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Shampoo
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Directed by Hal Ashby.
A frankly adult comedy about the sex lives of the aimless and the rich, Shampoo is also a pointed commentary on the demise of 1960s idealism at the dawn of the Nixon era. It is Election Day, 1968, and randy Beverly Hills hairdresser George Roundy (Warren Beatty) is too worried about attending to all of his women's tonsorial and sexual needs, while trying to swing a bank loan to fund his own salon, to notice the fateful Presidential race. As George juggles the demands of girlfriend Jill (Goldie Hawn) and mistress Felicia (Lee Grant), not to mention Felicia's daughter (Carrie Fisher), he meets Felicia's husband Lester (Jack Warden) to get money for the salon and discovers that his beloved ex-girlfriend Jackie (Julie Christie) is now Lester's mistress. Lester asks George to escort Jackie to a banquet for Nixon supporters, leading to a series of climactic confrontations at the dinner and a Hollywood orgy that expose the conflicting demands of sex, love, and security among these terminally narcissistic L.A. denizens. As Nixon's victory speech drones in the background the following day and Paul Simon's mournful '60s music plays on the soundtrack, George's free-wheeling world collapses around him for reasons that he can barely begin to comprehend. Produced and co-written (with Chinatown scribe Robert Towne) by its star Warren Beatty, Shampoo became Beatty's second critical and popular success as a producer after Bonnie and Clyde, and it bolstered Hal Ashby's track record as director. Shampoo earned Grant an Oscar for Best Supporting Actress, as well as a Supporting Actor nomination for Warden and Beatty's first nomination as writer. With Nixon's 1974 Watergate disgrace adding an extra edge to the humor for 1975 audiences, this tragic bedroom farce became one of the highest-grossing films in Columbia Pictures' history at the time. ~ Lucia Bozzola, All Movie Guide
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dibotdibot Absence of Sunrise in the Killi ...
by dibot in dibot Blog
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1 out of 1 people found this review helpful. [What do you think?]
"Well, I was almost caught up on my reviews. Then I slacked off again. It never ends. Directed by F.W. Murnau ("Tabu: A Story of the South Seas"), Sunrise is a silent film following a cheating husband whose mistress urges him to kill his wife. I sometimes have difficulty with silent films, but this one is so gorgeous and heartbreaking. The wife, Janet Gaynor ("Bernadine"), has a face like a luminous moon. And every emotion is conveyed perfectly without the use of words. The cinematography is also very good. Dare I say...masterpiece? Absence of Malice is a tight little thriller with Sally Field ("Two Weeks") as a journalist investigating and becoming involved with Paul Newman ("Cars"), who the FBI suspect of murder. Director Sydney Pollack ("Sketches of Frank Gehry") explores the power of the press and what really constituents news. Very enjoyable. Based on actual events, Mutiny on the Bounty chronicles one crews voyage from England to Tahiti under the reign of an abusive captain. ... " [More]
SpoutBlogSpoutBlog Adam Sandler Makes Us Dumber. C ...
by SpoutBlog in SpoutBlog on spout.com
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"You Don’t Mess with the Zohan opens today, and it’s apparently a terrible waste. Boy, do I miss the days when Adam Sandler played stupid and immature rather than skilled and pretending to be gay. At least then it seemed okay that he was possibly making everyone in the room dumber just for having watched his movie. I guess it’s fair that with everyone else doing man-boy comedy these days Sandler is trying to do something with a hint of a political message, but personally I liked it better when he was the least mannish, most boyish man-boy to hit the screen since Jerry Lewis. Making shampoo and conditioner fight? Comedic genius, in my opinion. Making a modern day Shampoo? Not genius at all. Looking back at Billy Madison, possibly his least mature but most consistently hilarious feature, it now seems as though Sandler has gone through a My Fair Lady sort of transition. And just as with that musical I prefer Eliza Doolittle with a Cockney accent, with Sandler I prefer the gibberish. I ... " [More]
Review by All Movie Guide
All Movie Guide
liked it.
A sex comedy crossed with social satire, Shampoo (1975) is a vital 1970s Hollywood work. Co-written by top '70s screenwriter Robert Towne and star/producer/avowed Democrat Warren Beatty, Shampoo's witty examination of the Los Angeles rich and lustful eulogizes the 1960s hedonism brought low by the Richard Nixon years, while Nixon's 1974 Watergate demise adds an extra unspoken bite to the proceedings. Along with the politics, Beatty tweaks his own Lothario image as the popular ladies' man hairdresser who may have lots of hair, but not lots of brains. Beatty's beautifully dim George may be what Julie Christie, Goldie Hawn, Lee Grant, and a comically precocious Carrie Fisher want, yet he and his orgy-attending milieu should never underestimate the power of Jack Warden's Lester and his Rolls. Directed with a low-key gift for humor and sensitivity by estimable '70s filmmaker Hal Ashby, Shampoo spreads the blame equally without over-judging the characters' weaknesses. Proving his mastery of the zeitgeist once again, Beatty scored his second enormous box-office success as a producer-star, and earned his first Oscar nomination for writing; Shampoo went on to become one of the top hits of 1975. ~ Lucia Bozzola, All Movie Guide
 



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