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Purple Violets
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Directed by Edward Burns.
An unhappy woman finds new love with her old boyfriend in this romantic comedy-drama from writer and director Edward Burns. Patti Selma Blair) is a woman in her early thirties living in New York City. For years, Patti chased after her dream of becoming a successful novelist, but recently she's had to put writing on hold and is unhappily working in real estate. Patti's ennui isn't helped by the fact her marriage has fallen into a rut and neither she nor her husband are interested in one another anymore. When she was in college, Patti was in love with Brian (Patrick Wilson), and while Brian is fortunate enough to support himself writing crime fiction, he's smarting from the uncharitable reviews given to his latest and most personal work. One night, Patti is having dinner with her best friend Kate (Debra Messing) when she bumps into Brian, who is out with his friend Murph (Edward Burns), who in turn used to be involved with Kate. As the former lovers talk about their past and where life has taken them, Patti finds herself falling for Brian all over again, but both she and Brian are still dealing with the differences and insecurities that drove them apart years before. Purple Violets received its world premiere at the 2007 Tribeca Film Festival. ~ Mark Deming, All Movie Guide
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quintquint Premieres exclusively on iTunes
by quint in An inordinate number of peppers
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"Here's an interesting development: “Purple Violets” premieres exclusively on iTunes " [More]
TheReelerTheReeler Black White + Gray Area
by TheReeler in The Reeler on Spout
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"(L-R) Sam Wagstaff and Robert Mapplethorpe, the subjects of Black White + Gray By Michelle Orange That fact that Tribeca is filled with what are essentially competent television biographies of figures who would never make it past a preliminary production meeting at A&E has both good points and bad. The good, of course, is that we get to learn of people other than those who sell advertising; Anita O’Day and Scott Walker are two on offer at Tribeca this year. But the bad is that the format is so tried and true that many filmmakers see no reason to deviate from it. Perhaps a sale to a television network is the goal for many festival directors, and who could blame them? Not one hour ago, after limping away from a six-hour movie marathon in a theater complex, I found myself contemplating a wall of boxed cinnamon buns beside an elderly lady at my local grocery store. She turned to me and said, “I remember when four of these were 99 cents -- we’d each buy a box and take them to the ... " [More]
 



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