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The Hunting Party
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A young journalist (Jesse Eisenberg), a seasoned cameraman (Terrence Howard) and a discredited journalist (Richard Gere) embark on an unauthorized mission to find the no. 1 war criminal in Bosnia. They find themselves in serious jeopardy when they are mistaken as a CIA hit squad and their target decides to come after them. ~imdb.com

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MovieBabeMovieBabe The Hunting Party
by MovieBabe in MovieBabe Blog
hasn't rated it.
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"The Hunting Party If Kent Brockman came to life...The Three Stooges Go to Bosnia could have been an alternate title for The Hunting Party, an odd political thriller/comedy hybrid mined by writer-director Richard Shepard from a 2000 Esquire article. Naturally, the short piece about a handful of journalists and their attempt to find a war criminal required some tarting to be movie-ready, and Shepard isn't bashful about his embellishments; the end credits, in a rather fun touch, do a quick revisit of the film and point out who and what was real. But "fun" may not be what most people are looking for in a story about an ethnic cleanser and one man's need for revenge. It all starts out earnestly enough. Network cameraman Duck (Terrence Howard) is in Sarajevo with a just-out-of-J-school reporter, Ben (Jesse Eisenberg), for an easy assignment when he's tracked down by his former partner, Simon (Richard Gere). Simon has become a journalistic cliché – ... " [More]
DemndiaryDemndiary Right on Taget
by Demndiary in Demndiary Blog
loved it.
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"Richard Shepard's The Hunting Party is that wonderfully strange creature known as a political comedy, or more appropriately, a war comedy. It is incredibly funny, but also delves into the horrors of war. It does this without being preachy. It is a rare gift these days. Richard Gere's Simon is wild, spontaneous, and just a little not there. It is not Gere's best part, ,but one of his best. Terrance Howard's Ducky owns the movie. It is his narrative that puts everything in perspective while showing just how absurd it really is. It should be an Oscar part for Howard. Jessie Eisenburg's Benjamin, the green cameraman, is over the top stereotypical until one scene that makes the ending of the film. War films are tough. It is a fine line between Letters from Iwo Jima, and MASH. They can be too preachy like Saving Private Ryan and Blood Diamond. The Hunting Party finds it line in a space that The Last King of Scotland, and Stalag 17 drew out. It is the right mix of come ... " [More]
 



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Demndiary
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