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The Taking of Pelham One Two Three
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Directed by Joseph Sargent.
On a quiet mid-day in New York, along the Lexington Avenue subway line, the train designated "Pelham One Two Three" -- so named for its station-of-origin and time of departure -- makes its way down the East Side of Manhattan. One by one, three men board the train and at 28th Street a fourth man approaches the motorman (James Broderick) and points a pistol at him, ordering him to unlock the door to his cab and admit the man waiting there; meanwhile, another man points a gun at the conductor and threatens to kill him unless he holds the doors open and then closes them when the man talking to the motorman is aboard. Once on board, "Mr. Blue" (Robert Shaw) and "Mr. Green" (Martin Balsam) halt the train between stations, while "Mr. Brown" (Earl Hindeman) and "Mr. Gray" (Hector Elizondo) seal off the lead car. With Mr. Green at the controls, the front car is separated and isolated in the tunnel with 17 passengers aboard, and then Mr. Blue presents their demands over the radio -- one million dollars in cash, within one hour, or they will start shooting one passenger each minute. On the other end, Transit Police Lieutenant Zachary Garber (Walter Matthau) must overcome his initial disbelief to deal with this threat, amid the confusion of a subway system that's chaotic even when it's running normally. With the mayor reluctantly aboard to pay the ransom, Garber must keep the hijackers from carrying out their threat while the money is transported, and keep the hotheads around him and on the police force under control -- and figure out how they intend to get away with a million dollars from inside a subway tunnel with police on all sides. ~ Bruce Eder, All Movie Guide
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chrismorrellchrismorrell Why remake perfection
by chrismorrell in chrismorrell Blog
loved it.
Was this review helpful? [Be the first to tell us!]
"Why remake this? It's a total classic...It's been on T.V. many times,showed conclusively that Walter Matthau had a broader range than just comedy,although he does bring levity to the piece. Tarantino ripped-off the colours as names thing, Robert Shaw is trulling chilling as the ruthless Mr Blue,next to Jaws it's one of his most memorable roles.This is dark,and humorous in varying doses and i really dont see how it could be improved upon. The last thing we need,for instance is an "up-dating" to include the whole "War on Terror",post 9/11 Scenario... Don't go to see it..get this on DVD,it's probably in the bargain bin! " [More]
KarinaKarina Trade Roughage 03/24/08
by Karina in Karina on SpoutBlog
hasn't rated it.
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"Tyler Perry’s Meet The Browns made $20 million this weekend, which wasn’t enough to beat Horton Hears a Who at the box office.  Drillbit Taylor opened with just $10 million; Variety vaguely says it’s “the second lowest” opening for Owen Wilson after The Big Bounce, but that statistic must exclude every Wes Anderson film and anything else that’s opened in platform release. Speaking of platform releases, The Weinstein Company has finally has a successful one to speak of: Under the Same Moon broke the record for the biggest opening of a Spanish-language film in the U.S. this weekend with $2.6 million on 266 screens. James Gandolfini will play the mayor of New York City in that remake of The Taking of Pelham 123.  The film hasn’t been shot yet, and it’ll still probably hit theaters before what was suppossed to Gandolfini’s first post-Sopranos project, Where the Wild Things Are. Regal Cinemas is looking to double its number of IMAX screens over the next two years, via a deal where the t ... " [More]
SpoutBlogSpoutBlog Trade Roughage 03/24/08
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
Was this review helpful? [Be the first to tell us!]
"Tyler Perry’s Meet The Browns made $20 million this weekend, which wasn’t enough to beat Horton Hears a Who at the box office.  Drillbit Taylor opened with just $10 million; Variety vaguely says it’s “the second lowest” opening for Owen Wilson after The Big Bounce, but that statistic must exclude every Wes Anderson film and anything else that’s opened in platform release. Speaking of platform releases, The Weinstein Company has finally has a successful one to speak of: Under the Same Moon broke the record for the biggest opening of a Spanish-language film in the U.S. this weekend with $2.6 million on 266 screens. James Gandolfini will play the mayor of New York City in that remake of The Taking of Pelham 123.  The film hasn’t been shot yet, and it’ll still probably hit theaters before what was suppossed to Gandolfini’s first post-Sopranos project, Where the Wild Things Are. Regal Cinemas is looking to double its number of IMAX screens over the next two years, via a deal where the t ... " [More]
JymkataJymkata Re:Best Heist films and also th ...
by Jymkata in Top 5
liked it.
"There are a lot of movies that I love that have heists in them but they are usually a means to an end and the bulk of the film usually deals with the fallout of said heist. Straight up heist films I love are : Jean Pierre Melville's stylish and masterful Le Cercle Rouge and Un Flic. The Hot Rock and The Taking of Pelham One Two Three (good call, Rizzo) are two of my favorite seventies Heist movies. One Heist film I just love is The Great Train Robbery - there is one perfectly choreographed scene that involves a lanky Donald Sutherland (he was so awesome in these quirky roles) and an impossible-to-get key that is a site to behold. Just recently I saw The Brinks Job and The Day They Robbed The Bank of England on TCM and I liked them both (but i do like Peter Falk and Aldo Rey respectively so that might have something to do with it). Finally, even though it is not a heist film I love what DePalma did in Mission Impossible with Tom Cruise's famous spy scenes. DePalma always cou ... " [More]
JakeStevensJakeStevens What A Cool Film!
by JakeStevens in JakeStevens Blog
liked it.
