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Che
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PART ONE: a href="http://www.spout.com/films/297556/default.aspx">The Argentine
On November 26, 1956, Fidel Castro sails to Cuba with eighty rebels. One of those rebels is Ernesto "Che" Guevara, an Argentine doctor who shares a common goal with Fidel Castro - to overthrow the corrupt dictatorship of Fulgencio Batista.

Che proves indispensable as a fighter, and quickly grasps the art of guerrilla warfare. As he throws himself into the struggle, Che is embraced by his comrades and the Cuban people. This film tracks Che’s rise in the Cuban Revolution, from doctor to commander to revolutionary hero.

PART TWO: Guerrilla
After the Cuban Revolution, Che is at the height of his fame and power. Then he disappears, re-emerging incognito in Bolivia, where he organizes a small group of Cuban comrades and Bolivian recruits to start the great Latin American Revolution.

The story of the Bolivian campaign is a tale of tenacity, sacrifice, idealism, and of guerrilla warfare that ultimately fails, bringing Che to his death. Through this story, we come to understand how Che remains a symbol of idealism and heroism that lives in the hearts of people around the world

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KarinaKarina Che: What’s Up With It?
by Karina in Karina on SpoutBlog
hasn't rated it.
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"What’s going on with Steven Soderbergh’s Che? Heard anything recently? I haven’t seen any hard news published in any half-way reputable outlet since Cannes (aside from this report from IndianTelevision.com that Che will soon premiere on––wait for it––Indian television, but the film’s international release has never been in doubt). But that hasn’t put an end to the speculation. On June 14, Jeff Wells did a post based on a conversation a friend of his had with some other guy who’s “familiar with the comings and goings of” Wild Bunch, the sales agency who funded Che and have been looking for a buyer for it since Berlin. The gist, as Wells passes it along through the various degrees of distance, is that Wild Bunch has given up trying to sell the current cut to a U.S. distributor, and Soderbergh’s too busy shooting his next movie to worry about refining his cut, and everyone’s just sort of shrugging their shoulders and cutting their losses. I didn’t come across this story until today, ... " [More]
SpoutBlogSpoutBlog Che: What’s Up With It?
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
Was this review helpful? [Be the first to tell us!]
"What’s going on with Steven Soderbergh’s Che? Heard anything recently? I haven’t seen any hard news published in any half-way reputable outlet since Cannes (aside from this report from IndianTelevision.com that Che will soon premiere on––wait for it––Indian television, but the film’s international release has never been in doubt). But that hasn’t put an end to the speculation. On June 14, Jeff Wells did a post based on a conversation a friend of his had with some other guy who’s “familiar with the comings and goings of” Wild Bunch, the sales agency who funded Che and have been looking for a buyer for it since Berlin. The gist, as Wells passes it along through the various degrees of distance, is that Wild Bunch has given up trying to sell the current cut to a U.S. distributor, and Soderbergh’s too busy shooting his next movie to worry about refining his cut, and everyone’s just sort of shrugging their shoulders and cutting their losses. I didn’t come across this story until today, ... " [More]
KarinaKarina Cannes: Che Aftermath
by Karina in Karina on SpoutBlog
hasn't rated it.
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"I didn’t see Che. Last night was the first night since I’ve been here that I had an opportunity to go to bed at a reasonable hour and, after a week of dozing off in screenings on three hours of fitful sleep, I took it. Regrets? Reading the recaps and reviews, I have a few. I mean, if Anne Thompson is right, the Cannes cut will, like the Cannes cut of Richard Kelly’s Southland Tales, never again see the light of day. Comparing Che to that film and others which were brought to Cannes straight out of the oven and half-raw, she blogs: The good news: there is plenty of fine material here to be edited into one releasable long dramatic feature…One thing is likely: it will not be released as it was seen here. And it will not sell overnight–unless a distrib promises to help Soderbergh to find his movie. It seems that Peter Rice of Fox Searchlight, Daniel Battsek of Miramax and James Schamus of Focus knew that they didn’t need to see the movie before they left town. David Poland has no love ... " [More]
SpoutBlogSpoutBlog Cannes: Che Aftermath
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
Was this review helpful? [Be the first to tell us!]
"I didn’t see Che. Last night was the first night since I’ve been here that I had an opportunity to go to bed at a reasonable hour and, after a week of dozing off in screenings on three hours of fitful sleep, I took it. Regrets? Reading the recaps and reviews, I have a few. I mean, if Anne Thompson is right, the Cannes cut will, like the Cannes cut of Richard Kelly’s Southland Tales, never again see the light of day. Comparing Che to that film and others which were brought to Cannes straight out of the oven and half-raw, she blogs: The good news: there is plenty of fine material here to be edited into one releasable long dramatic feature…One thing is likely: it will not be released as it was seen here. And it will not sell overnight–unless a distrib promises to help Soderbergh to find his movie. It seems that Peter Rice of Fox Searchlight, Daniel Battsek of Miramax and James Schamus of Focus knew that they didn’t need to see the movie before they left town. David Poland has no love ... " [More]
KarinaKarina Cannes: Nerves on the CHE Red C ...
by Karina in Karina on SpoutBlog
hasn't rated it.
Was this review helpful? [Be the first to tell us!]
"I’m watching the red carpet arrivals for the Che premiere right now via the Festivals closed circuit TV station. “Steven Soderbergh looks somewhat worried,” says the English translator. No shit. The director, wife Jules Asner and Che star Benicio Del Toro not only looked like they were walking into a hanging, but they couldn’t contain their apprehension when asked totally innocuous questions by the official red carpet interviewer. Examples: Red Carpet Guy: “Steven, why did you want to make a movie about Che?” Soderbergh: “I didn’t want to do it. They made me do it.” Red Carpet Guy: “How did you become Che?” Benicio Del Toro: “I don’t think I did it. But we tried.” Soderbergh: [looking around] “It’ll be an interesting evening, one way or an other.” Red Carpet Guy: “Are you nervous?” Soderbergh: “Yeah!” Originally posted on:SpoutBlog » Karina Longworth " [More]
SpoutBlogSpoutBlog Cannes: Nerves on the CHE Red C ...
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
Was this review helpful? [Be the first to tell us!]
"I’m watching the red carpet arrivals for the Che premiere right now via the Festivals closed circuit TV station. “Steven Soderbergh looks somewhat worried,” says the English translator. No shit. The director, wife Jules Asner and Che star Benicio Del Toro not only looked like they were walking into a hanging, but they couldn’t contain their apprehension when asked totally innocuous questions by the official red carpet interviewer. Examples: Red Carpet Guy: “Steven, why did you want to make a movie about Che?” Soderbergh: “I didn’t want to do it. They made me do it.” Red Carpet Guy: “How did you become Che?” Benicio Del Toro: “I don’t think I did it. But we tried.” Soderbergh: [looking around] “It’ll be an interesting evening, one way or an other.” Red Carpet Guy: “Are you nervous?” Soderbergh: “Yeah!” Originally posted on:SpoutBlog " [More]
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