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Son of Lassie
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Directed by S. Sylvan Simon
Son of Lassie is about a courageous collie named Laddie, played by a dog named "Pal". A sequel to Lassie Come Home, the film stars Peter Lawford and June Lockhart as the grown-up counterparts of the characters played in the earlier film by Roddy McDowall and Elizabeth Taylor. When WW2 breaks out, young Yorkshireman Joe Carraclough (Lawford) signs up with the British air force, bringing Laddie along. The inquisitive canine sneaks aboard the plane which takes Joe on his first bombing mission. Their aircraft hit by enemy fire, Joe and Laddie are forced to parachute into Nazi-occupied Norway. Injured in the landing, Joe lies in a daze while the dog seeks help for his master. Once Laddie ascertains that the Nazis aren't his friends, the film evolves into one long chase, as dog and master try to make their way back to their own lines?while back at home, Joe's sweetheart Priscilla (June Lockhart, who of course would later costar in the Lassie TV series) bites her nails in anticipation. ~ Hal Erickson, All Movie Guide
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Review by All Movie Guide
All Movie Guide
lost interest.
Son of Lassie does prove, rather unfortunately, that the apple can indeed fall pretty far from the tree. A big step down from Lassie Come Home, Son doesn't begin to follow in its mother's pawprints. It's not the dog actor's fault, as Pal played Lassie herself in the original. Blame it on the scriptwriters, who somehow seemed to think that the offspring of the world's smartest dog should be a contender for the dumbest (as well as the most annoying). Actually, for the most part the dog is just doing what a dog might do -- but in the "dramatic" context of the film, it comes off as sheer stupidity. It doesn't help matters that the story itself is pretty contrived from start to finish. Peter Lawford does a decent job as a grown-up Roddy McDowall, but June Lockhart is a wan substitute for Elizabeth Taylor. Donald Crisp and Nigel Bruce reliably reprise their earlier performances to good effect, and the supporting cast in general is fine. But the biggest asset is the gorgeous Technicolor lensing by Charles E. Schoenbaum, which pops off the screen in a most pleasing manner. ~ Craig Butler, All Movie Guide
 

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