Four Eyed Monsters
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Directed by Bill Guttentag.
Eva Mendes, Jay Hernandez, and Eric Lively star in a scathing mockumentary/media satire concerning a network executive (Mendes) who pitches a controversial show in which willing contestants participate in a real-life game of Russian Roulette. As the show goes into production, a documentary crew turns their cameras on the production to capture the firestorm of controversy that erupts as the premier date draws ever closer. ~ Jason Buchanan, All Movie Guide
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TheReelerTheReeler Live! With Eva Mendes
by TheReeler in The Reeler on Spout
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"Earlier in the festival we had the chance to check in with Eva Mendes, the star and co-producer of the scathing television satire Live! The narrative directing debut of Oscar-winning documentarian Bill Guttentag, Live! traces the efforts of a bloodthirsty network executive (played by Mendes) who seeks to up the reality-TV stakes by broadcasting a Russian roulette program. Mendes spoke with us about transitioning as a producer, the dearth of good women's roles in Hollywood and how to use the phrase "Red Bull" as a verb.Watch this and more Tribeca coverage on ReelerTV Discuss Live! and other Tribeca titles at Spout. Syndicated Feed From:The Reeler " [More]
TheReelerTheReeler Gellar and Baldwin's Girl Trouble
by TheReeler in The Reeler on Spout
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"Sarah Michelle Gellar and Alec Baldwin in Suburban Girl By Michelle Orange After five days of complete Tribeca submersion, I have now jeopardized several friendships and developed a twitch in my left eye, all, it seems, to be the bearer of bad news about Suburban Girl, the adaptation of Melissa Bank's huge-selling The Girls’ Guide to Hunting and Fishing. If you weren’t already gagging (via a spoon, ideally) on that title (why would they change it?), the sight of Sarah Michelle Gellar in various stages of clinchdom with Alec Baldwin just might do it. New York’s publishing industry is certainly ripe for its own Network (or perhaps more likely, Broadcast News), and this is just as certainly not it, though one could argue that it doesn’t aspire to be. The problem is it doesn’t seem to know what it wants to be, and writer/director Marc Klein’s adaptation has taken most of the spark out of Bank's book, resulting in a tepid-to-smarmy chick flick. Baldwin (in the Mr. Big school of N ... " [More]
 



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