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"Joseph Sargent succinctly displays New York's unforgiving harshness in this action-packed hostage film. At face value, it seems preposterous that you could take a subway train hostage and get away with it, but through the machinations of the script, it keeps you on the edge of your seat while Matthau's performance is in turns comedic and serious. It's interesting to see a film that Tarantino has so copiously taken from, not only in lifting the names of his villains in Reservoir Dogs from this film, but also the saltiness of the language spoken by all those involved. There is nothing I found fault with in this film; the cinematography, script, editing - all great. Check it out! " [More]
RisseladaRisselada movie year countdown #33 - 1974 ...
by Risselada in Risselada Blog
loved it.
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"This blog entry is part of my “movie year countdown”. To read more about that check out my first Spout filmblog entry.The Taking of Pelham One Two ThreeThis movie is just fucking awesome!Everything about it makes it the perfect action/thriller movie. Well it's not strictly an action movie, but the pacing definitely feels like one. It's very tight and exciting from the very moment it begins to the end. It's hard to make a movie like that where the excitement feels real and not manufactured. The film achieves this by keeping a lot of mystery and revealing bits at a time. It also has a lot of humor and charm.One thing I noticed as a motif in this movie was situations was the ways in which people are stereotyped. Someone would get information about one person and make all kinds of incorrect assumptions about them. Here's a few examples. When Garber finally meets Inspector Daniels and you can tell he didn't expect him to be black. People kept sp ... " [More]
RisseladaRisselada Re: What are your favorite endi ...
by Risselada in What An Ending
loved it.
"Just saw The Taking of Pelham One Two Three. The movie is perfect including the ending. You are almost hoping in a sick way that Balsam's character get's away with it. It doesn't really show for sure what happens, but you have a pretty good idea. And the way and place it cuts off is just perfect! " [More]
RisseladaRisselada Re: Welcome to Tough Guys
by Risselada in Tough Guys
loved it.
"Here's a few I think are real badassClint Eastwood as The Man With No NameRobert Shaw as Mr. Blue in The Taking of Pelham One Two ThreeRandall Cobb as Leonard Smalls in Raising ArizonaGhostdog? What do you think?Hellboy and one of his nemesis Karl Ruprecht Kroenen in HellboyMel Gibson as Mad Max in The Road WarriorTony Jaa in Ong-BakKirk Douglas in anythingI remember some real psycho from Shark Skin Man and Peach Hip GirlAll the guys in Sin CityDavid Carradine as Frankenstein in Death Race 2000Bruce LeeKlaus KinskiIchi and Kakihara in Ichi the KillerBen Kingsley as Don Logan in Sexy BeastBeat Takeshi " [More]
RisseladaRisselada Re: Top 5 Heist Films
by Risselada in Top 5
loved it.
"OH MY GOODNESS!!! I just finished watching one of the greatest fast-pace thrillers I've ever seen.The Taking of Pelham One Two ThreeI don't know if it is technically a hiest film as they are not stealing money from an actual place, but it's a group of guys with guns who with an elaborate and detailed plan to get away with a shitload of money. I think it fits into this group well enough. And it's another movie Tarantino pulled from when making Reservoir Dogs. Specifically the fact that all of the guys use aliases such as "Mister" followed by the name of a color.I couldn't belive how well done this movie is. Just the way everything is put together, the sequences, the editing, the dialogue, the characters, the action, the humor. And I really enjoyed the theme that kept popping of people trying to figure eachother out and making assumptions about eachother, particularly the racial and gender prejudice and preconcieved ideas. I could list a lot of them but one ... " [More]
RisseladaRisselada Movie year countdown viewing pr ...
by Risselada in Risselada Blog
loved it.
Was this review helpful? [Be the first to tell us!]
"Here’s the dilemma. I have a list of well over three thousand movies I want to see saved on IMDB. I have a subscription to Netflix and recently every time I return a DVD it has been an extremely arduous task to make the decision as to which movie I should see next. In an effort to narrow down my choices and make the process of choosing slightly less overwhelming I have devised a system, almost a bit of a game for me. Here’s how it goes.For my first film selection, I have narrowed the options down to only films that were released in the year 2006. Then after I have watched that movie, my next selection would have to be a film released in 2005. Then I would see a film from 2004, then 2003, etc. The process of deciding is still laborious, but actually quite a bit more exciting. (I'm going by IMDB as my source for release years)I have already been making a list and have also already begun watching the films. I decided this might be a good time to start fooling ... " [More]
Review by All Movie Guide
All Movie Guide
is neutral about it.
Joseph Sargent's film version of the book by John Godey is an electrifying thriller sparked by great performances, unrelenting action, and the fantastic use of location shooting. Walter Matthau stars as a wrinkly transit cop negotiating a potentially deadly situation: four criminals have hijacked a New York City subway train full of hostages -- whom they plan to kill one by one if they don't receive one million dollars in one hour. Peter Stone's gritty script (nominated for the Writer's Guild Award) ratchets up the tension splendidly, revealing perfectly timed details that keep the viewer firmly on their toes. The dialogue has all the saltiness and cynical humor that mark true New York City speech and the cast doesn't miss a beat with it. Matthau is quite simply a show stealer, whether he's leading a tour group of Asian cops that he thinks don't speak English or coolly taking control of the crisis that brings the Big Apple to a standstill. Other notables include Robert Shaw, who leaves a distinct mark as the cold-blooded lead villain, Martin Balsam as Shaw's sickly cohort, and Woody Allen-regular Tony Roberts as the Mayor's wry assistant. Technically, The Taking of Pelham One Two Three is first-rate, with particular credit going to the film's editing and lighting. David Shire's memorable music score recalls a style used in that other '70s crime classic, Dirty Harry. The villains use of phony color names (Mr. Green, Mr. Blue, etc.) was later used by Quentin Tarantino in his film Reservoir Dogs. Remade for TV in 1998. ~ Patrick Legare, All Movie Guide
 



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