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Blume in Love
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Directed by Paul Mazursky.
In the Los Angeles of yoga, therapy, and well-off liberals, a divorcé decides that his ex-wife is the love of his life in Paul Mazursky's romantic comedy. Beverly Hills divorce lawyer Stephen Blume (George Segal) becomes his own client when his social worker wife Nina (Susan Anspach) throws him out for sleeping with his secretary. Only then does Blume realize that he can't live without Nina, even though she seems fine without him, and he has a new sex partner in divorcée Arlene (Marsha Mason). So what does he do to win Nina back? Befriend her laid-back musician beau, Elmo (Kris Kristofferson), show up at her house with breakfast bagels, eavesdrop on her therapy sessions, and forcibly impregnate her, of course. Banished to their former honeymoon site in Venice, Italy while Nina thinks things over, Blume reflects on his past and his obsession, as he dreamily hopes for the best. Cutting between Blume's musings on love and loss in Venice's Piazza San Marco and the events in L.A. that brought him there, Mazursky humorously yet sharply dissects the complications of marriage in the let-it-all-hang-out Me Decade of the 1970s. Blume and Nina face the same dilemma as the couples in Mazursky's 1969 hit Bob & Carol & Ted & Alice: how to mesh traditional vows with the new freedom and its temptations. In this case, it takes a divorce to convince the solipsistic Blume that the woman he wants most is his own wife. Considered by some critics one of the decade's best interrogations of contemporary coupledom, Blume in Love astutely captured the absurdity of Blume's self-involved romantic quest, while slyly celebrating the operatic spirit of love that drives him. ~ Lucia Bozzola, All Movie Guide
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Review by All Movie Guide
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Writer-director Paul Mazursky was one of several filmmakers of the 1960s and 1970s to turn his attention to the growing social tensions caused by the liberalization of sex roles and more open attitudes to love and marriage. His explorations of permissive relationship began famously in 1969 with Bob and Carol and Ted and Alice and extended to his most successful film, An Unmarried Woman, in 1978, centering on a newly divorced woman. Between the two, in 1973, he concocted this bittersweet comedy, which features George Segal as a man who falls in love with his ex-wife after she has divorced him for cheating on her. Slyly probing the complexities of contemporary marriage, Mazursky's story is a prime example of the relationship-centered films of the 1970s. It includes singer-actor Kris Kristofferson in only his second movie role, and a part for Mazursky as well. ~ Michael Betzold, All Movie Guide
 



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