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Who's Afraid of Virginia Woolf?
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Directed by Mike Nichols.
"You are cordially invited to George and Martha's for an evening of fun and games." Thus read the ad copy for Who's Afraid of Virginia Woolf, which in 1966 went farther than any previous big-studio film in its use of profanity and sexual implication. George (Richard Burton) is an alcoholic college professor; Martha (Oscar-winner Elizabeth Taylor) is his virago of a wife. George and Martha know just how to push each other's buttons, with George having a special advantage: he need only mention the couple's son to send Martha into orbit. This evening, the couple's guests are Nick (George Segal), a junior professor, and Honey (Sandy Dennis), Nick's child-like wife. After an evening of sadistic (and sometimes perversely hilarious) "fun and games," the truth about George and Martha's son comes to light. First staged on Broadway in 1962 with Uta Hagen and Arthur Hill, Edward Albee's play was adapted for the screen by Ernest Lehman, who managed to retain virtually all of Albee's scatological epithets (this was the first American film to feature the expletive "goddamn"). Lehman opened up the play by staging one of George's speeches in the backyard, and by relocating the film's second act to a roadside inn (he also added four lines--"all bad," according to Albee). Thanks to the box-office clout of stars Taylor and Burton, not to mention the titilation factor of hearing all those naughty words on the big screen, Who's Afraid of Virginia Woolf was a hit, and it won 5 Oscars, including awards for Taylor and Dennis, though it lost Best Picture to A Man for All Seasons. First-time director Mike Nichols lost the Oscar, but this movie gave him a perfect transition from his stage work and established him as a hot young Hollywood director, leading to his acclaimed (and Oscar-winning) work on his next movie, The Graduate. ~ Hal Erickson, All Movie Guide
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JJ79JJ79 Who's Afraid of Virginia Woolf? ...
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"Released: June 21, 1966Director: Mike Nichols*****When is it acceptable to call a woman a bitch and not be roundly chastised for it? Maybe when that woman turns out to be Martha, as played by Elizabeth Taylor, in Who's Afraid of Virgina Woolf? Taylor's is a terribly noteworthy performance-even, perhaps, groundbreaking, controversial and career making-as the perpetually drunk wife of an middling associate professor. Theirs is an unconventional marriage, full of depravity, snarky remarks and not even the slightest hint of love or mutual respect between them. Late one night after a party, Martha invites a new professor and his wife to their home for drinks. George (played by Taylor's one-time husband Richard Burton) takes exception to the invitation, considering the 2 am hour. However, once fresh faced Nick and Honey arrive, all semblance of rest goes out the window. Constantly trading barbs with one another, Martha and George turn into the world's worst hosts. Director Mike N ... " [More]
Review by All Movie Guide
All Movie Guide
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Seething with acidic ill will and unmitigated vitriol, Who's Afraid of Virginia Woolf? remains one of the cinema's most honest, affecting trips down the corpse-strewn path of marital dysfunction. Adapted for the screen from Edward Albee's play (deemed the "best American play of the last decade" by The New York Times), it was a scathing, uncompromising drama that on its release earned almost as much controversy as kudos. Much of this controversy emanated from the filmmakers' refusal to delete the expletives--scatalogical and otherwise--that marked the original play. Controversy aside, Who's Afraid represented the remarkably accomplished movie directing debut of Mike Nichols and featured spectacular performances. The only film at that point in history to have its entire main cast nominated for Academy Awards, Who's Afraid elicited Oscar-winning turns from Elizabeth Taylor and Sandy Dennis. Taylor in particular did some of the best work of her career, screaming, bullying, and scheming her way across the screen with raw, full-bodied anger. Both imposing and pathetic, her Martha remains one of the more astonishing examples of an avenging harpy that the screen has to offer. Aside from boasting such fine work from its leads, Who's Afraid of Virginia Woolf? became known as one of the most successful examples of stage-to-screen adaptation. Much of this was due to Ernest Lehman's script, which remained scrupulously faithful to the original material, and the legendary Haskell Wexler's gorgeous black-and-white cinematography. Above all, Who's Afraid owed its success to Nichols' direction, here comprising one of the screen's most self-assured and controlled debuts. ~ Rebecca Flint Marx, All Movie Guide
 



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