m not the only blogger addressing such mainstream fare. Like me, Rob found the movie to be “uninspired,” though he was apparently “disappointed” (I had a low expectation to begin with) and even notes that Amy Adams m ... " [More]
JakeStevensJakeStevens Lions & Tigers & Bears!
by JakeStevens in JakeStevens Blog
liked it.
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"Who hasn't seen this film? An enduring classic, it still looks good, even by today's standards (this was filmed in 1939!). The DVD transfer is immaculate, and even though I tend not to like musicals, the numbers are well-known, well-placed and well-performed. So there. " [More]
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Review by All Movie Guide
All Movie Guide
loved it.
The lavish MGM production of L. Frank Baum's children's book may have lost a million dollars on its initial release, but its songcraft, technical artistry, star-making performance from Judy Garland, and unexpected TV success turned it into a perennial classic. With future ace MGM musical producer Arthur Freed lending producer Mervyn LeRoy an uncredited hand in pre-production, Cedric Gibbons' art direction, Adrian's costumes, and Hal Rosson's sparkling cinematography maximized the creative potential of Technicolor film, as Dorothy goes "over the rainbow" from a sepia-toned black-and-white Kansas to a fantastically rendered Oz of ruby slippers, emerald cities, and yellow brick roads. Lent ample support by vaudeville vets Ray Bolger, Jack Haley, and Bert Lahr, neophyte Garland delivered a touching performance as Dorothy, proving that she had the acting talent to match her superb singing. As with Gone With the Wind, the film went through several directors and Victor Fleming got the credit; King Vidor directed the Kansas sequences, including Garland's solo "Over the Rainbow." Almost cut for the sake of pacing, "Over the Rainbow" became an Oscar winner for Best Song and a Garland standard. Although the 2.7-million-dollar film wilted at the box office, The Wizard of Oz was nominated for several Oscars, including Best Picture (which it lost to Gone With the Wind), winning for Herbert Stothart's score and Harold Arlen and E.Y. Harburg's song. It was the first feature sold for prime-time TV telecast, and its 1956 TV debut was a ratings hit, finally turning it into the crowd-pleasing blockbuster that MGM had always meant it to be. ~ Lucia Bozzola, All Movie Guide
 



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