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Streetwise
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Directed by Martin Bell
This unflinching look at teens living on the streets of Seattle was one of the first documentaries to deal with the ever-growing plight of homelessness among young people. It began as a Life magazine article by photojournalist Mary Ellen Mark and writer Cheryl McCall; Mark and her husband, director Martin Bell, went back to Seattle to film the daily lives of the throwaways and runaways. The film is shot cinéma vérité style, with no narration to guide the viewer. Bell and Mark found a large group of subjects willing to talk about their lives of panhandling, prostitution, petty crime, and drugs. They're proud of their abilities to survive, but there's a strong undercurrent of wistfulness about their observations. There are glimpses into the family lives that drove these kids to the streets: an alcoholic mother, another woman who's mystified that her daughter won't come home now that the girl's stepfather has promised not to force sex on her, and a convict bullying his son during a jailhouse visit. The latter relationship clearly inspired Mark and Bell's next project, the feature American Heart, which also took place in Seattle. Mark published a book of her photographs under the title Streetwise in 1988. ~ Tom Wiener, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
Unapologetic and remarkably non-judgmental, Streetwise is a model documentary. It's not that filmmakers Martin Bell and Mary Ellen Mark are indifferent to the desperation and anguish of their subjects -- teens living on the streets of a very prosperous city. But they refuse to turn these kids' stories into cloying moments of lost opportunities and broken dreams. What little time the film spends on the parents is enough to make you understand that the community of street people is in some ways (but certainly not all ways) more stable than the homes the teens abandoned or were thrown out of. That kids at least have each other is more than they had before. The "solution" to these kids' problems is in their hands; the adults in their lives are either indifferent to them or incapable of offering any real support or meaningful advice. Some may make it -- get decent jobs and work their way out of poverty -- and some, like the boy who visits his abusive father in prison, won't survive (the teen committed suicide after filming was completed). Unlike a typical TV news feature or documentary on the same subject, with a well-dressed reporter or somber narrator telling us what to think, Bell and Mark let the stories tell themselves and sidestep the sentiment that inevitably accompanies any narration. ~ Tom Wiener, All Movie Guide
Tags: homeless
 

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