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Sunset Boulevard
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Directed by Billy Wilder.
Billy Wilder's Sunset Boulevard ranks among the most scathing satires of Hollywood and the cruel fickleness of movie fandom. The story begins at the end as the body of Joe Gillis (William Holden) is fished out of a Hollywood swimming pool. From The Great Beyond, Joe details the circumstances of his untimely demise (originally, the film contained a lengthy prologue wherein the late Mr. Gillis told his tale to his fellow corpses in the city morgue, but this elicited such laughter during the preview that Wilder changed it). Hotly pursued by repo men, impoverished, indebted "boy wonder" screenwriter Gillis ducks into the garage of an apparently abandoned Sunset Boulevard mansion. Wandering into the spooky place, Joe encounters its owner, imperious silent star Norma Desmond (Gloria Swanson). Upon learning Joe's profession, Norma inveigles him into helping her with a comeback script that she's been working on for years. Joe realizes that the script is hopeless, but the money is good and he has nowhere else to go. Soon the cynical and opportunistic Joe becomes Norma's kept man. While they continue collaborating, Norma's loyal and protective chauffeur Max Von Mayerling (played by legendary filmmaker Erich Von Stroheim) contemptuously watches from a distance. More melodramatic than funny, the screenplay by Wilder and Charles Brackett began life as a comedy about a has-been silent movie actress and the ambitious screenwriter who leeches off her. (Wilder originally offered the film to Mae West, Mary Pickford and Pola Negri. Montgomery Clift was the first choice for the part of opportunistic screenwriter Joe Gillis, but he refused, citing as "disgusting" the notion of a 25-year-old man being kept by a 50-year-old woman.) Andrew Lloyd Webber's long-running musical version has served as a tour-de-force for contemporary actresses ranging from Glenn Close to Betty Buckley to Diahann Carroll. ~ Hal Erickson, All Movie Guide
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pippin06pippin06 Viewing Sunset Boulevard for th ...
by pippin06 in Reel Thoughts
liked it.
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"What's the AFI Project, you ask? For more information, or if you just enjoy my bemused ramblings, read here: http://www.spout.com/blogs/pip pin06/archive/2008/3/1/25756.a spx Sunset Boulevard is on the following AFI lists:The Original Top 100 (#12)100 Movie Quotes (#7 - Norma Desmond: "All right, Mr. DeMille, I'm ready for my close-up;" #24 - Norma Desmond: "I am big. It's the pictures that got small.")25 Film Scores (#16)The Revised Top 100 (#16) Sunset Boulevard was next up on the list and, therefore, next up on my Netflix queue (I do love that service). I had never seen this movie and did not really know what to expect, past the infamous "ready for my close-up" line. I didn't realize that it was the concluding line of the movie, and I was a little perturbed by that. Nothing is given away, really, if you've never seen the movie before, but still! It says something for the film, that the last line has become one of those pop culture idioms, bandied about in all sorts of situ ... " [More]
JJ79JJ79 Sunset Boulevard (1950)
by JJ79 in JJ79 Blog
hasn't rated it.
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"Released: August 4, 1950Director: Billy Wilder*****In his introduction to this film on Turner Classic Movies, Robert Oborne says only Billy Wilder could have made this film about a reclusive, former star (Norma Desmond, played by a wonderfully theatrical Gloria Swanson) who falls into a mad delirium over washed up writer Joe Gillis (William Holden). Why could only Wilder, director of Witness for the Prosecution, Some Like It Hot and The Lost Weekend-among others-tackle this subject matter?To put it succienctly, he has the only one in Hollywood with the courage to make this expose on the constant churning over of star and writer. A silent film star, Desmond found her career over when the pictures started to include sound. Sequestered in her mansion with manservant Max (Erich von Stroheim) as her only company, she takes Gillis (who himself is on the run from repo men) in, treating him as a "kept man." As he begins to feel claustrophobic in the house, her jealousy rises over a fri ... " [More]
lopezdashlopezdash Hillary Clinton's Sunset Blvd.
by lopezdash in The Movie Blog
hasn't rated it.
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"As you must know by now, I'm an emphatic supporter of Sen. Hillary Clinton. And despite what the mainstream media is saying right now, I still believe that Hillary Clinton will be the Democratic Party's nominee and our next president.With that said, I can still appreciate good YouTube videos, even those that poke fun of my girl.Like this one from v-blogger LisaNova, described as "a biting parody of Sunset Blvd starring Hillary Clinton as the faded film star. In her fantasy world, the stairs in Hillary’s home become the stairs in the White House, and an amateur interviewer becomes Anderson Cooper. It’s worth watching for LisaNova’s over-the-top, hammy acting alone."Hillary's Sunset Blvd: The Original Ending Scene: Oh, yeah, and I have a list of films featuring Hillary Clinton here.And for Hillaryfans out there who are feeling discouraged, this one goes out to you. Just remember-- nothing comes easy: Originally posted on:Cerebral Politics " [More]
KarinaKarina Heath Ledger’s Pretend Last Days
by Karina in Karina on SpoutBlog
hasn't rated it.
