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The Untouchables
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Directed by Brian De Palma
Like the TV series that shared the same title, The Untouchables (1987) was an account of the battle between gangster Al Capone and lawman Eliot Ness, this time in the form of a feature film boasting big stars, a big budget, and a script from respected playwright David Mamet. Kevin Costner stars as Ness, a federal agent who has come to Chicago during the Prohibition Era, when corruption in the local police department is rampant. His mission is to put crime lord Capone (Robert De Niro) out of business, but Capone is so powerful and popular that Ness is not taken seriously by the law or the press. One night, discouraged, he meets a veteran patrolman, Jimmy Malone (Sean Connery), and discovers that the acerbic Irishman is the one honest man he's been seeking. Malone has soon helped Ness recruit a gunslinger rookie, George Stone (Andy Garcia), and, joined by nebbish accountant Oscar Wallace (Charles Martin Smith), the men doggedly pursue Capone and his illegal interests. At first a laughingstock, Ness soon has Capone outraged over his and Malone's sometimes law-bending tactics, and the vain mobster strikes back in vicious style. Ultimately, it is the most unexpected and minor of crimes, tax evasion, which proves Capone's undoing. All of the credits for The Untouchables boasted big names, including music from Ennio Morricone and costumes by Giorgio Armani. Director Brian De Palma continued his tradition of including a homage to past masters of the cinema with a taut stairway shoot-out reminiscent of a similar sequence in Sergei Eisenstein's Battleship Potemkin (1925). ~ Karl Williams, All Movie Guide
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pippin06pippin06 Revisitng the Untouchables
by pippin06 in Reel Thoughts
liked it.
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"I just bought this movie because it was cheap, like $5. I had seen it a couple of times, probably closer to the time of its release. Since I was barely a pre-teen at the time, I don't think I fully appreciated the film the way it was meant to be appreciated. This film is a lesson in moral ambiguity. If you don't already know the story, Treasury Agent Elliott Ness, a beat cop named Jim Malone, a treasury accountant, and a sharpshooter rookie decide to take on the most elu " [More]
HairyLimeHairyLime Post Oscar Breakdown
by HairyLime in HairyLime Blog
liked it.
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"Kudos to Alan Arkin - complete surprise in this category, but an often underappreciated actor (my favorite Alan Arkin roles: Grosse Pointe Blank, Wait Until Dark, Catch 22, Edward Scizzorhands, Glenngerry Glen Ross, Little Miss Sunshine)Kudos to Ennio Morricone, one of my favorite film composers, and a tribute long overdue (my favorite Morricone scores: Once Upon a Time in America, Tie Me Up Tie Me Down, Once Upon a Time in the West, Untouchables)Kudos to Martin Scorcese, long overdue for " [More]
usesoapusesoap Method Men and 50 Cent
by usesoap in usesoap Blog
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"“What are you gonna do? Wheel me out on the 'Geraldo Show' as some freak of the week?” posits a character of the new cop thriller “Righteous Kill.” Wait a minute, Geraldo? Are you sure that's the pop-culture reference you want to stick with? Were there licensing problems with Morton Downey Jr? Arsineo did not return calls? Yes, “Righteous Kill,” arriving in theaters in 2008 is hopelessly mired in elements of two dec " [More]
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JEllenJEllen Overhead Shots - Top 5
by JEllen in Top 5
"What are the five most impressive overhead shots you remember? My list is: 1.The Untouchables - The shot where Capone is getting a shave.2.Psycho - The murder on the stairs.3.Elizabeth - shots in the castle straight down which make the figures tiny.4.LOTR Return of the King - It's a tracking shot where the camera starts at Gollum's eye, and pulls straight up through the ring.5.American Beauty - shot of the suburbs.I also recall a movie, or several movies, with straight down o " [More]
RisseladaRisselada Re: Chicago = Playground Theater
by Risselada in Chicago
"It's weird to imagine if they are all from different eras.Gondorf and Hooker are pulling a big one over on Lonnegan. Dr. Richard Kimble is on the run from a U.S. Marshal. The McAllister family is flying out of O'Hare minus one member. Bill is working his last day at the steel-mill. Rob Gordon is making another stupid list and whining about his life. Satan is giving a bus tour of the St. Valintine's Day Massacre. Wayne and Garth are headbangin " [More]
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Review by All Movie Guide
All Movie Guide
liked it.
Brian De Palma's strikingly authentic re-creation of 1930s gangster films and Prohibition-era Chicago is dominated by the performance of Best Supporting Actor Oscar-winner Sean Connery as Jim Malone. Malone's mentorship of Eliot Ness (Kevin Costner), guiding him from his initial, Dudley Do Right-esque altruism to a more grimly realistic law-enforcement agent, gives the film its emotional anchor. Costner's white-bread Ness and De Niro's grandiose Capone pale in comparison to the charismatic Connery. Ennio Morricone's lush score and Stephen H. Burum's classy, high-gloss cinematography may romanticize the oft-gruesome violence, but both are well-suited to the approach taken by screenwriter David Mamet, who attempts to raise the pulp features from the original TV drama to high art. The film climaxes in a Grand Central Station shoot-out that is De Palma's stylish homage to the "Odessa steps" sequence in director Sergei Eisenstein's seminal Battleship Potemkin. ~ Dan Jardine, All Movie Guide
 

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