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The Small Back Room
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Few British films were run on American TV in 1950s with such frequency as The Small Back Room (U.S. title: Hour of Glory). A typically multilayered effort from the Powell-Pressburger team, the film stars David Farrar as crippled munitions genius Sammy Rice. During WW II, Rice is constantly frustrated by the limits of his handicap and by the never-ending boondoggle of government red tape. He makes several acerbic comments about the state of things, which has the effect of turning the public against him. How Rice redeems himself professionally, and at long last finds inner peace, is the thrust of this well-wrought film. Originally released at 106 minutes, The Small Back Room has suffered the ignominy of being ruthlessly re-edited by American distributors and local TV stations; it's best to seek this one out on videotape. ~ Hal Erickson, All Movie Guide
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In this change of pace after The Red Shoes (1948), Michael Powell and Emeric Pressburger examined the bureaucratic and personal frustrations of a crippled munitions expert during World War II. Powell's gritty black-and-white realism is tinged with expressionistic flourishes, particularly in a fantasy about a menacing whiskey bottle that reveals the alcoholic Sammy's distress as he grapples with feelings of inadequacy and reservations about romantic bonds. His chance to dismantle a new kind of explosive becomes his possible redemption; the 17-minute sequence of his painstaking efforts to defuse a bomb precariously embedded in a pebbly Dorset beach is a triumph of visual story-telling and excruciating suspense. Despite a positive critical response and excellent performances from David Farrar, Kathleen Byron, and Cyril Cusack, The Small Back Room was a box office flop. Over 20 minutes were cut for TV prints; and it was released in the U.S. in 1952 as Hour of Glory. ~ Lucia Bozzola, All Movie Guide
 

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