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All Is Forgiven
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Directed by Mia Hansen-Løve.
Separated from her biological father for more than a decade, a teenage girl living with her mother in Paris sets out to reconnect with her wayward dad in director Mia Hansen-Løve's sincere family drama. Years ago, Victor and Annette spent an idyllic spring in Venice with their beloved daughter, Pamela. Though Victor would frequently neglect his work in favor of frolicking with Pamela outdoors, visiting Annette's parents, and hanging out in the park with local drug dealers during those picturesque days, lovelorn Annette remained convinced that her husband would become more responsible when her family returned to Paris. Old habits die hard, though, and soon after returning home, Victor and Annette have a monumental blowout. In the aftermath, Victor moves in with a junkie he has fallen in love with and Annette disappears into the city with Pamela. Flash-forward 11 years later, and 17-year-old Pamela is still living in Paris with her mother. When an inquiry into father's whereabouts reveals that Victor is living nearby, curious Pamela decides to check in on her long-lost dad. ~ Matthew Tobey, All Movie Guide
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dunedonkeydunedonkey Yet another beautiful and well- ...
by dunedonkey in film phlegm
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"Ok...I developed a huge crush on Mia Hansen-Løve last night. If she really is still engaged to Olivier Assayas, I might as well just go throw myself off a cliff. I saw All is Forgiven at the San Francisco International Film Festival last night. Hansen-Løve took a story which isn't extraordinary isn't even all that compelling, and she personalized it. She turned into a beautiful story. It was a very well-made grass roots debut. Reasons why I have a crush on Mia Hansen-Løve: Her eye for casting is unbelievable. With the exception of Marie-Christine Friedrich, the rest of the cast was made up of virtual unknowns. In fact, as she stated in Q&A, she found Constance Rousseau on the street and brought her whole family into the film...and she was unbelievable. Her taste in music was awesome. She clearly stated that she did not appreciate film scores, that she preferred to take traditional songs as the backdrop for her film. She made a very unique choice by ... " [More]
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