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Fiestapatria
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Directed by Luis R. Vera.
Acclaimed Chilean director Luis R. Vera helms the allegorical period drama Fiestapatria. Set at the outset of Augusto Pinochet's dictatorship in the early 1970s, the film tells a bi-layered story. On the most immediate level, the picture dramatizes the gathering of two families - all but complete strangers to one another - who gather at a rural home to celebrate both the national holidays and the marital engagement of their children, Macarena and Alvaro. All appears well (and a 'happy ending' seems imminent), until Macarena shocks herself by unveiling a dark and nasty secret harbored by Alvaro's family. On the deeper (allegorical) level, this story symbolizes Chile's sociopolitical and moral evolution from the early 70s, with its military dictatorship, to the present day. Moreover, each of the family members emblematizes a recognizable archetype from Chilean society. The film stars Adela Secall, Marcela Oscrio, Nelson Brodt, Patricio Contreras, Daniel Munoz, Tatiana Astengo and Sergio Hernandez. ~ Nathan Southern, All Movie Guide
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TheReelerTheReeler With a Friend Like This...
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"Friends forever: Daniel Auteuil and Julie Gayet in My Best Friend By Eric Kohn So much of the festival environment relies on finding new talent that the presence of established artists practically seems like an afterthought. The tenuous relationship between career success and festival recognition doesn’t apply to filmmakers whose name alone attracts a crowd. This year, Tribeca held a spot for Patrice Leconte, one of the finest contemporary French filmmakers, for his sizably budgeted comedy My Best Friend. The movie arrived at the festival with a distribution deal through IFC Films in place (it hits theaters July 13), meaning that its inclusion in the festival primarily serves to guarantee that some quality offerings that only a veteran can provide. But what’s in a name? Not everything, unfortunately. I’ve admired Leconte’s inquisitive character studies for years; his magnificent reworking of The Prince and the Pauper in 2002’s The Man on the Trai ... " [More]
 



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