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The Love Songs
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Directed by Christophe Honoré.
Though The Love Songs (AKA Les Chansons d'Amour) is not a film operetta per se, director Christoph Honoré and composer/lyricist/vocalist Alex Beaupain use that film to pay homage to the French movie musical as conceived by Jacques Demy in his classic Les Parapluies de Cherbourg (1967). The Honoré film concerns a series of hopelessly romantic Parisian characters who are unable to convey their feelings to one another in everyday situations, and who thus use musical numbers as outlets - as vehicles of emotional expression. Beaupain composed the score; a number of the songs that are included appeared on one of his solo albums. The individual stories covered in the film tell age-worn tales as old as time: the loss of love, the discovery of new love, the impossibility of mutual love. The film stars: Louis Garrel, Ludivine Sagnier, Chiara Mastroianni, Clotilde Hesme, Grégoire Leprince-Ringuet, Brigitte Roüan, Jean-Marie Winling and Yannick Renier. ~ Nathan Southern, All Movie Guide
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SpoutBlogSpoutBlog FilmCouch #62
by SpoutBlog in SpoutBlog on spout.com
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"Roland Emmerich (Independence Day) is probably the most bankable schlock-meister working. 10,000 B.C. is a snickerfest with some amazing woolly mammoths. On the evolutionary chain of movies, it’s a driect descendant of the campy Raquel Welch star vehicle, One Million Years B.C. (1967). Adam Forrest and I thought it would be fun to watch them both, but didn’t expect One Million to blow us away when it turned more Shakespeare than schlock. Karina phones in to explain what makes a good musical and why Love Songs–opening tonight–and so many others from the last 30 years don’t make the cut. FilmCouch 62 (Subscribe to FilmCouch–Spout’s weekly movie podcast–in the iTunes store and an episode will download each Friday) 10,000 B.C., One Million Years B.C., Love Songs Originally posted on:SpoutBlog " [More]
paulpaul FilmCouch #62
by paul in paul on spout.com
hasn't rated it.
1 out of 1 people found this review helpful. [What do you think?]
"Roland Emmerich (Independence Day) is probably the most bankable schlock-meister working. 10,000 B.C. is a snickerfest with some amazing woolly mammoths. On the evolutionary chain of movies, it’s a driect descendant of the campy Raquel Welch star vehicle, One Million Years B.C. (1967). Adam Forrest and I thought it would be fun to watch them both, but didn’t expect One Million to blow us away when it turned more Shakespeare than schlock. Karina phones in to explain what makes a good musical and why Love Songs–opening tonight–and so many others from the last 30 years don’t make the cut. FilmCouch 62 (Subscribe to FilmCouch–Spout’s weekly movie podcast–in the iTunes store and an episode will download each Friday) 10,000 B.C., One Million Years B.C., Love Songs Originally posted on:SpoutBlog » Paul " [More]
ShaunHustonShaunHuston Home from TIFF
by ShaunHuston in ShaunHuston filmblog
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"We've been home a few days, but very busy with work and house. However, here's what we saw in Toronto:Persepolis (North American premiere, but in the original French; Marjane Satrapi, her co-director Vincent Paronnaud, and Chiara Mastrioanni, voice of Satrapi in the film, in attendance at the Elgin Theater, or, I should write, the "Visa Screening Room").Hollywood Chinese (Director Arthur Dong and featured subject Nancy Kwan in attendance).My Winnipeg (World premiere, Guy Maddin in attendance and provided live narration; at the Wintergarden Theater).Short Cuts Canada: program 1 (multiple filmmakers in attendance).Les Chansons d'AmourVexille (Midnight Madness show). Originally posted on: " [More]
 



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