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Blue Collar
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Directed by Paul Schrader.
Paul Schrader's directorial debut examines the trials of Detroit autoworkers living at the mercy of a heartless corporation and a corrupt union. Surviving from paycheck to paycheck, Checker Cab assembly linemen Zeke (Richard Pryor), Jerry (Harvey Keitel), and Smokey (Yaphet Kotto) scrape by and take pleasure in a few rounds of beer or bowling (and occasional illicit amusements). But when their money troubles pile up, Jerry and Smokey join Zeke in a desperate plan to steal cash from their local union office. Along with a piddling $600, they unexpectedly swipe evidence of union corruption. Deciding to use it for blackmail, the men discover instead how powerfully malevolent the union can be in a system that counts on petty divisiveness to keep the larger power structure intact. Inspired by stories of real-life disillusionment, Schrader and his brother/co-writer Leonard Schrader took on politically difficult issues of race and corporate labor, infusing the indictment of unions with a suggestion of post-Watergate paranoia about forces beyond the union that keep workers in their place. From the opening sequence of the assembly line to the final evocative freeze-frame, Schrader maintains an atmosphere of gritty realism, with the lead trio lending low-key dramatic force to a situation beyond their control. Too downbeat for a late '70s audience increasingly drawn to happier fare, Blue Collar flopped, yet it did earn Schrader critical accolades. Although he has reportedly since disowned the film, Blue Collar remains one of Schrader's best works, with Zeke and Jerry powered by the same sense of simmering frustration that would explode so effectively in Affliction two decades later. ~ Lucia Bozzola, All Movie Guide
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james0122james0122 Detroit Auto Industry Blues in ...
by james0122 in james0122 Blog
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"I live near the American Cinematheque in Hollywood and this movie was part of the seventies series the second weekend of May 2007. I believe Paul Schrader really got the lingo down though I strongly suspect some assistence from Richard Pryor, whose angry black man persona wasn't that far away from his classic stand up routines at this period. There's even a party scene where he sniffs coke and has sex with whores along with his buddies Harvey Keitel and Yaphel Kotto. Their desperate situations really tempt them to rob the union which is every bit as corrupt as the auto indistry it serves. Thirty years later, these types of jobs would be gone from Detroit, making this a good time capsule ot this era. It is quite bleak, particulary what happens to Kotto and the last freeze frame of Pryor and Keitel at each other. There is poignancy of the later two, as the viewer sees their unhappy family situations. Definitely worth seeing. " [More]
Review by All Movie Guide
All Movie Guide
liked it.
Richard Pryor's best dramatic performance is at the heart of Blue Collar, a rare American film that casts an unflinching look at the high-pressure life of working-class people. Acclaimed screenwriter Paul Schrader (who wrote such films as Taxi Driver and Raging Bull) made his directorial debut with this simmering story about three desperate Detroit autoworkers (played by Pryor, Harvey Keitel, and Yaphet Kotto) who plot to rob their own union. Both the merciless corporation and the corrupt union are their enemies in this bleak, profane, but spirited film. The subject matter of real, unglamorous people is usually off-limits for Hollywood, but Schrader wisely resists the temptation to glamorize his protagonists. Pryor shows tremendous range in a role that uses his expressive humanity for other than comic purposes. His lost, weary, cheated character is at the core of the film's considerable moral weight. ~ Michael Betzold, All Movie Guide
 



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