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Wild at Heart
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All reviews for Wild at Heart

    SpoutBlogSpoutBlog 10 One-Hit Wonders Made by Movies
    by SpoutBlog in SpoutBlog on spout.com
    hasn't rated it.
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    "The soundtrack to Twilight is currently the number one album in the U.S., and a band called Paramore is experiencing great success by association. They have two songs featured on the soundtrack, one of which, “Decode,” has been released as the album’s lead single. Though Paramore have been around for some time and were even nominated for a Grammy earlier this year, they have never charted quite as well on the Billboard Hot 100 as they currently are through this Twilight connection. And chances are they’ll never have quite as big a hit again. Countless other artists have had their biggest break with a song prominently featured on or released through a movie soundtrack, and many of these artists disappeared into obscurity afterwards. Or, at best, they maintained a modest career, never achieving the kind of chart-topping high they once received courtesy of a hit film. SpoutBlog has compiled a list of ten such “one-hit wonders,” though we made some rules and exceptions in order to both ... " [More]
    SpoutBlogSpoutBlog When Bobby Met Ariane: Maitresse
    by SpoutBlog in SpoutBlog on spout.com
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    "How often do you get Barbet Schroeder, Gerard Depardieu and Nestor Almendros together to shoot a film about a burglar who ends up falling in love with the dominatrix whose dungeon he’s unwittingly tried to rob? In a scene at the very beginning of Schroeder’s exquisitely paced, beautifully executed Maitresse the tone is brilliantly set for the relationship – and thus the film itself – through Almendros’ meticulously composed images. His camera captures Depardieu’s fair Olivier and his dark-haired partner-in-crime (whose bad idea it was to burglarize the “downstairs apartment”) in a hornet’s nest of their own making, caught in the act by Bulle Ogier’s “Maitresse” Ariane, and subsequently handcuffed to her radiator and guarded by a vicious Doberman named Texas. But wait––if this doesn’t sound like a setup straight from the twisted mind of David Lynch I don’t know what does. Indeed, what’s most strik " [More]
    SpoutBlogSpoutBlog Better Than Sex: David Lynch’s ...
    by SpoutBlog in SpoutBlog on spout.com
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    "“No tongue – my lipstick,” Diane Ladd’s conniving Marietta Fortune admonishes at the beginning of Wild at Heart, flirting with Harry Dean Stanton’s Johnnie Farragut, while perfectly setting the tone for the tantalizing sexual games to follow. Lynch’s typically bizarre noir contains one of the steamiest foreplay scenes ever to grace the indie screen. Strangely, this kinky non-sex scene involves not Laura Dern’s Lula and Nicolas Cage’s Sailor Ripley (whose love scenes are saturated with such hyper-real color and artistic angles as to overshadow the screwing), but the childlike Lula and Willem Dafoe’s greasy, so-creepy-he’s-charismatic Bobby Peru (”Just like the country,” he drawls, introducing himself to Lula and Sailor outside the hotel they’re all staying at, sliding snakelike into Wild at Heart nearly an hour and twenty minutes fashionably late). Dressed in black, sporting a Clark Gable moustache, Bobby’s the ultimate contrast to Dern’s big blonde hairdo, red lipstick painted, 20- ... " [More]
    CinemaRianCinemaRian Wild at Heart (1990, USA, David ...
    by CinemaRian in CinemaRian Blog
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    "Wild at Heart is that guy at the party that has a joke that is genuinely funny, hilarious, in fact, but then repeats that joke over and over to everyone, until you just with he would go home. This movie would excellent at 70 or 80 minuets, but there's just not enough material here to stretch it out to two hours. The movie is a comedy, which is surprising considering the fact that it's directed by David Lynch, who is not generally known as being a wocka wocka kind of guy. But it's very funny indeed, which is why it's a shame it runs out of petrol in the second half. It's based on a novel by Barry Gifford, which I have not read, but assume to be an earnest telling of the odyssey of two rouge outlaws through the American west. Actually, I should say one rouge outlaw- the woman hasn't done anything illegal, but is being pursued by agents from her mother (Diane Ladd), who doesn't want her hanging around her ruffian boyfriend. The lovers are Sailor (Nicolas Cage), who acts like he's Elvi ... " [More]
 
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