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The Ten Commandments
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Directed by Cecil B. DeMille.
Based on the Holy Scriptures, with additional dialogue by several other hands, The Ten Commandments was the last film directed by Cecil B. DeMille. The story relates the life of Moses, from the time he was discovered in the bullrushes as an infant by the pharoah's daughter, to his long, hard struggle to free the Hebrews from their slavery at the hands of the Egyptians. Moses (Charlton Heston) starts out "in solid" as Pharoah's adopted son (and a whiz at designing pyramids, dispensing such construction-site advice as "Blood makes poor mortar"), but when he discovers his true Hebrew heritage, he attempts to make life easier for his people. Banished by his jealous half-brother Rameses (Yul Brynner), Moses returns fully bearded to Pharoah's court, warning that he's had a message from God and that the Egyptians had better free the Hebrews post-haste if they know what's good for them. Only after the Deadly Plagues have decimated Egypt does Rameses give in. As the Hebrews reach the Red Sea, they discover that Rameses has gone back on his word and plans to have them all killed. But Moses rescues his people with a little Divine legerdemain by parting the Seas. Later, Moses is again confronted by God on Mt. Sinai, who delivers unto him the Ten Commandments. Meanwhile, the Hebrews, led by the duplicitous Dathan (Edward G. Robinson), are forgetting their religion and behaving like libertines. "Where's your Moses now?" brays Dathan in the manner of a Lower East Side gangster. He soon finds out. A remake of his 1923 silent film, DeMille's The Ten Commandments may not be the most subtle and sophisticated entertainment ever concocted, but it tells its story with a clarity and vitality that few Biblical scholars have ever been able to duplicate. It is very likely the most eventful 219 minutes ever recorded to film--and who's to say that Nefertiri (Anne Baxter) didn't make speeches like, "Oh, Moses, Moses, you splendid, stubborn, adorable fool"? ~ Hal Erickson, All Movie Guide
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joem18bjoem18b Re:Cause & Effect
by joem18b in Movie Games
hasn't rated it.
"The Israelites return to their land, led by C. Heston (The Ten Commandments, 1956), but then the Romans show up three years later to hassle Heston himself (Ben Hur, 1959). " [More]
SpoutBlogSpoutBlog 10 Actors Who Changed Ethnicity ...
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
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"I keep forgetting that Mike Myers is not actually playing an Indian in The Love Guru, and yet I’m constantly reminded by the film’s commercials, which show that ridiculous shot of a little kid’s body with Myers’ giant head digitally superimposed onto it. Really, Myers’ character (Pitka) is a white American who is left on the doorstep of an Indian ashram when he’s a child. Then he’s raised as Indian, I guess (or simply Hindu, but then why the accent?). Apparently the character, Pitka, couldn’t simply look and talk like Myers. He had to have that silly accent and the clothes and the facial hair, despite the fact that Deepak Chopra, who partially inspired the character (and who appears in the movie), is able to wear jeans and be clean-shaven. Because who would believe Myers as an Indian guru with just the voice, the clothes and his baby face? Of course, Myers is not the first actor to wear or grow a beard and/or mustache in order to take on the guise of another ethnicity. Sure, it’s a ... " [More]
Dr_GorDr_Gor Farewell to one of the Greats...
by Dr_Gor in HORROR MOVIES 101
hasn't rated it.
"Last night, Saturday, April 5, 2008, Charlton Heston died at his home in Beverly Hills after a lengthy battle with alzheimer's disease. He was 84. Mr. Heston was truly a legendary and iconic actor who will be remembered forever. But more than that, he was truly a great man, as well. His 64 year marriage to wife Lydia, who was at his side when he died, is a testament to what kind of a man he was. In a town where infidelity and divorce and remarriage are the norm, Mr. Heston was the exception who lived by his own rules and standards. No obituary I could write could do justice to this most talented and amazing actor and great human being, so here is what was written in the LA Times... Charlton Heston, 84; actor, Oscar winner, played grand figures - Los Angeles Times I have been watching and enjoying Mr. Heston's films throughout my entire life. Here are some of my favorites... The Ten Commandments ; some pretty amazing special FX were overshadowed by Mr ... " [More]
KarinaKarina In Defense of The M-Word as Off ...
