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To Be or Not to Be
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Directed by Ernst Lubitsch
Ernst Lubitsch directs the 1942 political satire classic To Be or Not to Be, which marked the final screen appearance of comedienne Carole Lombard. In Warsaw at the beginning of WWII, Maria Tura (Lombard) and husband Joseph (Jack Benny) perform anti-Nazi plays with their theatre troupe until they are forced to switch to Shakespeare's Hamlet. Lt. Stanislav Sobinski (Robert Stack) falls for Maria and meets up with her during Joseph's famous "To Be or Not to Be" speech as Hamlet. When Stanislav is eventually dispatched for war, he implicates Maria with Professor Siletsky (Stanley Ridges), who has a secret plan to destroy the Warsaw resistance. The Polish theatre troupe is then forced to use their theatrical skills to ensure their survival. Eventually they turn to impersonating Nazi officers -- and even Hitler himself -- in order to outwit the enemy and keep the resistance safe from spies. To Be Or Not to Be opened to a controversial release in 1942, when the U.S. was still very much involved in WWII. It was remade in 1983 starring Mel Brooks and real-life wife Anne Bancroft. ~ Andrea LeVasseur, All Movie Guide
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"Vantage Point was not as awful as everyone said. However, I've already forgotten most of it. The different perspectives were kind of neat, but, especially at the end, there were some Crash-esque moments. Wait for this to make the rounds on cable. Again, maybe I'm just not good with older and/or screwball comedies. To Be or Not To Be is set in WWII Poland about a group of actors who try to fool the Nazi's and save the underground resistance. It has some really funny parts, but, mostly, I was ju " [More]
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Review by All Movie Guide
All Movie Guide
loved it.
To Be or Not to Be remains one example of a wartime propaganda film that retains its freshness and entertainment value outside its original historical context. Made during World War II by German expatriate Ernst Lubitsch, the film features anti-fascist themes that never overwhelm the characters, and it allows star Jack Benny to fashion a likeable performance that transcends the story's political content. Where many topical comedies veer into either serious drama or excessive sentimentality, To Be or Not to Be maintains its satiric edge without descending into self-parody. The film works as a comedy, as a political thriller, as an anti-fascist satire, and as an allegorical parable. The dialogue contains sharp, ironic observations aimed at the absurdity of totalitarian dogma. While Nazis and Hitler were Lubitsch's specific targets, the film retains a more universal mockery of government oppression and the willingness of bureaucrats to accept their tasks without questioning them. ~ Richard Gilliam, All Movie Guide
 

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