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Sorcerer
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Directed by William Friedkin.
The plot of William Friedkin's suspense thriller originated with the same Georges Arnaud novel that inspired Henri-Georges Clouzot's French suspense classic The Wages of Fear (1953). Roy Scheider, Bruno Cremer, Francisco Rabal, and Amidou play four men who, for various reasons, cannot return to their own countries. They end up in a dismal South American town where an American oil company is seeking out courageous drivers willing to haul nitroglycerin over 200 miles of treacherous terrain. The four stateless men have nothing to lose -- and, besides, they'll be paid 10,000 dollars apiece, and be granted legal citizenship, if they survive. The suspense is almost unbearable at times, even outdistancing the tension level of The Wages of Fear in certain scenes. Sorcerer had all the earmarks of a moneymaker, but this picture bombed for a rather odd and silly reason: its glaringly inappropriate title. Fans of Friedkin's The Exorcist may have gone home disappointed that not one sorcerer ever rears its ugly head. ~ Hal Erickson, All Movie Guide
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Dr_GorDr_Gor In Memorium...
by Dr_Gor in HORROR MOVIES 101
loved it.
"I was saddened and shocked (!) to learn of the death of one of my FAVORITE actors of ALL time! I was even MORE shocked to learn that Roy Scheider was 75 when he died (!!!) ... (Oh My God.... has it really been that long!!!) ... When JAWS was released in the summer of '75 or '76... I can't remember which, and I was either 14 or 15, I went to the 'state of the art' giant screen theater on the other end of town... (using 'public transportation'...) ... To make a long story short, I have seen 'JAWS' 14 times in a row.... over 14 consecutive weekends! In the same giant-screen theater! Trust me, folks, For ME, that is a record... having PAID to see JAWS , in the theater, 14 times.... But I am not the only one to hold this record! My stupid cousin 'Ricky' did the same thing with me (!!!) .... Obviously, 'Chief Brody' stole the show in that one! And that was no easy task working against 'super-heavyweig ... " [More]
Dr_GorDr_Gor Re: Kubrick is #1
by Dr_Gor in Stanley Kubrick Films
loved it.
"Kubrick is one of my favorite directors... I would put him just below William Freidkin! (ever see "Sorcerer" or "The Exorcist" ?) I LOVED "The Shining" and "Clockwork Orange" and "Platoon" and especially "Dr. Strangelove"! " [More]
quintquint Re: Discussion
by quint in From art house to my basement
liked it.
Was this review helpful? [Be the first to tell us!]
"Good question. There was The Seventh Seal that was the first film I saw that seemed completely devoted to an aesthetic, but that was college. I'd have to say that the movie Sorcerer was the first one I saw that felt like there was something more going on than just action adventure. There was a fetishizing of the scenery and a mythic quality. I'd have to agree with Paul though about the Star Wars flicks. The first time one of those massive ships cruised over head with this overwhelming scale, I thought I might pee my pants. " [More]
Review by All Movie Guide
All Movie Guide
lost interest.
The decline of William Friedkin's career, one of the most dramatic of the past three decades, began with the box-office failure of this unjustly neglected thriller. Inspired by Clouzot's masterful Wages of Fear, the film tells the story of four amoral men trapped by fate in a godforsaken Nicaraguan town. Nearly broke, they accept an oil company's offer to drive two trucks full of nitroglycerine over treacherous roads for 10,000 dollars apiece. Friedkin dropped the existential overtones of the Clouzot film, which insisted on the characters' basic isolation, and instead, emphasized the way in which these four very different men, united only by their criminality, must overcome their worst instincts and work together to survive. The tension never slackens in the carefully paced thriller, which is made even more gripping by the kind of realism that the former documentarian brought to films like The French Connection (1971) and To Live and Die in L.A. (1984). All of the actors are solid in parts with limited character development, and the film is beautifully shot. Aside from its misleading title, to which many have attributed its failure, it may be that like To Live and Die in L.A., audiences found it difficult to sympathize with the unsavory characters. ~ Michael Costello, All Movie Guide
 



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