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Sharky's Machine
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Directed by Burt Reynolds.
A William Diehl novel was the source of the noirish nailbiter Sharky's Machine. Sharky (Burt Reynolds) is an undercover cop who fouls up an assignment and is kicked downstairs to the vice squad -- a rough-shod bunch of hellraisers who make life miserable. Soon, however, Sharky's life does a 180 when he encounters Dominoe (Rachel Ward) a prostitute seemingly in danger from her interaction with a number of very seedy thugs. To protect her, Sharky lines the high-rise apartment across from her residence with security cameras and surveillance equipment -- which only makes matters sticky as Sharky begins to fall in love with her. The film opened to a very warm critical reception (Janet Maslin observed that "Burt Reynolds establishes himself as yet another movie star who is as valuable behind the camera as he is in front of it"). It also features one of the most dangerous stunts on film, wherein the late stuntman Dar Robinson free falls from 16 stories off the ground. The "machine" of the title refers to Sharky's fellow cops, played by heavyweights Brian Keith, Charles Durning, Bernie Casey, and others. ~ Hal Erickson, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
Made during a period when Burt Reynolds was so hot that he could have gotten a deal to direct the Sears catalog, this police thriller has something that might almost be described as a sensibility. A film that openly invokes the classic Laura (1944), this tale of a quirky undercover cop (Reynolds) who becomes obsessed with a high-class hooker (Rachel Ward) under 24-hour surveillance swings wildly between extremes of romanticism and violence, its protagonist both tougher than Dirty Harry and more vulnerable than Bambi. The star peoples his surveillance unit with a host of talented character actors including Charles Durning and comic stud Richard Libertini, and the throwaway humor and warmth of their exchanges has an improvised feel that seems to reflect the fabled looseness of Reynolds' sets. The unpersuasive plot concerning Vittorio Gassman's ridiculously overblown gangster's involvement with corruption in high places is clearly intended only as a framework for the star to stretch out. If Reynolds' direction is primitive and the film often looks as though it was edited with a meat cleaver, to hear the isolated star warbling a duet of "My Funny Valentine" with a distant and unwitting Ward is worth the price of admission. ~ Michael Costello, All Movie Guide
 



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