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Black Christmas
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Directed by Bob Clark.
Although this Canadian production saw its widest U.S. cable TV distribution in the early '80s (primarily under the title Stranger in the House) to capitalize on the phenomenal success of Halloween and its offspring, this effective suspense-thriller actually predates John Carpenter's film by four years. The story involves a dangerous psychopath hiding out in the attic of a sorority house who torments a small group of pretty young sisters (including Olivia Hussey and Margot Kidder) who are staying behind over Christmas break. His tactics range from making obscene phone calls from their house-mother's phone, to stalking the terrified boarders with sharp objects and murderous intent. Director Bob Clark, who mistook dreariness for tension in his previous horror effort Children Shouldn't Play With Dead Things! (1972), here demonstrates a tight, aggressive style that generates some very original shocks -- particularly the surprise ending -- which clearly influenced dozens of similarly-themed slasher films to follow. ~ Cavett Binion, All Movie Guide
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divinemsjunebugdivinemsjunebug Re:Who Wants to Help Me Kill Mi ...
by divinemsjunebug in HORROR MOVIES 101
loved it.
"Yes, I have to agree that there have been a few very excellent remakes. I really love the 70s Invasion of the Body Snatchers too. Donald Sutherland is just incredible and towards the end when he points and sreeches, I still can't get that image out of my head...shiver (has anyone seen him in the 70s movie, Don't Look Now - I love that little film too). But yes, every once in a while a remake comes along that just blows my socks off. Sometimes I forget that The Thing is a remake, the old movie is kind of cute actually, but the remake is pretty incredible (actually anything that Kurt Russell is in is pretty incredible). Hey I will even admit it, I loved the OLD Black Christmas movie, but I also enjoyed the remake of it. I did enjoy the remake of NOTLD in a way but I didn't like the woman that was the lead. There were even some parts of the remake of Halloween that I liked, but as a WHOLE movie, I didn't care for it at all and don't even compare it to the o ... " [More]
Dr_GorDr_Gor Re:Re:Re:Re:Re:'Tis the season...
by Dr_Gor in HORROR MOVIES 101
loved it.
"I find it quite fascinating that Return Of The Living Dead made it onto three of the lists above! (including my own!) What, exactly, is it about this movie that makes it so compelling? It is, obviously, more comedy than horror... in fact it is a parody of all the zombie movies to come before. It is (loosely) based on the NOTLD mythology, but quite ground-breaking in some respects. The fast-moving, agile zombies (WAY before 28 Days Later!) and the zombies ability to speak! ("BRAINS!") I've always had a bit of a problem with that last one because I know that you need to have at least three functional organs (4 counting a funtional mouth) to accomplish this including lungs, vocal-chords and a tongue... somebody correct me if I'm wrong... but most of the zombies I have ever seen, in THIS movie in particular, were obviously missing some, or all, of those particular organs. I don't know... if I had been in a more serious horror mood when I made my lis ... " [More]
Dr_GorDr_Gor Re: Children Shouldn't Play wit ...
by Dr_Gor in Zombie Obsession
loved it.
"I first saw "Children Shouldn't Play With Dead Things" at the drive-in during it's initial release... I was very young... This movie made quite an impreession on me at the time! I thought the 'practical joke' that Alan played on his crew members was QUITE terrifying! I STILL find it disturbing that that one guy would allow himself to be buried in a coffin... no matter for HOW long! The 'Zombie ressurection' scene in the cemetary is STILL one of the better ones I have seen! Although this movie is quite 'dated' and VERY low budget, it is still a lot of fun even today! Alan Ormsby, who starred as 'Alan', also handled the special make-up FX and wrote, or co-wrote, the screenplay. A couple years later he would write and direct "Deranged" , a semi-acurate depiction of the antics of Ed Gein... featuring the early make-up effects of a guy named Tom Savini! While Bob Clark, the director, would later go on to direct the origi ... " [More]
slipofthetongueslipofthetongue Old School Horror
by slipofthetongue in SlipOfTheTongue Blog
liked it.
Was this review helpful? [Be the first to tell us!]
"It may not be the scariest horror movie ever made but BLACK CHRISTMAS (1974) is pretty damned chilling in its own way and watching it makes you yearn for simpler times. A feeling of nostalgia informs this film which helped give birth to the modern day slasher movie. In fact, watching it is like seeing a baby take it's very first steps. The baby is actually us, circa 1974. BLACK CHRISTMAS functions as a window into the 70's - when sexual liberation was becoming more commonplace. The daughters of the 70's and their jackass boyfriends were about to get what society felt was coming to them. They were venturing out into a world of greater sexual freedom. They experimented with drugs. They fought to maintain freedom of speech as well as freedom over their own bodies and minds. They entered this very adult world only to find psycho killers waiting for them in their bedrooms and basements. If only we could call out to them and warn them to go back, tell them not to go ... " [More]
Dr_GorDr_Gor Re: Famous Movie Stars that sta ...
by Dr_Gor in HORROR MOVIES 101
loved it.
