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Superman II
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Directed by Richard Lester.
Between giving up his super powers, confronting criminals from outer space, and having problems with his girlfriend, it's a bad time to be the Man of Steel in this sequel to the 1978 blockbuster. When terrorists threaten to destroy Paris with a thermonuclear device as they hold reporter Lois Lane (Margot Kidder) hostage, Superman (Christopher Reeve) comes to the rescue and flings the weapon into space. However, its blast outside the earth's orbit awakens Zod (Terence Stamp), Ursa (Sarah Douglas), and Non (Jack O'Halloran), three villains from Superman's home planet of Krypton who were exiled to outer space for their crimes. Zod and his partners arrive on Earth and use their powers in a bid to take over the U.S., and then the world. However, when Lois realizes that mild mannered Clark Kent and Superman are actually the same person, he brings her to his Fortress of Solitude, where his decision to marry Lois costs him his remarkable strength. Without his super powers, how can Superman vanquish Zod and save the world? Gene Hackman, Ned Beatty, Susannah York, and Jackie Cooper return from the first film, which was shot at the same time as parts of the sequel. ~ Mark Deming, All Movie Guide
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CinemaRianCinemaRian Superman II-Richard Donner Cut ...
by CinemaRian in CinemaRian Blog
hasn't rated it.
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"Those of you who have faithfully read this blog from the beginning (both of you) will remember my original review of Superman II, where I complained that replacement director Richard Lester had diminished Richard Donner's mythical treatment of the Superman story with cartoonish camp, mostly played for laughs. You will also note that I explained the complicated production history of the film- that Superman I and II were supposed to be shot simulatanously, but II was abandodned in order to get I finished. When it came to complete the unfinished scenes for sequel, Donner was fired and Marlon Brando was completly cut out of the movie (his scenes were reshot with Susannah York) among many other changes. Due to a fan internet campaign and renewed interest in the series caused by the release of Superman Returns, Warner Brothers allowed Donner comeback and complete his version of the film. And you have to give them credit: they spared no expense in the restoration, with new special effe ... " [More]
usesoapusesoap Heavy metal
by usesoap in usesoap Blog
liked it.
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"While watching the season’s first stab at a blockbuster, “Iron Man,” I kept wondering to myself: “How long did it take lead Robert Downey Jr. to say ‘yes’ to the lead role?” “Hmmm…” Downey said in my internal monologue. “Let’s see here. The character of Tony Stark is a motor-mouthed superhero in his 40s who is a reformed substance abusing, womanizing multi-millionaire… yeah, I think I can swing that.” For the record, the total time for the above ellipses? Three seconds. Regardless of past demons, the film is what it is solely because of what Downey brings to the table. I have always pitied the poor directors who decide to sign on to a superhero comic-book adaptation. They face pressure and scrutiny from more than the average release audience. Their end product has to pass through the judging eyes of: 1) The fanboys (and girls): A group that obsesses over the film’s minutiae (“Flam ... " [More]
SpoutBlogSpoutBlog Coca-Cola Cinema
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
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"This morning I was watching Billy Wilder’s One, Two, Three (see, readers, I do know movies before 1990), and it made me wonder if Coca-Cola is the most cinematic commercial product in the history of film. Not the most prominent in film, necessarily (in terms of either direct product placement or more casual indirect appearance,) but at least the most significant to film. After all, Coca-Cola did own a movie studio (Columbia Pictures) for the greater part of a decade (the 1980s). In addition to One, Two, Three, which is about a Coca-Cola executive in West Berlin, the soft drink figures specifically in and fundamentally to the plots of The Gods Must Be Crazy, Good Bye Lenin! and, obviously, The Coca-Cola Kid. But primarily, such direct incorporations of the brand are more about their connection to the U.S. and capitalism than they are to the actual product of soda. Even when Superman throws a bad guy at a giant Coca-Cola billboard in Superman II, the brand comes with a connotation of ... " [More]
RisseladaRisselada Re: Top 5 Everybody Seems To Lo ...
by Risselada in Top 5
hasn't rated it.
"Wow this thread is really heating up!I've actually seen many Kevin Smith films, but not this one. However I used to love them a great deal. Now every time I see one again, my rating plunges further down. Maybe it was that his dialogue sounded fresh at one time to me, but now after being continually subjected to it I'm realizing it may be what you said. Although there are different characters it all seems like the words are coming out of the same person.Oooooh, I almost said this one actually! I'd had this recommended to me by many people for a long time. I only heard a few people who said it was bad, but I didn't know who to believe. I saw it even though I think there was something deep inside that made me a bit hesitant. I was not impressed! I don't know how this mediocre crime movie managed to stand above the rest for many people. My friend Andy who uses this site from time to time has a couple tattoos from the movies. I respect his taste, but I jus ... " [More]
JymkataJymkata Re: Top 5 Everybody Seems To Lo ...
by Jymkata in Top 5
loved it.
"I know it's very polite on internet message boards to act like there are no standards or experts, and that subjectivity is the only way to judge a film, but sometimes subjectivity can be wrong and although you may not personally like a piece of art you need to be able to appreciate its qualities. I know this whole topic is subjective, but some of these should not be up for debate as to whether they are good or bad. The two I take exception with are Citizen Kane and Vertigo. I don't even know where to start and whether it's worth it, but I can't understand how someone couldn't fathom the mixed opinions of lesser works like Crash or the Lord of the Rings trilogy ( I guess some people love overlong, CGI-overkilled films that are long on scope and short on character), but not see enough of value in certified masterpieces like these two by Orson and Alfred at their peak. Plus, Kane had the exceptional camerawork of Gregg Toland (that alone is worth the price of admis ... " [More]
toltol srets'
by tol in tol Blog
loved it.
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Review by All Movie Guide
All Movie Guide
liked it.
Arguably the best of the Superman films, Superman II is darker than its counterparts, with a more foreboding, mythological atmosphere that's arguably closer in tone to the original comic book. High-energy director Richard Lester (A Hard Day's Night) lends the franchise a verve the first film lacked. He retains the best aspects of that film -- the sharp performances and impressive visual effects -- and adds a snappier pace and a more sardonic wit. Christopher Reeve is even better than he was in the original, adding more complex shadings to the character's dilemma between his obligations as Superman and his life as Clark Kent. The supporting cast is particularly strong: Terence Stamp is humorously cocky performance as the diabolical Zod, and Gene Hackman is as sleazily entertaining as he was in the first film. Much of the sequel was shot at the same time as the first Superman (by Richard Donner, who was denied a directing credit on this film), enhancing the feeling of continuity between the two. ~ Brendon Hanley, All Movie Guide
 



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