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The Treasure of the Sierra Madre
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Directed by John Huston.
John Huston's 1948 treasure-hunt classic begins as drifter Fred C. Dobbs (Humphrey Bogart), down and out in Tampico, Mexico, impulsively spends his last bit of dough on a lottery ticket. Later on, Dobbs and fellow indigent Curtin (Tim Holt) seek shelter in a cheap flophouse and meet Howard (Walter Huston), a toothless, garrulous old coot who regales them with stories about prospecting for gold. Forcibly collecting their pay from their shifty boss, Dobbs and Curtin combine this money with Dobbs's unexpected windfall from a lottery ticket and, together with Howard, buy the tools for a prospecting expedition. Dobbs has pledged that anything they dig up will be split three ways, but Howard, who's heard that song before, doesn't quite swallow this. As the gold is mined and measured, Dobbs grows increasingly paranoid and distrustful, and the men gradually turn against each other on the way toward a bitterly ironic conclusion. The Treasure of the Sierra Madre is a superior morality play and one of the best movie treatments of the corrosiveness of greed. Huston keeps a typically light and entertaining touch despite the strong theme, for which he won Oscars for both Director and Screenplay, as well as a supporting award for his father Walter, making Walter, John, and Anjelica Huston the only three generations of one family all to win Oscars. ~ Hal Erickson, All Movie Guide
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unclefesteringunclefestering A great final film by a master ...
by unclefestering in unclefestering Blog
loved it.
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"John Huston got everything right when he made The Dead. First, it was a great choice of material. In the past others have tried to adapt James Joyce’s works and failed. Instead of picking a monumental project, Huston picked his best short story. He maintains a brisk pace on this 84 minute masterpiece. Despite the short time, Huston gives us an absolutely brilliant and intimate view of the difference between love and passion and acceptance of what we have. From the humorous and boorish conversations at the Christmas party to beautifully haunting carriage ride home where Greta, played by the director’s daughter, Angelica, tells her husband a devastating secret. The cinematography on this movie is fantastic. Even if the rest of the movie was a disaster (which it isn’t) the transcendent shots would make watching this worth every second. It was a great feather in his cap that he was able to have his children involved in his last film. It is especially fitting si ... " [More]
JakeStevensJakeStevens In AFI's Top 100 For A Reason
by JakeStevens in JakeStevens Blog
liked it.
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"I keep reading posts about what this film would be like if made today minus its time-placing colloquialisms. I'll tell you: the film will fail. This film was made with so much care, the characters so perfectly played by the actors portraying them that I believe it would be an exercise in futility (not to mention a huge waste of money). See this film, enjoy it for what it is - there's a reason Bogey and the Hustons are enduring stars - their work will last the ages (much like Hemmingway and Steinbeck, in my opinion). I will probably end up watching this film numerous times because it was such a joy. Now that I know what to expect, I'll be on the lookout for the various nuances in every aspect of its being. HIGHLY RECOMMENDED. " [More]
JimBellJimBell Re: What's your favorite noir?
by JimBell in Noir
liked it.
"I can see your point about film noir being an opportunity for interesting characters to get together. But I disagree. I think plot is crucial to most noirs. The Big Sleep is the classic counter example, as several people involved with it have said they had no idea what the it was about, no idea what the plot was.But put yourself back in 1947. Your are out of the service. You have a girl who you think you might marry and have four children and a house in the suburbs. You get off your job at the factory at 4:30 every Friday and you pick her up at 6:00 for a meal at the diner before the movie of the week. You had better see some of your favourite actors and the story had better be good! (With no television, the studios were churning out movies at a great pace.)That's why when you look at the hit films of the time, the plot was huge and the characters were gripping. For example, The Treasure of the Sierra Madre. It has a great plot which keeps you guessing--it moves at 1/4 the spee ... " [More]
JimBellJimBell The Treasure of the Sierra Madre
by JimBell in JimBell Blog
liked it.
