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What's the Matter with Helen?
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Directed by Curtis Harrington
Though it bears more than passing resemblance to his macabre hits Hush ... Hush, Sweet Charlotte and Whatever Happened to Baby Jane?, this lesser-known outing from screenwriter Henry Farrell takes a more satirical turn, skewering the eccentricities of the Hollywood studio system. The story opens during the advent of talking pictures, where a school for would-be child stars is opened by voice coach Helen Hill (Shelley Winters) and dance instructor Adelle Bruckner (Debbie Reynolds). Haunted by a dark secret -- each of the women's sons was convicted of murder -- Hill and Bruckner are pursued by a cloaked interloper whose incessant snooping leads to a fatal altercation. Suspicion builds between the two until the expected climax, where it is revealed that one of the two women is even more lethal than her homicidal son. Though the film's absurdist tone is a harsh about-face from the deadly deadpan camp of Farrell's Gothic 1960s thrillers, the period flavor is a nice touch, and accomplished director Curtis Harrington frequently achieves the right balance of horror and humor. ~ Cavett Binion, All Movie Guide
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Review by All Movie Guide
All Movie Guide
lost interest.
What's the Matter with Helen? is schlock, but it's good schlock. Coming near the tail-end of the "grand old dame" ghoulfest that began with What Ever Happened to Baby Jane?, Helen can't compare to that particular twisted masterpiece of the macabre, but it's dandy fun -- the kind of movie that popcorn and rainy nights were made for. Helen is ridiculous, of course, but director Curtis Harrington realizes this, and so he plays it for big effects. He's unashamed to bring out manipulative tricks that everyone has seen before, but he likes them so much that most viewers will too, even if they groan afterward. Harrington probably should have let Debbie Reynolds in on the joke, for she plays her scenes entirely too seriously -- something that is not a problem with co-star Shelley Winters. The supporting cast is fine, with Agnes Moorehead a tremendous amount of fun, and Harrington also has a good time playing around with period touches. The result is far from a great movie, but still an enjoyable mixture of chills and laughs, even if some of the laughs are more at the film than with it. ~ Craig Butler, All Movie Guide
 

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