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The Swinging Cheerleaders
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Directed by Jack Hill
This effort from exploitation auteur Jack Hill was a profitable early entry in one of the most beloved subgenres of sexploitation cinema, the cheerleader movie. The soap opera-styled premise focuses on the lives of a squad of cheerleaders at Mesa University. Mary Ann (Colleen Camp) is worried with trying to get her roving football player boyfriend, Buck, to settle down and marry her; Lisa (Rosanne Katon) is caught up an in an affair with the married Professor Torpe (Jason Sommers); and Andrea (Rainbeaux Smith) frets over whether or not to give her virginity up. There is also a new cheerleader named Kate (Jo Johnston), who is actually a journalism student using the experience to write a feminist-slanted paper for her thesis. Kate soon learns that the cheerleaders and football players deserve more respect than she gives them and also uncovers a secret gambling ring involving the coach, Professor Torpe, and Mary Ann's father. The narrative that results from these surprisingly involved plot threads delivers all the raciness the title promises, and, thanks to the gambling subplot, even a bit of action. The Swinging Cheerleaders is less inspired and kinetic than Hill's other exploitation fare, but it delivers the sexploitation goods and manages to work in a little subversive social commentary to boot. As a result, it became a drive-in hit and earned a cult following amongst fans of drive-in movies. ~ Donald Guarisco, All Movie Guide
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Review by All Movie Guide
All Movie Guide
disliked it.
This sexploitation opus delivers its fair share of saucy delights, but sadly lacks the inspired touches that infused previous Jack Hill favorites like Foxy Brown and Switchblade Sisters. The script, penned by Jack Hill and an anonymous cohort under female pseudonyms, delivers a solidly crafted plot, but lacks the drama or excitement needed to make it come alive. However, it manages to work in the occasional inspired touch, the most memorable being a hair-raising scene where Lisa is confronted by her lover's angry wife. Another problem with the film is that its tight budget cramps the film's style; for instance, dull gridiron stock footage is used to replace any potentially exciting football scenes. The Swinging Cheerleaders also suffers from weak acting. Jo Johnston acquits herself reasonably well as reporter-turned-cheerleader Kate, but Rosanne Katon delivers an amateurish performance full of stilted, unbelievable line readings. Despite these problems, The Swinging Cheerleaders remains watchable thanks to Hill's skills as a director. He makes the surprisingly complicated plot easy to follow, maintains a fast pace, and brings a genuine erotic flair to the film's more amorous moments. Ultimately, The Swinging Cheerleaders is too patchy and uninspired to win any new fans, but makes a fitfully amusing time capsule for exploitation film enthusiasts. ~ Donald Guarisco, All Movie Guide
 

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