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"The Treasure of the Sierra Madre (1948) is so good largely because the script keeps you guessing, yet everything that happens seems to fit. Also, shooting on location in Mexico gives the picture a gritty look that a studio lot cannot. Finally, this morality tale about the corrosive effect of money on men is portrayed by three excellent actors. The best, for my money, is the least known, Tim Holt, who plays Curtin so matter-of-factly that the realism is striking. Walter Huston is also strong as the old man who has the prospecting knowledge. He does not overemphasize his wisdom, and he does not act like a stereotypical old geezer. The weakest of the strong bunch is Humphrey Bogart, but in fairness to him, he had the most difficult part to play, and the script sometimes required such sudden bouts of paranoia that there was no way he could deliver the lines naturalistically. Thoroughly enjoyable. " [More]
josephkuzmajosephkuzma Re: Remake Star Warses
by josephkuzma in The Futon
loved it.
"Unfortunately I don't know if we'll be that lucky with Casablanca. It seems like just the sort of thing someone will try and justify. Case-in-point: they're supposedly remaking Treasure of the Sierra Madre. Now this is all rumor mind you but it doesn't help my new ulcer any. " [More]
josephkuzmajosephkuzma Re: Top Westerns
by josephkuzma in Top 5
loved it.
"1. A Fistful of Dollars / For a Few Dollars More / The Good, The Bad & the Ugly - This is essentially one film. One huge, phenomenal film.2. Treasure of the Sierra Madre - You find me a better Bogey and I'll kick you in the nuts for lying.3. The Wild Bunch - The beginning and end of this movie scarred me in the best way as a kid.4. The Magnificent Seven - You'd think I would hate this because it's a remake (sort of) of one of the greatest movies of all time but damn it I can't not love this film. Yul Brynner & Steve McQueen were never better.5. Tombstone - Prior to seeing this movie I had a weird stigma against any and all westerns that prevented me from even watching one much less liking one. But after this I realized that they were legitimate films and for months afterwards it was all I'd rent when it was my turn to pick (I was 12 at the time). " [More]
apfradellaapfradella Another monumental Bogart perfo ...
by apfradella in apfradella Blog
loved it.
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"i rate this movie in my top 10 of all time. This is a well constructed screenplay and art direction at its best. The barren desert (filmed in mexico) and man's greed and pursuit of money fill the story line so that the superb actors bring the parable to life. " [More]
paulpaul Re: Other movies thrown into th ...
by paul in PulpFiction1975
hasn't rated it.
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"My knowledge of acting talent from the silver screen days is limited. But I do really dig this idea of what would a film would mean if it were in a different era?Like Fight Club. I think if it were set at the turn of the century, it would probably be close to Battleship Potemkin. When you think of the political unrest between the very rich and the very poor, I think Battleship distilled into film that general sense of unrest the way Fight Club distilled into film how the ideal middle-class existence is really boring, even insanity inducing. Both films had the same result: men revolting.In the reverse scenario, a film I'd love to see done today is Treasure of the Sierra Madre. With all of prerequisite post-WWII gags and the ethnocentric portrayal of Mexicans stripped out, I think the guts of that flick make a great story about relationships falling apart the closer people get to having what they've always wanted. " [More]
Review by All Movie Guide
All Movie Guide
loved it.
Loosely based on the Biblical parable of the thieves and the "Pardoner's Tale" in Chaucer's Canterbury Tales, John Huston's morality tale is one of the great cinematic proofs of the Biblical adage radix malorum est cupitidas, or, the root of evil is the love of money. The film is a clever study of the erosive effect that money can have on flawed men's characters. Shot entirely on location in Mexico, the film's dry and dusty atmosphere is clearly authentic. Humphrey Bogart's maniacal Fred Dobbs is one of moviedom's great characterizations, a conglomeration of cunning, greed and paranoia. As his wealth mounts, so does his distrust. While external threats abound, the real enemy lies within. The Treasure of the Sierre Madre examines the essential existential hopelessness and loneliness of the avaricious man, drawing an implicit parallel between the prospectors and man's contemporary pursuit of material wealth. A failure with audiences who apparently didn't want to see Bogie playing such a nefarious anti-hero, the movie is now recognized by most critics as an American classic: AFI voted it #30 on the list of 100 all time great American films, while for the first time ever, a father and son -- John (for directing and screenplay) and Walter Huston (for best supporting actor) -- won Oscars for their stellar work. ~ Dan Jardine, All Movie Guide
 



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