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"Esquire has published a piece of “reported fiction” called “The Last Days of Heath Ledger,” in which GOLF Magazine editor (!) Lisa Taddeo, writing in the voice of Ledger from beyond the grave, imagines how the actor spent his final days before overdosing on prescription medication in January. Inspired journalistic risk taking or tasteless garbage? Well, Glenn Kenny won’t honor this “loathsome stunt” with the compliment of a link. Meanwhile, Jeffrey Wells, repeatedly justifying the story as an ancestor to Billy Wilder’s Sunset Boulevard, essentially accuses his commenters who find it distasteful of hating: “All bold ideas are tut-tutted by the tut-tutters.” Tut. Tut. I tried to read the story in order to make up my own mind, but I couldn’t get past the third sentence––something about the idea of a writer imagining a dead celebrity talking about how often he masturbated before his accidental death got blocked by my puke filter, I guess. If you are of stronger constitution, you’ll fin ... " [More]
SpoutBlogSpoutBlog Heath Ledger’s Pretend Last Days
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
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"Esquire has published a piece of “reported fiction” called “The Last Days of Heath Ledger,” in which GOLF Magazine editor (!) Lisa Taddeo, writing in the voice of Ledger from beyond the grave, imagines how the actor spent his final days before overdosing on prescription medication in January. Inspired journalistic risk taking or tasteless garbage? Well, Glenn Kenny won’t honor this “loathsome stunt” with the compliment of a link. Meanwhile, Jeffrey Wells, repeatedly justifying the story as an ancestor to Billy Wilder’s Sunset Boulevard, essentially accuses his commenters who find it distasteful of hating: “All bold ideas are tut-tutted by the tut-tutters.” Tut. Tut. I tried to read the story in order to make up my own mind, but I couldn’t get past the third sentence––something about the idea of a writer imagining a dead celebrity talking about how often he masturbated before his accidental death got blocked by my puke filter, I guess. If you are of stronger constitution, you’ll fin ... " [More]
SpoutBlogSpoutBlog Star-making as Fetish: The Bad ...
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
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"With a five-day tribute to director Vincente Minnelli’s melodramas starting tonight at Anthology Film Archives, I stayed up late last night to watch The Bad and the Beautiful on TCM On Demand. The Bad and the Beautiful marked Minnelli’s first real success as a director of “serious”, non-musical pictures. It’s less self-assured than Some Came Running (to my mind, the masterpiece of Minnelli’s melodramas), but seemingly a hell of a lot more personal. Released in 1952, it was the director’s follow-up to the Oscar-winning An American in Paris, and it landed smack dab in the middle of a series of Hollywood elegies to Hollywood. In both tone and function, The Bad and the Beautiful can be seen as a bridge between Sunset Boulevard (1950) and A Star is Born (1954). If Billy Wilder’s Sunset represented Golden Era Hollywood at the height of its self-loathing, and George Cukor’s Star both satirized and condemned Hollywood’s ability to mobilize that self-loathing into reification of its foundin ... " [More]
JimBellJimBell Sunset Boulevard
by JimBell in JimBell Blog
liked it.
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"Sunset Boulevard (1950) is a canonized masterpiece of American cinema. A down-and-out script writer (William Holden) is taken in by a neurotic old star of the silent screen (Gloria Swanson). He bridles at his captivity but is also loathe to leave—and go where and do what? The pressure is palpable as he secretly works on a script in the evenings at Paramount with a fresh young film reader (Nancy Olson). While I compliment the acting, the photography, and Billy Wilder’s script, I did not find Gloria Swanson’s characterization quite hung together. She put on the voice and demeanour of an old-time Hollywood diva when I saw no reason for her to do it. This gave her preformance a slightly stagey feel when it should have been consistantly raw and emotional. Furthermore, her character did not quite coalesce. Yes, she was clinically depressed from being out of the lime light, and she was very lonely—to the point of being suicidal. But she does many things which I do ... " [More]
RisseladaRisselada Re: Top Classic Noir
by Risselada in Top 5
loved it.
"I guess Sunset Boulevard is a film noir. Joe has a lot of that smart alec clever dialogue. It collides with Norma Desmond's grandiose silent film world though. Although things sometimes feel sinister, there's never really any explicit violence until the end (or the results of it we see right at the beginning). I think it's a great movie, but do you think it's one of the best examples of film-noir? I've never seen Sweet Smell of Success. " [More]
Review by All Movie Guide
All Movie Guide
loved it.
Tackling the kind of movie "that never quite worked," Billy Wilder made one of greatest films about Hollywood. In his pungent satire of the industry's sordidness, Wilder turned Hollywood history back on itself, with the presence of silent film star Gloria Swanson as aging silent diva Norma Desmond and great silent director Erich Von Stroheim as her butler eloquently commenting on the ephemerality of fame. Her writer/gigolo Joe Gillis incarnated corruptly desperate young Hollywood, dismissing forgotten greats like Buster Keaton as "waxworks" while imagining that he can escape unscathed from Norma's fantasy world. Shot in ultra-noir black-and-white in a 1920s Hollywood mansion, the looming ceilings, overstuffed rooms, and oblique lighting rendered Norma's environment alluringly sinister in its deteriorating decadence, while Joe's famous "entrance" -- floating face-down dead in Norma's pool while recounting his story in voiceover -- caustically upended narrative conventions. Greeted with raves, Sunset Boulevard became Swanson's cinematic triumph; William Holden's performance as Joe (replacing Montgomery Clift) reignited his own stardom. Despite offending the movie moguls, Wilder was rewarded with eleven Oscar nominations, including Best Picture, Actor, and Actress. Along with wins for Art Direction and Franz Waxman's score, Wilder, Charles Brackett and D.M. Marshman, Jr. took a Screenplay prize. Adapted as a musical by Andrew Lloyd Webber. ~ Lucia Bozzola, All Movie Guide
 



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