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Sullivan's Travels
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Directed by Preston Sturges.
In Preston Sturges' classic comedy of Depression America, filmmaker John L. Sullivan (Joel McCrea), fed up with directing profitable comedies like Ants in Your Plants of 1939, is consumed with the desire to make a serious social statement in his upcoming film, Oh, Brother, Where Art Thou?. Unable to function in the rarefied atmosphere of Hollywood, Sullivan decides to hit the road, disguised as a tramp, and touch base with the "real" people of America. But Sullivan's studio transforms his odyssey into a publicity stunt, providing the would-be nomad with a luxury van, complete with butler (Robert Grieg) and valet (Eric Blore). Advised by his servants that the poor resent having the rich intrude upon them, Sullivan escapes his retinue and continues his travels incognito. En route, he meets The Girl (Veronica Lake), a down-and-out failed actress. Experiencing first hand the scroungy existence of real-life hoboes, Sullivan returns to Hollywood full of bleeding-heart fervor. After first arranging for The Girl's screen test, he heads for the railyards, intending to improve the lot of the local rail-riders and bindlestiffs by handing out ten thousand dollars in five-dollar bills. Instead, Sullivan is cold-cocked by a tramp, who steals Sullivan's clothes and identification. When the tramp is run over by a speeding train, the world at large is convinced that the great John L. Sullivan is dead. Meanwhile, the dazed Sullivan, dressed like a bum with no identification on his person, is arrested and put to work on a brutal Southern chain gang. With its almost Shakespearean combination of uproarious comedy and grim tragedy, Sullivan's Travels is Sturges' masterpiece and one of the finest movies about movies ever made. ~ Hal Erickson, All Movie Guide
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ShaunHustonShaunHuston AFI's 10 Top 10: Romantic Comedy
by ShaunHuston in ShaunHuston filmblog
hasn't rated it.
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"For me, the romantic comedy Top 10 is the most solid compilation of the group. Not only is the rom com a clearly established American film genre, but the individual selections are all eminently reasonable and defensible. This is not to suggest that I wouldn't make alternate suggestions, because I would, but I understand the reasoning behind each of the ten films on the AFI's list. And I don't have any strong contrarian or idiosyncratic preferences that would lead me to tilt at a windmill like arguing against the selection of, say, City Lights (1931) as number one, or its inclusion on the list altogether. The one film on this list that I do question is Sleepless in Seattle (1993). There isn't anything outstandingly wrong with the film, but it isn't especially remarkable, either. It doesn't represent a particularly clever or innovative take on the genre. It doesn't push any boundaries. It doesn't mark any point in the development of the form (indeed, I would argue that it is fairly t ... " [More]
RisseladaRisselada Re: Directors and remakes
by Risselada in Directors
loved it.
"Yeah sometimes I think there may be the challenge of the exercise to it.The Coen brother remade The Ladykillers, but they said they didn't even rewatch it before they started working on it (who knows if that's true). But they totally redit it to put it in the American south. I always thought they were fundamentally American. And the characters are totally different. And the whole idea of some big job or a hiest gone wrong is pretty much right in line with the work they had done up to that point already. They also plugged in elements of other older movies like Sullivan's Travels. " [More]
RisseladaRisselada Top 5 Movies About Making Movies
by Risselada in Top 5
loved it.
"Here's an interesting list I came upon. The top 10 movies within a moviehttp://filmbabble.blogspo t.com/2007/07/10-definitive-fi lms-within-films.htmlI'd like to make a different kind of list. What are your top five movies about the process of making movies? Here are mine.1. Barton Fink - ok yeah it's cliche enough to make a movie about movie making, but they say never make a movie about a writer. Well, this one pulled it off excellentlly I'd say.2. American Movie - now this is passion!3. Ed Wood - maybe a good companion piece for American Movie4. The Player - it's all about the money5. Sullivan's Travels - a good lesson for movie makers, just don't get confused by what the message isI came up with a LOT more. Are movie makes the most vein of all artists? I know there are books about writing, and plays about plays, but do movies have the highest percentage of stories about themselves?I'll hold off on naming any more for now so some of the rest of you can get a chance at ... " [More]
Review by All Movie Guide
All Movie Guide
loved it.
The most ambitious of Preston Sturges' string of 1940s classics, Sullivan's Travels is a brilliant mixture of genres, combining giddy comedy with often brutal realism, made all the more powerful by the contrast. The first part of the film, which details the botched attempts of idealistic film director John Sullivan (Joel McCrea) to leave Hollywood, smoothly blends outrageous slapstick with Sturges' customary satirical dialogue, and includes classic exchanges between Sullivan and his Hollywood producers (Robert Warwick and Porter Hall) and his hilariously droll and opinionated butler (Robert Greig). The tone of the movie changes considerably with three bravura sequences. The first, a graceful, wordless section in which Sullivan and his nameless companion (Veronica Lake, showing a nice flair for comedy) spend a night among the homeless, proves that, although Sturges is noted mainly for his writing, he was also a sensitive and talented director. The second, a violent chain-gang episode almost shocking in its stark realism, and the third, a short musical passage set in a rural church, hammer home the movie's apparent moral: that, as Sullivan puts it, "there's a lot to be said for making people laugh." Sturges may seem to be ridiculing a cinema of ideas, but his final joke is that Sullivan's Travels supports a different argument: that comedy and serious drama can co-exist quite happily after all. ~ Mark Pittillo, All Movie Guide
 



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