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Sleepless in Seattle
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Directed by Nora Ephron.
Sleepless in Seattle, the sophomore directorial effort from Nora Ephron, is a light romantic comedy inspired by the 1957 film An Affair to Remember. Tom Hanks stars as widower and single father Sam. When Sam's son, Jonah (Ross Malinger), calls into a talk radio program looking for a new mother, Sam ends up getting on the phone and laments about his lost love. Thousands of miles away, Annie (Meg Ryan) hears the program and immediately falls in love with Sam, despite the fact that she has never met him and that she is engaged to humdrum Walter (Bill Pullman). Believing they are meant to be together, Annie sets out for Seattle to meet Sam, who, meanwhile, contends with an onslaught of letters from available women equally touched by his phone call. Rosie O'Donnell, Rita Wilson, and Rob Reiner also star. ~ Matthew Tobey, All Movie Guide
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ShaunHustonShaunHuston AFI's 10 Top 10: Romantic Comedy
by ShaunHuston in ShaunHuston filmblog
hasn't rated it.
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"For me, the romantic comedy Top 10 is the most solid compilation of the group. Not only is the rom com a clearly established American film genre, but the individual selections are all eminently reasonable and defensible. This is not to suggest that I wouldn't make alternate suggestions, because I would, but I understand the reasoning behind each of the ten films on the AFI's list. And I don't have any strong contrarian or idiosyncratic preferences that would lead me to tilt at a windmill like arguing against the selection of, say, City Lights (1931) as number one, or its inclusion on the list altogether. The one film on this list that I do question is Sleepless in Seattle (1993). There isn't anything outstandingly wrong with the film, but it isn't especially remarkable, either. It doesn't represent a particularly clever or innovative take on the genre. It doesn't push any boundaries. It doesn't mark any point in the development of the form (indeed, I would argue that it is fairly t ... " [More]
SpoutBlogSpoutBlog 5 Female Genres Equivalent to M ...
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
1 out of 1 people found this review helpful. [What do you think?]
"Even before Annaliese Griffin at the Vulture blog detailed why Sex and the City is the female equivalent of superhero movies, a genre mostly appealing to men, a female friend of mine noted the same. It’s apparently an obvious parallel, despite the fact that earlier this summer the supposed gender battle between Iron Man and Made of Honor resulted in the awareness that many women are in fact fond of some superheroes. Nevertheless, Griffin’s post made me think of the conversation in Sleepless in Seattle in which real-wife married couple Tom Hanks and Rita Wilson discover the connection between An Affair to Remember and The Dirty Dozen. Of course, Hanks’ character was probably joking about crying at the end of the latter film, but he still had a point. There are certain equivalents between specifically female film genres and specifically male film genres, as you can see from the following list: Melodrama (female) = War Film (male) - Already touched on with the aforementioned Sleeples ... " [More]
eagle795eagle795 #58
by eagle795 in eagle795 Blog
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"One of my guilty pleasures. The Hanks/Ryan combo is magic…even though they are actually onscreen together very little. Even Rosie O’Donnell is tolerable here. " [More]
Review by All Movie Guide
All Movie Guide
is neutral about it.
Nora Ephron's gentle romantic comedy, a throwback to the tearjerkers of the '40s and '50s, is saved from mawkishness by a combination of deft one-liners and a typically winning performance by Tom Hanks. Ephron, who made her reputation as a tough, no-nonsense journalist and author in the '60s before moving on to screenwriting, was also famous for having eviscerated her two ex-husbands in print. Whether her late-career foray into romantic comedy signaled a new-found vulnerability or a keen awareness of film industry economics, only she can say. The film uses Leo McCarey's An Affair to Remember (1957) as a touchstone, and its gossamer plot is similarly based on coincidence, as an affianced journalist (Meg Ryan) becomes enamored of an architect (Hanks) after hearing him express his love for his deceased wife on a radio call-in show. Though the film offers little in the way of surprise, Ephron was shrewd in casting Hanks, an actor whose rare ability to play both his character's melancholy and deadpan wit help to keep the project's saccharine quotient at a tolerable level. Ross Malinger, who plays his young son, also scores here, a kid with the timing and delivery of a veteran tummler. Ryan is appealing, but is saddled with a vague character defined mostly by her date with destiny. To enhance the mood the film, it features a soundtrack of love songs from earlier decades by the likes of Nat King Cole and Ray Charles, which can be enjoyed even by those who are a mite skeptical about what they've been watching. ~ Michael Costello, All Movie Guide
 



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