"I believe "Black Christmas" may have been one of Margot Kidders first movies... Also, I don't remember Sigourney Weaver in anything before "Alien" ... I may be wrong... How about Kirsten Dunst in "Interview With The Vampire" ... AND, let's not forget my ALL TIME FAVORITE, the ONE TRUE LOVE OF MY LIFE.... Linda Blair! " [More]
Phantasma-gore-iaPhantasma-gore-ia Saw it too late, perhaps
by Phantasma-gore-ia in Phantasma-gore-ia Blog
is neutral about it.
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"Because this movie was made in '74 and I wasn't made until '82 and didn't see it until last week, its characteristic, inspired themes became passe and considerably old hat in just the ensuing years, i.e. the end of the 70s, much less into the great-great-great-great-(etc.) -grandchildren: I Know What You Did Last Summer, Wrong Turn, et al. The core ideas (the killer being in the house, gatherings of nubile, vulnerable girls, obvoius distractors (red herrings like Keir's character) and such became textbook lesson, sure-fire blueprints for a killer movie a long time before I saw it, and consequently I just didn't get jived by it. The discordant voices on the phone were unnatural and haunting, but the killer being in the house was suggested aready by the fact that he used the same phones the girls had. I hated how we didn't see this "Billy" nor understand why in heaven's (or hell's) name he tore into his deadly rage. Had I seen this in ... " [More]
IndieIndie Love for orig. Black Christmas
by Indie in HORROR MOVIES 101
liked it.
"I loved the orig., but didn't get introduced until Bravo's 100 Scariest Movie Moments. I remember thinking how cheesy it seemed w/ Margo Kidder ("you're a real gold-plated whore, mom."- fav. line_) being stabbed to death w/ a crystal unicorn. But somewhere along the line I actually thought how unfortunate and tragic the movie might seem in 74', featuring it little christmas themes (very gutsy for 74, right?). Still hate the eye through the crack in the door----- ah! And I have to say its wierd thinking about SCTV's Andrea Martin getting axed in a horror flick. I don't think its the scariest by far, but I have grown to have a definite appreciation for Black Christmas. " [More]
Review by All Movie Guide
All Movie Guide
is neutral about it.
Often recognized as the first modern slasher film (whose title could arguably go to Mario Bava's Bay of Blood), Bob Clark's seminal horror classic Black Christmas is a chilling tale that ranks up there with the best of the genre, even if it's not as well known as its contemporaries. With genuine characters that defy latter-day splatter stereotypes and a risqué abortion subplot added into the mix, the film has a realistic feel that most terror flicks tend to ignore (or do very badly). By deftly utilizing sound and the first-person perspective (predating Michael Myers by four years), director Clark manages to bring the audience into the sick mind of the madman resulting in one of the creepiest maniacs in screen history. Humor is also a key ingredient in the story, as Clark (future genius of Porky's and the holiday classic A Christmas Story) adds enough laughs and smirks to balance out the drama and extreme scares. Margot Kidder has a blast as Barb, a constantly drunk college student who could easily be the focus of the story, though that pleasure belongs to Franco Zeffirelli's Juliet, Olivia Hussey. While her accent might be a tad grating at times, Hussey makes a fine lead, with her tense phone calls with the killer being the highlights. The backbone of the film, however, rests mostly on the supporting players, even if they don't have the most screen time. First and foremost, Marion Waldman is a hoot as Mrs. Mack -- the booze-guzzling head dorm lady. Almost funnier is Doug McGrath as the bumbling cop Nash, whose run-in with Kidder and scenes with genre-fave John Saxon are classic, to say the least. Also noteworthy is an appearance from 2001's Keir Dullea as Hussey's pseudo-crazy boyfriend and a very underrated performance by James Edmond, who brings a welcomed human element to the film as the grieving father of the first victim. Skillfully directed and stylishly executed, Black Christmas is one underappreciated classic sure to get under your skin and stay there long after the lights come up. A sequel taking place on Halloween night was once planned -- but a smash hit from a young director by the name of John Carpenter (coincidentally using the same premise and style -- no offense John) squashed those plans, changing the history of horror films forever. ~ Jeremy Wheeler, All Movie Guide
 



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