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Willard
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Directed by Daniel Mann
This film is based on the novel Ratman's Notebooks, by Stephen Gilbert. Bruce Davison is Willard Stiles, a 27-year-old mama's boy whose repressions are bottled up inside and come to the fore in his nervous nail-biting. As one character describes Willard, "Willard is basically an extrovert, but it's all inside." Willard and his possessive invalid mother, Henrietta (Elsa Lanchester), live in thrall to Al Martin (Ernest Borgnine), the man who took over a foundry business after the death of Willard's father. Willard inwardly seethes but mostly stays in his run-down mansion with his mother, making friends with the rats that infest the place -- he even names them, Ben and Socrates. However, when Henrietta dies, things change. Al, in a rage, kills one of Willard's pet rats. Not only that, but Al also fires Willard from his job at the foundry. Losing his patience, Willard meets with his rat friends to exact his revenge for a lifetime of humiliation and neurosis. ~ Paul Brenner, All Movie Guide
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MovieBabeMovieBabe Willard
by MovieBabe in MovieBabe Blog
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"It's easy to guess what Willard was like as a boy: Trapped in a cavernous, elaborately decorated house and forced to dress as if every day were Sunday, the pale, awkward kid probably didn't have friends—and he certainly wouldn't have been allowed to have pets. But Mama would have insisted that that was OK. And it's a good thing, too: When Dad dies and Mom gets sick, you don't want the new man of " [More]
laylorlaylor Re:Movies for Animals
by laylor in Movie Games
"My cat, Miu Miu, enjoys: Pet Semetary Cat's Eye The Adventures of Milo and Otis (1989) [More]
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Review by All Movie Guide
All Movie Guide
lost interest.
The cycle of "nature's revenge" films started with The Birds, but it was the success of the low-budget Willard that really made the genre a force in 1970s cinema. In its day, Willard was a powerful little horror movie; if time and subsequent horror films have dimmed its power somewhat, it still packs a decent punch. Although the rats are the stars here -- and they are so effective that the animal trainers deserve special praise -- Willard still boasts a very moving and well-modulated performance from Bruce Davison in the title role. Davison makes Willard a sympathetic, likeable character, even as he descends into the madness of his revenge plots, and he gives the film a great deal of its special flavor. Elsa Lanchester also does well, and Ernest Borgnine's wonderfully repugnant performance makes his death-by-devouring a particular treat. While Willard has its share of "gross" scenes, overall it's a subtler, less "in-your-face" kind of horror film. Director Daniel Mann takes advantage of several opportunities to suggest rather than show, and he's quite good at setting up the big moments so that they obtain maximum pay-off. The subplot involving Willard's love interest doesn't really work, and there are a few sections where the screenplay could have been trimmed, but overall Willard is an effective rainy-day chiller. ~ Craig Butler, All Movie Guide
 

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Dr_Gor
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