by Karina in Karina on SpoutBlog
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"Here’s an excerpt from a comment by Variety writer Peter Debruge, left on a SXSW dispatch by Aaron Hillis on Glenn Kenny’s blog: Pretty soon, it all reduces to semantics, but the label benefits those it describes in that it connects films that, on an individual basis, would be too small to register on most people’s radar. Would Hannah Takes the Stairs or Quiet City or Mutual Appreciation have warranted a NY Times piece on their own? (Then again, is the NYT even the right forum to discuss such films, which seem to do just fine with the more selective audience of the blogosphere?) Debruge is here giving us an object lesson in why most applications of The M Word are really, really frustrating: the genre label becomes a polite form of thinly masking the condescending assumption that none of these films can stand on their own without it. Mutual Appreciation is not a film that needs a movement as a prerequisite, especially one which mostly coalesced after its premiere. As resolutely anal ... " [More]
SpoutBlogSpoutBlog In Defense of The M-Word as Off ...
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
Was this review helpful? [Be the first to tell us!]
"Here’s an excerpt from a comment by Variety writer Peter Debruge, left on a SXSW dispatch by Aaron Hillis on Glenn Kenny’s blog: Pretty soon, it all reduces to semantics, but the label benefits those it describes in that it connects films that, on an individual basis, would be too small to register on most people’s radar. Would Hannah Takes the Stairs or Quiet City or Mutual Appreciation have warranted a NY Times piece on their own? (Then again, is the NYT even the right forum to discuss such films, which seem to do just fine with the more selective audience of the blogosphere?) Debruge is here giving us an object lesson in why most applications of The M Word are really, really frustrating: the genre label becomes a polite form of thinly masking the condescending assumption that none of these films can stand on their own without it. Mutual Appreciation is not a film that needs a movement as a prerequisite, especially one which mostly coalesced after its premiere. As resolutely anal ... " [More]
eagle795eagle795 #64
by eagle795 in eagle795 Blog
hasn't rated it.
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"THE great Biblical epic. Some of the special effects look kinda cheesy now, but it’s still an Easter tradition. " [More]
mythmanmythman The 'Wrongness' of Listing
by mythman in Top 5
hasn't rated it.
"Really, I think the otherworldly effect of "theatre" should eliminate existence of all other movies during the time one is watching them. Thus, reviews that reference any other movie are in bad taste---when one watches a movie, no other movie (not even that movie's sequels or -prequels) should be known to exist.Even when reviewing more than one movie at a time (as a 'list of 5' must), a reviewer ought to keep that otherworldly effect in mind---and I call it an 'otherworldly effect' in that--whether a movie is believable or not--one "decides" to be transported into that movie's 'other world' for that movie's duration.((As you might see in my review of THE MATRIX REVOLUTIONS, not every movie begins- and/or ends its own world's stories 'in the theater'; but, if the movie-makers are successful, you aren't distracted away from their movies' worlds while 'in the theater.'))Thus, I can submit my list of 5 'other worlds ... " [More]
Review by All Movie Guide
All Movie Guide
loved it.
The Ten Commandments was the final film in the five-decade career of legendary producer/director Cecil B. DeMille and, despite its flaws, it remains a primary example of combining high production values and epic scope for a box-office blockbuster. Partially remade and expanded from DeMille's 1923 silent film of the same name, it benefits greatly from Charlton Heston's star-making performance as Moses, and from a veteran supporting cast that includes Yul Brynner, Anne Baxter, Edward G. Robinson, and Vincent Price. The acting, though, is secondary to DeMille's visually expansive storytelling. The production design has an appropriate sense of grandeur, and the parting of the Red Sea is among the most famous scenes in any film from the 1950s. DeMille's directing style is straightforward, maintaining a clean, brisk pace throughout the film's 220 minutes. The Ten Commandments was nominated for seven Academy Awards, including Best Picture, winning for John Fulton's special effects. ~ Richard Gilliam, All Movie Guide
 



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