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Still of the Night
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Directed by Robert Benton.
In Still of the Night, a mystery thriller written and directed by Robert Benton, a psychiatrist falls in love with a woman who is suspected of the murder of one of his patients. Dr. Sam Rice (Roy Scheider) is treating a married museum curator. When the man is killed, Sam is visited by his dead patient's mistress and co-worker Brooke Reynolds (Meryl Streep) who wants him to return a watch -- that was left at her home -- to the patient's wife. Sam is immediately attracted to the cool, aloof Brooke, who has been discussed during numerous therapy sessions. When he hears about the mysterious death of Brook's father, and he himself is stalked by a woman who resembles Brook, he begins to both desire and fear her. Despite its rather leisurely pace, and some dream sequences which distract from the suspense, Still of the Night is an effective thriller despite a contrived surprise ending when the killer is revealed. Scheider is believable as the doctor in love, but Streep is rather strained in a role that demands a sexual allure and eroticism which she seems uncomfortable portraying. Benton's cinematography is moody and frightening, particularly when Scheider is followed through Central Park. Despite its flaws, Still of the Night should please fans of psychological thrillers. ~ Linda Rasmussen, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
Considering the cast and director, Still of the Night's lackluster showing at the box office was rather surprising. Audiences may have been put off by the lack of chemistry between stars Roy Scheider and Meryl Streep, although each of their individual performances is quite good. The convoluted plot and often static pace don't help matters, nor does the essential chilliness of the piece, but there's still much to recommend it. Alfred Hitchcock aficionados will have a field day catching the numerous references to the master, from Scheider's strong mother figure (played by The Birds's Jessica Tandy) to a Spellbound-like dream explanation to an auction that recalls North by Northwest. There's also beautiful, sometimes disturbing cinematography from Nestor Almendros, especially the Central Park sequence with its effective use of light (or lack thereof). The visual look throughout is striking; it has a glossiness and sleekness that's hard to resist. And director Robert Benton does know how to send chills up the spine when he wants to. Well executed but lacking a spark, Night is still the kind of movie that makes the viewer check twice that the door is locked before heading to bed. ~ Craig Butler, All Movie Guide
 



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