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Singles
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Directed by Cameron Crowe.
Set amidst the burgeoning Seattle alternative music scene of the early '90s, Singles follows a group of twentysomethings as they try to find love and try to come to terms with their passage into adulthood. Arranged as an episodic comedy, the film follows a group of friends who live in the same apartment building and hang out at the same coffee shop. The central couple is Steve Dunne (Campbell Scott) and Linda Powell (Kyra Sedgwick), a pair who meet at an Alice In Chains concert and eventually fall in love. Singles follows the tumultuous relationship between Steve and Linda and their friendship with Janet Livermore (Bridget Fonda), who is trying to win the affection of grunge-rocker Cliff Poncier (Matt Dillon). The film also has a number of cameos, including actors Eric Stoltz, Tom Skerritt, Peter Horton, director Tim Burton and the film's author/director, Cameron Crowe. From the musical side of the fence, Singles features appearances by Sub Pop executive Bruce Pavitt, musicians Chris Cornell (Soundgarden), Pat DiNizio (Smithereens), Tad (Tad), and Pearl Jam's Eddie Vedder, Jeff Ament, and Stone Gossard, who play Dillon's backing band, Citizen Dick. ~ Stephen Thomas Erlewine, All Movie Guide
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unclefesteringunclefestering One of those movies that I'll a ...
by unclefestering in unclefestering Blog
hasn't rated it.
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"Almost Famous is one of those movies that will stop me from channel surfing to watch it when it is on. Although it has its flaws, it is one of Cameron Crowe's best and most personal movies. It is right up there with Singles (1992). I loved how this movie really evoked the feeling of the 70s. That mood that what was special about the 60s was slipping away. That feeling is mirrored by the gradual loss of William's innocence as he leaves the shelter of his overprotective mother for the care of Penny Lane. Phillip Seymour Hoffman is great (as always) as the rock critic who is William's mentor and offers advice that is too eagerly discarded until he realizes its worth far too late. It is hard to believe that Crowe could make this and be the force behind the soulless Jerry Maguire (1996). " [More]
yojimbo73yojimbo73 Life's Soundtrack
by yojimbo73 in yojimbo73 Blog
loved it.
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"I was sitting in my jeep a few days ago looking through my iPod for something that would pick my spirits up for the drive home. Great little invention. Kinda makes that "10 albums on a desert island" thing useless. Just bring your iPod and you can have your entire collection. Anyway, I decided on the Counting Crows as it'd been years since I'd listened to them. Instantly I was transported to...I'll get to that in a minute. It made me think about that whole "smell is the best memory trigger" thing. Now maybe it's just a deficiency in my olfactory system, but smell has never done a thing for my memory. Sure, it's been instrumental in conjuring up old girlfriends and musty schools, but nothing really useful. Music on the other hand can open wormwholes to my past. When I hear the songs from the soundtrack of the movie that is my life I am instantly bombarded with memories. Sights, sounds, smells, the whole package. -"I Wear My Sunglasse ... " [More]
Review by All Movie Guide
All Movie Guide
is neutral about it.
Cameron Crowe's desultory ensemble romantic comedy is less probing than his best work, but between its appealing twentysomething characters and the film's sweetly whimsical humor, it's difficult to resist. Crowe tracks the unsettled lives of a group of young people looking for love against the backdrop of the then-hot Seattle music scene, and since they all live in the same apartment complex, it's something of a Melrose Place with brains. Campbell Scott and Kyra Sedgewick, as a couple who meet in a club, connect, then waffle about their relationship while remaining absorbed with their careers, get the most screen time, but their friend's (Bridget Fonda) infatuation with a hilariously obtuse aspiring rock star (Matt Dillon) yields the film's funniest scenes and truest take on the serpentine course of love. By using an episodic, jokey structure, complete with blackouts, Crowe keeps a cool distance from anything potentially painful in the material, emphasizing the open-endedness of youthful romance. The film acutely targets the self-absorption of the two men, but seems a little too amused by the vulnerability of Fonda and Sheila Kelley as they contemplate makeover strategies in the quest for love. If by the end, Crowe seems to have had less on his mind than usual, he leaves one with a palpable sense of well-being for having spent time with these characters. ~ Michael Costello, All Movie Guide
 



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